Sheet Music for Choir and Vocals for all ensembles

From a music-historical point of view, Anton Diabelli belongs to a middle group of Biedermeier composers who can be assigned neither to the Classical nor to the Romantic period. Although Diabelli want...

Antonín Dvorák's impressive "Stabat Mater" for soloists, choir and orchestra is probably the best known of the composer's sacred works. Dvorák's own painful experiences - his first daughter died in 18...

Tango Argentino meets Classic! The Argentine composer Martín Palmeri, whose Misatango is beloved by many choirs, has set Psalm 127 Nisi Dominus for solo soprano and mixed choir, accompanied by bandone...

Tango Argentino meets Classic! The Argentinian composer Martín Palmeri, whose "Misatango" is known and loved by many choirs, sets the 127th psalm "Nisi Dominus" to music for solo soprano and mixed cho...

A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...

The famous merchant's son and later founder of the order, Francis of Assisi, has repeatedly been taken as a source of inspiration from a wide variety of perspectives and Damijan Mocnik also follows in...

The cantata Leichtgesinnte Flattergeister BWV 181, composed for Sunday Sexagesimae 1724, has only survived incompletely: IT is missing the obbligato instrumental part of the second aria, which was rec...

The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...

So populär die Motetten Bachs sind, so problematisch ist ihre Überlieferung. Nur von 2 Motetten sind Autographe und von Bach benutzte Stimmen erhalten, bei allen anderen müssen wir uns mit mehr oder w...

On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...

The Gloria in D RV 589 is Vivaldi's best-known sacred work and is one of his most important church music compositions. It was probably composed as an independent single movement between 1713 and 1717...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Solo S, Coro SATB, 2 Vl, Vc/Fg/Cb, Org, [Fg]

Psalm 150 from 1884 is a composition from César Franck's creative maturity. The characteristic features of his style appear in a small space: the emphatically symphonic language, the bold, unmistakabl...

Soli SATB, Coro SATB, 2 Fg, 2 Ctr, 3 Trb, 2 Bassetthörner, Timp, 2 Vl, Va, Vc/Cb, Org.

Ensembles for whom Schubert's "great" masses are not accessible will find a pleasant alternative in this compact and smaller scored mass from 1816. In terms of its external dimensions, it is a Missa b...

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists,...

George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...

Coro SATB, 2 Ob (2 Cl), 2 Tr, Timp, 2 Vl, Vc/Cb, Org

Messa delle Benedicenza - Die Messen Johann Michael Haydns sind Meisterwerke ihrer Gattung und waren zu seinen Lebzeiten äusserst beliebt, wie die Vielzahl an Abschriften zeigt. Dies gilt auch für die...

Coro SATB, Org, (2 Tr, 2 Trb, Tb, Timp). Sprache: lateinisch Uraufführung am 29.5.2011 im Dom zu Brixen. Die festliche Messe für Chor, Orgel und Bläser kann auch flexibel kleiner besetzt werden. Die...

Chorpartitur zur Blasorchesterausgabe Nach mehreren großen Werken für Blasorchester und Singstimme (Cantate aux Étoiles, A travers le Temps, Missa Tornacum undMagnificat) schrieb André Waignein diese...