Sheet Music for Choir and Vocals for all ensembles

Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment, the women and men alternate singing in unison, until they join in verse t...

For SATB and piano four hands or orchestra - 3 fl, 2 hn, perc, hp, and str - This setting of a traditional Irish melody captivates audiences, especially in the second verse when the men carry the melo...

For SATB and organ or chamber orchestra - 4 hn, glk, perc, org, hp, and str - This delightful setting of the French carol is perfectly suited to open a service or concert with its spirited choral part...

A wonderful processional, Wilberg's Bring a torch, Jeanette, Isabella is a joyful carol. A catchy, brightly articulated countermelody distinguishes this from other settings. The women sing alone, then...

A stirring hymn, important to the Mormon religion but suitable for all denominations, conveys a spirit of faith and praise despite difficult times. This text is originally written by William Clayton,...

This is an exciting and accessible anthem based on the popular hymn and set in the rhythmic metre of 7/8. The text, written by Charles Wesley, is suitable for services throughout the church's year.

The music is set in ABA format with light and bouncy A sections that surround a lush, slower, lyrical section. This work will deliver a fresh and memorable experience in church services as well as con...

For SATB, solo violin, and organ - This charming melody is a refreshing and beautiful alternative to Cesar Franck's setting of the same text, taken from Sacris Solemnis and written by St. Thomas Aquin...

For SATB and keyboard or orchestra. The five new arrangements are in various scorings. One is accompanied by piano three hands, another by organ, and the rest are for piano. Each hymn is beautifully a...

For SATB and organ with optional string orchestra - Rudolph sets this text by Thomas Troeger, a well-known US hymn writer, with a very lyrical and contemplative melody. This work is appropriate for Le...

For SATB and piano - This secular text, written by Edgar Allen Poe, is fanciful, calling into question whether reality is a dream, or even a dream within a dream. The music is lush and has a subtle hi...

A setting of an old Celtic prayer, for SATB and piano

For SATB and piano - A dancing 5/8 setting of these familiar words.

For SATB and keyboard, with optional flute and oboe (or other instruments in C). A characterful setting of the well-known traditional French melody.

For SATB, piano, and organ - Set to a poem by the American hymnist Thomas Troeger, Rudolph's music brilliantly brings the poet's words, inspired by the prophet Isaiah's vision of peace and harmony amo...

For SATB and organ - An easy to sing arrangement of a well-known Polish carol-lullaby.

This is the hour is a beautiful and accessible motet for Holy Communion with a simple, meditative organ accompaniment.

Festival hymn with introductory fanfare for SATB, brass ensemble (4 trumpets, 3 trombones or 2 horns and one trombone, tuba), timpani, percussion, and organ, or for SATB and orchestra - 2. 2. 2. 2-4....

Praise Ye The Lord

For SATB and organ or orchestra or brass ensemble (4tpt, 3tbn, tuba, perc) - 2. 2. 2. 2-2. 2. 2. 0-timp. perc-hp-str. The orchestral and brass accompaniments are available for hire.

The Blue of Distance for a cappella choir (SSAATTBB, no text) was composed in 2010 and premiered by Jauna Muzika with conductor Vaclovas Augustinas, on October 25, 2010 at the Gaida festival in Vilniu...

Zibuoklė Martinaitytė tells about the background of Aletheia (no text [combinations of vowels and consonants] 2022) for mixed choir (SSSSAAAATTTTBBBB): "Aletheia is variously translated from Greek as...

Chant des Voyelles - Incantation of Vowels (no text, 2018) for mixed choir (SSAATTBB) was premiered by Volti on May 4, 2018 at Noe Vallay Ministry in San Francisco and on May 6, 2018 at BAMPFA, in Ber...

Ilkka Kuusiston sovitus suomalaisesta kansanlaulusta Laulu on iloni ja työni (Laulu se on ollut minun iltojeni ilo) on kirjoitettu sopraano-, altto- ja baritoniäänille sekä sopraanosoolo-obligatolle.