Sheet Music for Choir and Vocals for all ensembles

Lux Aeterna by Ivo Antognini for unaccompanied SATB choir.

Lux Aeterna by Ivo Antognini for unaccompanied SATB choir.

Five popular spirituals, arranged for a cappella SATB chorus. Includes Piano part for rehearsal purposes.

The traditional Scottish folk tune O Jeanie, There's Naething To Fear Ye arranged by Gregg Smith for SATB choir a cappella.

The Silver Swan by Gregg Smith for SATB choir a cappella.

This famous Schirmer edition, now newly engraved, displays the simple line and homophonic textures for which de Victoria is known. Available separately, the VoiceTrax CD offers part-predominant tracks...

Maurice Duruflî (1902-1986) dedicated this hauntingly beautiful setting of the Lord's Prayer to his wife. Simple and direct, it is almost chantlike in its melodic purity. Originally written for unison...

With a text from the Celtic collection Carmina Gadelica these words speak directly from the heart, in simple and poignant language that is so often a creative departure from mainstream religious writi...

With a text from the Celtic collection Carmina Gadelica these words speak directly from the heart, in simple and poignant language that is so often a creative departure from mainstream religious writi...

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This wonderful parable by Will Allen Dromgoole has a dreamy quality and the music reflects that with a mix of soft jazz and classical stylings. Syncopated vocal accompaniment creates an effect that fe...

This wonderful parable by Will Allen Dromgoole has a dreamy quality and the music reflects that with a mix of soft jazz and classical stylings. Syncopated vocal accompaniment creates an effect that fe...

In this beautiful poem by Dorothy Parker, Mary knows her baby is holy simply because he is hers. She considers herself blessed whenever he reaches another birthday, without even knowing how few he has...

In this beautiful poem by Dorothy Parker, Mary knows her baby is holy simply because he is hers. She considers herself blessed whenever he reaches another birthday, without even knowing how few he has...

Written for the 100th anniversary of the St. Olaf choir, this work is commensurate with ability of one of the great choirs in America. The music makes consistent use of divisi texture, expansive arcs...

This haunting, introspective plea for relief begins as a near-whisper and rises to an intense clangor. Through the mantra-like repetition and gradual transformation of the words from this timeless Psa...

Jonathan Tunick has long been regarded as Broadway's preeminent orchestrator and he has been Stephen Sondheim's primary orchestrator from the beginning of his career. He is also a skilled and versatil...

Jonathan Tunick has long been regarded as Broadway's preeminent orchestrator and he has been Stephen Sondheim's primary orchestrator from the beginning of his career. He is also a skilled and versatil...

This beautiful text from Ovid's Metamorphoses speaks of the creatures named for the time they first appear: vespertilians (bats). Not scary or to be feared, rather, here they slip into shadows with tr...

This beautiful text from Ovid's Metamorphoses speaks of the creatures named for the time they first appear: vespertilians (bats). Not scary or to be feared, rather, here they slip into shadows with tr...

This beautiful and simple melody for mixed, unison choir or solo is the perfect ending to a worship service or concert. It can be sung a cappella or with the optional clarinet, violin, viola and cello...

This beautiful and simple melody for mixed, unison choir or solo is the perfect ending to a worship service or concert. It can be sung a cappella or with the optional clarinet, violin, viola and cello...