Sheet Music for Choir and Vocals for all ensembles

Kantate für Solisten, Chor und Instrumente oder Orgel. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Orgel - Singpartitur; Chorpartitur; OrgA

Arranged for soloists, choir and organ.

Work No.2 from Geistliche Chormusik (1934-1941). 14 short motets for the Sunday of the Dead based on words from the Cherubinischer Wandersmann by Angelus Silesius, alternating with a dialog for 11-13...

The 'Gloria' RV 589 (BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the 'Gloria' as an in...

Claudio Monteverdis 'Vespro della Beata Vergine' ist sicher eines der populärsten geistlichen Werke des 17. Jahrhunderts. Neben zahlreichen Einspielungen wird es immer wieder ganz oder in Teilen aufge...

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Posaune (2), Violine (2), Viola, Basso continuo (Cello, Kontrabass, Orgel) Antonio Caldara (1670-1736) verbindet man in erster Lin...

Immediately after completing Paulus in 1836, Mendelssohn considered composing another oratorio. However, a whole decade was to pass before he composed 'Elijah', which is based on the story of the bibl...

Soprano solo, alto solo, tenor solo, bass solo, gemCh (SATB), piano, trombone (3), timpani, strings, organ - piano reduction; Urtext edition

Edited by Christina M. Stahl and Michael Stegemann Piano reduction by Martin Focke The Messe de Requiem is probably Gabriel Fauré's best-known and most frequently performed work internationally. After...

S, A, T, B, 4-stimmiger gemischter Chor und Orchester - Klavierauszug

Sacred Songs brings together the most famous and beautiful movements from the composer of Adiemus. This collection includes pieces from The Armed Man: A Mass for Peace, Requiem and Stabat Mater. Inclu...

A new unaccompanied choral work arranged by Ronald Duncan.

Karl Jenkins' vibrant Gloria is a large-scale festival piece commissioned by the Really Big Chorus for performance at London's Royal Albert Hall in July 2010. Cast in four movements, it sets the tradi...

This new publication makes the Benedictus available for performance as a separate work, with piano accompaniment. The score includes the iconic introductory cello solo part on its own page, although p...

This contemplative and serene piece was commissioned as a retirement gift for Canadian organist and choir director, Paul Merrit, and first performed in 2016. The setting of the well-known biblical wor...

The Prayer: Laudamus Te' is taken from Jenkins' vibrant 'Gloria', a large-scale festival piece commissioned by the Really Big Chorus for performance at London's Royal Albert Hall. Cast in five movemen...

Mit zahlreichen neuen Kompositionen und frischen Be­arbeitungen bekannter Chorwerke gibt das Chorbuch a tre. Band 2 dem Singen im Gottesdienst neue Impulse. Der Band ist eine Ergänzung und Fortsetzung...

Jubilate Deo entstand im Juni 2002 und ist dem Ensemble des Komponisten (Ensemble vocale Calycanthus) gewidmet. Die Uraufführung fand am 10. Mai 2003 auf der italienischen Insel Vicentina - Santuario...

Die zu Michael Haydns Zeit sehr beliebte Gabrielsmesse liegt in zwei Fassungen vor: die erste und ursprüngliche Fassung enthält ein sehr kurzes Gloria und Credo. In der zweiten Fassungen wurden die be...

This Latin mass for choir and wind band was composed in honour of Saint Cecilia's feast day, Saint Cecilia being the patroness of musicians. For this reason, many ensembles have annual concerts dedica...

Ludwig van Beethoven komponierte seine Missa solemnis zwischen 1819 und 1822. Die vorliegende Ausgabe legt als Hauptquelle die Arbeitskopie der Partitur zugrunde, die Beethoven wohl unmittelbar nach F...

The cantata "Wir danken dir, Gott, wir danken dir" (BWV 29) by Johann Sebastian Bach is a festive council change cantata that was premiered in Leipzig on August 27, 1731. It was composed on the occasi...

The cantata "Freue dich, erlöste Schar" (BWV 30) by Johann Sebastian Bach is a festive work that Bach created for the Feast of St. John in 1738. It is based on the secular model "Angenehmes Wiederau"...