Sheet Music for Choir and Vocals for all ensembles

Choral music has always played a major role in the work of the Latvian composer Peteris Vasks. In this piece, but also in his numerous instrumental works, themes such as home, nature, customs and trad...

Chorpartitur / Chornoten von Liepa (Der Lindenbaum / The Lime Tree) für gemischten Chor (SSAATTBB).

Einzelausgabe des dreichörigen a-cappella-Satzes aus der großen Vokalsinfonie Seven Gates of Jerusalem, komponiert anlässlich der 3000-Jahr-Feier der Stadt im Jahr 1997. In 2013 vom Komponisten für ki...

This choral fantasy by Roger Pelger is a setting of Thomas Moore's 19th century text focusing on the creation. A great addition to the chamber choir repertoire.

A setting of the closing lines of Shakespeare's comedy A Midsummer Night's Dream in which the character Puck bids the audience farewell with the words So good night unto you all. An ideal closing or e...

Die kurze Messe aus dem Jahr 1955 für gemischten, achtstimmigen Chor a cappella besteht aus den Teilen Kyrie, Gloria und Agnus Dei; sie enthält kleine solistische Einschübe, die aus dem Chor besetzt w...

Like the work Les effets du jour (The Effects of Light), also the setting of a poem by Paul de Brancion, this composition identifies the ecological catastrophes confronting human beings as a result of...

This work was commissioned by the Latvian choir Kamer within the framework of a large-scale project centered round the topic 'the sun'. A poem by Paul de Brancion is interspersed with expressions and...

Recordare ist ein Satz für Chor a cappella aus dem oratorischen Werk Dies illa für Sopran, Mezzosopran, Bariton, drei gemischte Chöre und Orchester. Als separate Ausgabe aus dem gleichen Werk ist auch...

Krzysztof Penderecki's new choral work is a musical setting of Psalm 3. The complex setting for eight-part mixed a cappella choir is juxtaposed with a difficult part for solo tenor. In Latin.

Mysteriös, sinnlich, unergründlich und betörend - das sind Eigenschaften, die gleichermaßen auf die Sonette William Shakespeares wie auch auf deren musikalische Umsetzung durch die 1985 geborene Kompo...

Mit den Petrarca-Vertonungen setze ich meine Beschäftigung mit klassischer italienischer Literatur fort, nachdem ich 2011 bereits Michelangelo und 2013 Ariost vertont habe. Der Gestus und die Harmonik...

Immerse yourself in the deeply moving world of the traditional American spiritual with "Hush! Somebody's Calling My Name." This world-renowned and expressive piece has been masterfully and faithfully...

This work for unaccompanied SATB choir sets texts by Thomas Traherne, Vera Brittain and others. It was commissioned by Schola Cantorum of Oxford and first performed on the 25th April 2026 at the Schwa...

This work for unaccompanied SATB choir sets texts by Thomas Traherne, Vera Brittain and others. It was commissioned by Schola Cantorum of Oxford and first performed on the 25th April 2026 at the Schwa...

The Great Selkie of Sule Skerry - A setting for unaccompanied choir (SATB) by Mark Goddard. THe anonymous text was adapted by Stephen Pegg. The "Great Selkie of Sule Skerry" is a traditional folk song...

A beautiful setting for unaccompanied choir. Text from the opening of the Mass Ordinary: Kyrie eleison, Christe eleison. Lord, have mercy. Christ, have mercy.

Unaccompanied part-song for SATB choir, by Malcolm Pearce.

This is an incredible version of Gershwin's popular showpiece "I Got Rhythm", arranged for SATB Choir with Piano Accompaniment by Antony Saunders. This choral improvisation for SATB and Piano is based...

Gershwin and Gershwin's classic syncopated favourite - one of the most endearing of the great Jazz songbooks, and a snappy encore for unaccompanied SATB arranged here by Antony Saunders.