Sheet Music for Choir and Vocals for all ensembles

For Voice, Piano. New Music Edition. Classical. Piano/Vocal Score. 71 pages.

For Piano, Voice. This edition: New Music Edition. Piano/Vocal Score. 51 pages.

A frequent collaborator with poet Langston Hughes and one of the first black women to break into the world of classical composition and performance; Margaret Bonds studied with Roy Harris at Juilliard...

The three selected art songs by Dorff use Japanese texts by family and the composer himself and have been premiered in settings from prestigious Suntory Hall in Tokyo to a dock floating on the banks o...

This edition of Viardot-Garcia's vocal works in Spanish for voice and piano sheds light, not only on this intellectual diva, singing professional and composer; but also on Pauline García, the Spaniard...

The songs in this volume document Margaret Bonds's musical life work as composer of art songs before her move to New York in 1939. "Sleep Song" and "Sea Ghost" are the first known works by Margaret Bo...

Bogdanovic is a 'richly gifted composer; improviser; and guitarist;' says Ophee; whose passion has led to the publication of his fundamental Polyrhythmic and Polymetric Studies for guitar (Edizioni Bé...

When I was part of a composers group at the School of Practical Philosophy in New York City, we were given an exercise in composition. The instructions were to read the text, allow it to have its effe...

We are delighted to announce publication of three very special song cycles by Timothy Bowers. The last words of famous people, whether real or invented, exert a strange fascination. Breaking with the...

We are delighted to announce publication of three very special song cycles by Timothy Bowers. The last words of famous people, whether real or invented, exert a strange fascination. Breaking with the...

Last Words Book 4 was composed in the winter of 2013/14. The last words of famous people can be sad, moving, even chilling, but they can also be uplifting and witty. Book 4 explores such texts, and in...

A fascinating witty and certainly unusual work from Malcolm Arnold. Guaranteed to delight all singers and audiences.

This one-act comic farce was first performed in Venice at the Teatro San Moisè on May 9, 1812. This critical edition includes a preface in Italian and English and critical notes. It is another opera i...

Italian Only.