Sheet Music for Choir and Vocals for all ensembles

Ketelbey, Four Recital Songs arranged for Baritone voice with piano accompaniment.

For Mezzo Soprano, Tape, Piano and Bongos. Text: Edward Lucie-Smith

Moussorgsky was on a recital tour of southern Russia when he was inspired to write the Song of the Flea. It became popular immediately with audiences and remains so today. The correct title is The Son...

Arranged by Hardy

For Mezzo-Soprano or Baritone and Piano. Text: Jean Passerat

For Medium Voice and Piano. Text: Walter de la Mare.

For Medium Voice and Piano.

For Medium Voice and Piano. Text: Translated from the Greek by FA Wright.

For Medium Voice and Piano, setting the words of Bill Adams and James Kirkup.

For Medium Voice and Piano.

When Haydn was not around, there was always Charles Dibdin (1740-1814) who regaled London with his songs at the same period. Davies's arrangement of four of them makes an amused but also affectionate...

Duration 7 minutes. Orchestral accompaniment available on hire. English version by Steuart Allin.

Setting of a poem by Hilaire Belloc. Written at the request of CRUSAID and first performed in London in May 1990 by David Wilson-Johnson and David Owen Norris.

This cycle of settings of poems by Paul Celan was written between May and July 1990 for Ute Lemper. The texts are taken from the following collections: 'Chanson einer Dame im Schatten' and 'Corona' fr...

Scored for solo countertenor or mezzo soprano. This work was commissioned by the Oxford Festival of Contemporary Music. First performed 11th November 1998. The texts of the six, brief, unaccompanied s...

For Baritone and Piano. Text: A. E. Housman

Scored for piano and Baritone. Duration 9 minutes.

Composer's Notes: Heavenly Things is my fourteenth song-cycle, but the first with piano accompaniment. I mention this because, when I was asked to write this piece my first reaction was 'what can I ma...

Modern Norwegian composer Rolf Wallin's Drei Gedichte'arranged for the mezzo soprano voice and piano. These three poems were written between 1900 and 1908, and they are very different in terms of for...

The text of the piece is taken from the poem Whoever Finds a Horseshoe by the Jewish-Russian poet Osip Mandelstam. The composer has taken the lines directly from the original Russian text that connect...