Sheet Music for Choir and Vocals for all ensembles

This We Know is thoughtful, earnest and subdued. The technical demands are not great, but musical and artistic sensitivity are paramount.

La Point expertly colors the expression of this traditional Latin text through a variety of compositional techniques as it evolves from a hollow, chant-like opening statement, to an urgent cry, the di...

Chorpartitur - mit Klavierbegleitung zu Probenzwecken.

This popular and playful first selection from Three Choral Settings from Alice in Wonderland is now back in print!

A suite of mid-19th century shape-note Christmas carols, newly arranged for a cappella mixed choir. Fresh harmonies and counterpoint enhance the originals' rugged modal quality.

With music evoking fanfares and introspective feelings alike, this setting of Psalm 8 expresses praise for God and the honor of being human.

The rich harmonies and natural, unstructured meter in this touching piece capture the sentiments of the text, which cautions us to "cast away the works of darkness" and "put on the armor of light." A...

In 1955, while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman, Leonard Bernstein composed French and Latin choruses as in...

Based on a text by visionary St. Hildegard of Bingen (1098-1179), this a cappella motet is characterized by chant-like melody lines and textures ranging from simple unison and two-part counterpoint to...

Hwayana yaMwari is composed in the spirit of choral music heard at the Episcopal Cathedral in Harare, Zimbabwe, in the summer of 1993. Shona is the majority tribe in Zimbabwe and its language. The tex...

James Biery's setting of the traditional 13th century Ave Maria text alternates between undulating motion and homophonic simplicity while hovering around a pedal-point G. Each of the two main sections...

mit Klavierbegleitung zu Probenzwecken -

Text: Liturgical. Year: 1999

Chorpartitur - Taschenformat

Puisque tout passe - [Since all is passing] is one of six songs for mixed choir from 1939. It is one of the most natural and spontaneous pieces among Hindemith's a cappella choral works. This work is...