Chamber Ensemble Sheet Music

In addition to the Mass in B minor, Bach is known to have composed four other, smaller masses, the so-called Lutheran or Kyrie Gloria masses. Despite their high musical qualities, they are often overs...

In addition to the Mass in B minor, Bach is known to have composed four other, smaller masses, the so-called Lutheran or Kyrie Gloria masses. Despite their high musical qualities, they are often overs...

Johann Sebastian Bach's "Magnificat" BWV 243 was composed in its first form in E flat at the very beginning of Bach's Leipzig tenure, possibly for the Visitation of Mary on July 2, 1723. A performance...

Ein feste Burg ist unser Gott BWV 80 (CV31080-00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, repr...

Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently performed cantatas. However, the well-known form with the large opening chorale represents the...

Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently performed cantatas. However, the well-known form with the large opening chorale represents the...

The Missa in g is the only surviving work in this genre by Johann Hugo von Wilderer, whose work as Kapellmeister at the Electoral Palatinate court, which had resided in Mannheim since 1720, was mainly...

There is hardly a work by a contemporary that Bach can be proven to have worked on as frequently and intensively as Keiser's "St. Mark Passion". There is evidence of a total of three performances, for...

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, including in vespers on Marian feasts. Antonio Vivaldi's only setting of this vesper psalm has some special features: The work is...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...

In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...

The two Magnificat compositions (C major, ZWV 107; D major, ZWV 108) are part of Zelenka's collection of well over 30 psalm and Magnificat settings for the Dresden Vespers services. In contrast to the...

The new Carus edition of this sonorous work, characterized by the Italian style, contains for the first time the Choral Fugue No. 6, which can be found in Mendelssohn's autograph and was also performe...

Bruckner’s Tantum ergo in B-flat major was performed on New Year’s Eve 1849 at St. Florian monastery, where the composer was employed as a teacher. This short work captivates with an expressive, beaut...

The festive composition with its large orchestration for the time was performed for the first time on June 29, 1751 on the occasion of the consecration of the new Catholic Court Church in Dresden.

The "Missa pastoralis in C", presented here for the first time, was composed around 1808. It is part of a cycle of sacred chants called "Cursus sacro-harmonicus", which Ryba created as an ordinarium a...