Charles Villiers Stanford Sheet Music for Mixed Choir

For double SATB chorus unaccompanied This is Stanford's extended Latin setting of this text, written in 1918 and acknowledged as its composer's finest a cappella choral work. Duration: 12 minutes Diff...

The name SAM-Klang takes the three voice parts from the arrangements Soprano, Alto and Men and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound toge...

The name SAM-Klang takes the three voice parts from the arrangements Soprano, Alto and Men and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound toge...

A powerful and solemn setting of Psalm 57 with a lighter, lilting middle section, published posthumously. Originally published in A Stanford Anthology.

Based on popular hymn tunes, these short anthems by Stanford were written as complements to his Six Bible Songs (Op. 113), but also stand independently as inventive works in their own right. Originall...

Influenced by Felix Mendelssohn Bartholdy, the Irish composer Sir Charles Villiers Stanford (1852-1924) developed an English Romantic musical language of his own.This is noticeable especially in his t...

Edited by Barry Rose. An excellent compilation of twenty-four anthems for Mixed Voice Choirs featuring texts taken from the Psalms, featuring new works and performing editions published for the first...

A setting of Psalm 23 for SATB Choir and Organ.

A setting of Psalm 150 in chant form. For SATB Choir and Organ.

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work.

Charles V. Stanford's setting of Psalm 23 for SATB Choir and Organ. Re-engraving.

A setting of Psalm 100 for SATB Choir and Organ.

gemCh (SATB), Org -

Charles Villiers Stanford ist eine zentrale Persönlichkeit in der Musikgeschichte Irlands und Englands, dessen Werk seit den 1980er-Jahren zunehmend wiederentdeckt wird. In Cambridge, Leipzig und Berl...

Magnificat And Nunc Dimittis for Mixed Choir, SATB with Organ accompaniment in the key of B Flat.

No. 3 of Six Elizabethan Pastorals.

And I saw another angel by Charles V. Stanford for SATB chorus and Organ.