Sheet Music for Choir and Vocals for all ensembles
Let all the world in every corner sing was commissioned by Colston's Girls' School in Bristol for the Chamber Choir and their Director of Music Matthew Redman, and was written in August 2008 for the s...
Let all the world in every corner sing was commissioned by Colston's Girls' School in Bristol for the Chamber Choir and their Director of Music Matthew Redman, and was written in August 2008 for the s...
- Women's Choir (SSAA) and Organ
- Organ Score
- Boosey & Hawkes
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Composed for the Children's Chorus of Opera North, this piece is a setting for three high choral voices of Thomas Hardy's poem of the same name. The swaying style of a jazz waltz and the chromatic but...
Composed for the Children's Chorus of Opera North, this piece is a setting for three high choral voices of Thomas Hardy's poem of the same name. The swaying style of a jazz waltz and the chromatic but...
- Women's Choir (SSA) and Piano
- Piano Score
- Boosey & Hawkes
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- Women's Choir (SA) and Piano
- Choral Score
- Boosey & Hawkes
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Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...
Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...
- Soloists (SB), Female Choir (SSAA) and Piano
- Piano Score
- Boosey & Hawkes
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Combining a text by Charles Anthony Silvestri with syllables inspired by the song tradition (joik) of the Sami people in Scandinavia, Sing the earth is a tribute to our common home, the earth, as well...
Combining a text by Charles Anthony Silvestri with syllables inspired by the song tradition (joik) of the Sami people in Scandinavia, Sing the earth is a tribute to our common home, the earth, as well...
- Women's Choir (SSA)
- Piano Score
- Boosey & Hawkes
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A setting of the poem by Robert Louis Stevenson (‘Late lies the wintry sun a-bed, A frosty, fiery sleepy-head’), Winter-Time was written by the choristers of Pembroke College Girls’ Choir, under the d...
A setting of the poem by Robert Louis Stevenson (‘Late lies the wintry sun a-bed, A frosty, fiery sleepy-head’), Winter-Time was written by the choristers of Pembroke College Girls’ Choir, under the d...
- Voice (high), Women's Choir (SS) and Piano
- Piano Score
- Boosey & Hawkes
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A setting of Christina Rossetti’s poem Dream Land, the raw emotional quality of Dreamland reflects on the beautiful imagery and themes of fantasy and death of the poem. Written in the Autumn of 2020,...
A setting of Christina Rossetti’s poem Dream Land, the raw emotional quality of Dreamland reflects on the beautiful imagery and themes of fantasy and death of the poem. Written in the Autumn of 2020,...
- Low Voice, Women's Choir (SSA) and Piano
- Piano Score
- Boosey & Hawkes
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- Women's Choir
- Choral Score
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- Women's Choir (SSS)
- Score
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These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
- Women's Choir
- Choral Score
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These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
- Women's Choir
- Choral Score
- Boosey & Hawkes
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- Women's Choir
- Choral Score
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The Ceremony of Carols is one of Britten's best-known and most-performed works. It is a brilliantly conceived and dramatic concert work which sees the voices process to their places singing unaccompan...
The Ceremony of Carols is one of Britten's best-known and most-performed works. It is a brilliantly conceived and dramatic concert work which sees the voices process to their places singing unaccompan...
- Women's Choir (SSA) and Harp
- Choral Score
- Boosey & Hawkes
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These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
- Women's Choir (SA)
- Choral Score
- Boosey & Hawkes
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Three contrasting pieces of music from the third album in the Adiemus series, Dances of Time: Rain Dance, La la la Koora and Dos a Dos are written in Jenkins's trademark fusion of world and classical...
Three contrasting pieces of music from the third album in the Adiemus series, Dances of Time: Rain Dance, La la la Koora and Dos a Dos are written in Jenkins's trademark fusion of world and classical...
- Women's Choir (SSA)
- Piano Reduction
- Boosey & Hawkes
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- Women's Choir (SSA) and Piano
- Piano Score
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- Women's Choir (SSA) and Piano
- Piano Score
- Sue Furlong
- Boosey & Hawkes
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- Women's Choir (SA) and Piano
- Piano Score
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- Women's Choir (SA) and Piano
- Piano Score
- Boosey & Hawkes
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- Women's Choir (SSA), Flute and Piano
- Piano Score
- Boosey & Hawkes
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- Women's Choir (SSA), Flute and Piano
- Piano Score
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- Women's Choir (SSA), Flute and Piano
- Piano Score
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- Women's Choir (SA) and Piano
- Piano Score
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- Women's Choir (SSA) and Piano
- Piano Score
- John Floyd Campbell
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This chorus from the third act of Nabucco became synonymous with Italy's 19th century struggle to cast off foreign occupation and become a united nation. Even today the tune remains extremely popular...
This chorus from the third act of Nabucco became synonymous with Italy's 19th century struggle to cast off foreign occupation and become a united nation. Even today the tune remains extremely popular...
- Women's Choir (SSAA) and Piano
- Choral Score
- Scott Gilmore
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