Chamber Ensemble Sheet Music

The Wesendonck-Lieder were written in 1857-1858 in an exceptional momentum of creative effervescence, of musical and cultural search, and of passionate love. Wagner develops the chromatic writing that...

Heather Dohollau's poetry always ventures to the border of words and silence. A native of Wales but having lived in France since 1950, Heather Dohollau (1925-2013) had found, through the confrontation...

Like Vom Blau, Kristall, Gegenlicht, Sommerbericht, written respectively for double bass, alto saxophone, bass clarinet and a percussion septuor, Lob der Ferne is a poem from Paul Celan's cycle "Der S...

Like Vom Blau, Kristall, Gegenlicht, Sommerbericht, written respectively for double bass, alto saxophone, bass clarinet and a percussion septuor, Lob der Ferne is a poem from Paul Celan's cycle "Der S...

Details: chromatic trumpet and string quintet

Three vocal quartets; a small assembly of percussions; a composition written for twelve different voice parts; three languages in a text incuding the Occitan of Bernard de Ventadour; rhythmical layers...

Three vocal quartets; a small assembly of percussions; a composition written for twelve different voice parts; three languages in a text incuding the Occitan of Bernard de Ventadour; rhythmical layers...

Like Vom Blau, Kristall, Gegenlicht, Sommerbericht, written respectively for double bass, alto saxophone, bass clarinet and a percussion septuor, Lob der Ferne is a poem from Paul Celan's cycle "Der S...

Like Vom Blau, Kristall, Gegenlicht, Sommerbericht, written respectively for double bass, alto saxophone, bass clarinet and a percussion septuor, Lob der Ferne is a poem from Paul Celan's cycle "Der S...

So rich and various is the orchestral writing of The Cunning Little Vixen that countless possibilities are opened up for adaptation. The aim of the present one is to bring the luminous complexity of t...

Details: 1 flute (also playing the flute in G, the piccolo flute and a rain stick), 1 bass clarinet in B-flat (also playing the clarinet in E-flat and a rain stick), 1 violin, 1 cello, 1 piano, a perc...

Gargouillado offers a successful testimony of an unknown genre, the "salon opera". Written in the direct vein of Hervé and Offenbach, whose fame persist at the beginning of the Third Republic, La Tomb...

Gargouillado offers a successful testimony of an unknown genre, the "salon opera". Written in the direct vein of Hervé and Offenbach, whose fame persist at the beginning of the Third Republic, La Tomb...

Gargouillado offers a successful testimony of an unknown genre, the "salon opera". Written in the direct vein of Hervé and Offenbach, whose fame persist at the beginning of the Third Republic, La Tomb...

Jules Massenet, who became known through his operas Manon (1884), Werther (1892) and Don Quichotte (1920), also composed four operettas at the beginning of his career. These operettas were only known...

Gossec wrote the 6 Symphonies opus 6 in 1762 while he was the music intendant for the Princes of Condé and Conti. The third one in C minor is a 3-movement symphony, like the vast majority of the symph...

According to the original edition, this symphony was first performed at the Concert des amateurs—a concert society in competition with the Concert spirituel​—in 1777, the year Le Duc died. It shows a...

This arrangement of Berlioz's Les Nuits d'été by Luca Antignani is available for both high voice ("voix haute") and low voice ("voix grave"). For each of these two versions, the full score ("conducteu...

This arrangement of Berlioz's Les Nuits d'été by Luca Antignani is available for both high voice ("voix haute") and low voice ("voix grave"). For each of these two versions, the full score ("conducteu...

This arrangement of Berlioz's Les Nuits d'été by Luca Antignani is available for both high voice ("voix haute") and low voice ("voix grave"). For each of these two versions, the full score ("conducteu...

This arrangement of Berlioz's Les Nuits d'été by Luca Antignani is available for both high voice ("voix haute") and low voice ("voix grave"). For each of these two versions, the full score ("conducteu...

Details: flute, flute in G, clarinet bassoon, saxophone, paino, violin, viola, cello, 2 percussion instruments, 8-track sound system

The scene published here is taken from the first act. It consists of seven main sections, with an overall structure of three parts: soliloquy - dialogue - duet. We see first of all Phaon, who is singi...

The scene published here is taken from the first act. It consists of seven main sections, with an overall structure of three parts: soliloquy - dialogue - duet. We see first of all Phaon, who is singi...

Das Stück ist mit einem Gesangssolisten, Chor, Oboe, Violine, Cello und Klavier nahezu kammermusikalisch besetzt und daher mit einem recht geringen Aufwand spielbar. Wer jedoch glaubt, dass Christill...