Written for the BBC Singers in 2019, Stars above, earth below is a hopeful and reflective setting of the poem Leaves by Sara Teasdale (1884–1933). The piece begins with celestial, descending lines acr...
Written for the BBC Singers in 2019, Stars above, earth below is a hopeful and reflective setting of the poem Leaves by Sara Teasdale (1884–1933). The piece begins with celestial, descending lines acr...
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Written for a 2024 commission from Jonathan Harris for Newport Pagnell Singers, the music for Rejoice in the light came to composer Ben Ponniah in a dream. It possesses a rugged, medieval character si...
Written for a 2024 commission from Jonathan Harris for Newport Pagnell Singers, the music for Rejoice in the light came to composer Ben Ponniah in a dream. It possesses a rugged, medieval character si...
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O Little One Sweet was commissioned by Simon Bell for the Chapel Choir of Dean Close School and Tewkesbury Abbey Schola Cantorum. Each verse of the carol becomes more animated and moves further harmon...
O Little One Sweet was commissioned by Simon Bell for the Chapel Choir of Dean Close School and Tewkesbury Abbey Schola Cantorum. Each verse of the carol becomes more animated and moves further harmon...
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Two arrangements of the carols published in 1582 as part of the Medieval collection of Latin songs, Piae Cantiones. The melodies are taken from that collection, which also contains many well-known car...
Two arrangements of the carols published in 1582 as part of the Medieval collection of Latin songs, Piae Cantiones. The melodies are taken from that collection, which also contains many well-known car...
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A powerful setting for 8-part choir of three of the Good Friday responses at matins: 'Tenebrae factae sunt', 'Tradiderunt me' and 'Iesum tradidit impius'. Commissioned by Cappella Nova (director: Alan...
A powerful setting for 8-part choir of three of the Good Friday responses at matins: 'Tenebrae factae sunt', 'Tradiderunt me' and 'Iesum tradidit impius'. Commissioned by Cappella Nova (director: Alan...
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The hymn I heard the voice of Jesus say uses a folksong that was revived by Ralph Vaughan Williams for the 1906 publication of "The English Hymnal." The tune, named "Kingsfold" after the village in wh...
The hymn I heard the voice of Jesus say uses a folksong that was revived by Ralph Vaughan Williams for the 1906 publication of "The English Hymnal." The tune, named "Kingsfold" after the village in wh...
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Chorpartitur - Klavierbegleitung nur zu Probenzwecken
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Chorpartitur - Klavierbegleitung nur zu Probenzwecken
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Diese breitgefächerten und durch und durch 'englischen' Kompositionen sind zweifelsohne kleine Juwelen im Chorschaffen Finzis. Er vertonte hier sieben Gedichte des Dichters und Arztes Robert Bridges,...
Diese breitgefächerten und durch und durch 'englischen' Kompositionen sind zweifelsohne kleine Juwelen im Chorschaffen Finzis. Er vertonte hier sieben Gedichte des Dichters und Arztes Robert Bridges,...
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This ideal introduction to MacMillan's secular choral music is rich in Scottish flavour, appropriate to its Robert Burns text. Characteristic vocal elements are the ornamental inflections drawn from S...
This ideal introduction to MacMillan's secular choral music is rich in Scottish flavour, appropriate to its Robert Burns text. Characteristic vocal elements are the ornamental inflections drawn from S...
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This short meditative motet was commissioned for the dedication service of the Millennium window by Sir Eduardo Paolozzi in the Resurrection Chapel of St Mary's Episcopal Cathedral, Edinburgh. It is i...
This short meditative motet was commissioned for the dedication service of the Millennium window by Sir Eduardo Paolozzi in the Resurrection Chapel of St Mary's Episcopal Cathedral, Edinburgh. It is i...
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This beautiful unaccompanied work adapts the translated text of a Gaelic elegy by the 19th century poet Evan Maccoll. The words ‘She has gone' dominate the piece and underline its sense of desol...
This beautiful unaccompanied work adapts the translated text of a Gaelic elegy by the 19th century poet Evan Maccoll. The words ‘She has gone' dominate the piece and underline its sense of desol...
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- Steve Barnett
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The four movements of the work are linked through the use of two contrasting ideas announced at the outset of the first movement: a sombre motif associated with death (Requiem aeternamdonaeisDomine) a...
The four movements of the work are linked through the use of two contrasting ideas announced at the outset of the first movement: a sombre motif associated with death (Requiem aeternamdonaeisDomine) a...
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Set to an early 20th-century poem, this simple a cappella work offers the joyous message of hope just when all seems dark.
Set to an early 20th-century poem, this simple a cappella work offers the joyous message of hope just when all seems dark.
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Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...
Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...
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Drawing texts from the traditional “Te Deum” text in Latin and English and from verses excerpted from A Song of David by Christopher Smart, this virtuosic and exuberant showpiece may be pe...
Drawing texts from the traditional “Te Deum” text in Latin and English and from verses excerpted from A Song of David by Christopher Smart, this virtuosic and exuberant showpiece may be pe...
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This group of three African-American spirituals contains one rather well-known tune, Little David, Play on Your Harp, and two less familiar numbers, Where Shall I Go? and Death Ain't Nothin' but a Rob...
This group of three African-American spirituals contains one rather well-known tune, Little David, Play on Your Harp, and two less familiar numbers, Where Shall I Go? and Death Ain't Nothin' but a Rob...
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