Sheet Music for Choir and Vocals for all ensembles
A special discovery: the three songs composed by Richard Strauss at the age of 15 had long been regarded as lost. The song Aus der Kindheit, dedicated to 'Frau Sophie Dietz k. bair. Kammersängerin hoc...
A special discovery: the three songs composed by Richard Strauss at the age of 15 had long been regarded as lost. The song Aus der Kindheit, dedicated to 'Frau Sophie Dietz k. bair. Kammersängerin hoc...
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'I have again composed so much that sometimes it seems to me altogether uncanny. Oh, I cannot help it, I would like to sing myself to death like a nightingale.' 138 of his roughly 250 songs were writt...
'I have again composed so much that sometimes it seems to me altogether uncanny. Oh, I cannot help it, I would like to sing myself to death like a nightingale.' 138 of his roughly 250 songs were writt...
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As a professor of music education and elementary composition at the Orff Institute in Salzburg which he was instrumental in establishing, the composer Hermann Regner (1928-2008) examined the work of C...
As a professor of music education and elementary composition at the Orff Institute in Salzburg which he was instrumental in establishing, the composer Hermann Regner (1928-2008) examined the work of C...
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As a professor of music education and elementary composition at the Orff Institute in Salzburg which he was instrumental in establishing, the composer Hermann Regner (1928-2008) examined the work of C...
As a professor of music education and elementary composition at the Orff Institute in Salzburg which he was instrumental in establishing, the composer Hermann Regner (1928-2008) examined the work of C...
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This monodrama sums up the essential moments of the second scene from Act V of Shakespeare's tragedy Antony and Cleopatra in the Russian translation of Boris Pasternak. The conflict between life and d...
This monodrama sums up the essential moments of the second scene from Act V of Shakespeare's tragedy Antony and Cleopatra in the Russian translation of Boris Pasternak. The conflict between life and d...
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Drei Meditationen für hohe Singstimme und Orgel nach Texten von Jakob Böhme.
Drei Meditationen für hohe Singstimme und Orgel nach Texten von Jakob Böhme.
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Drei Meditationen für hohe Singstimme und Orgel nach Texten von Jakob Böhme.
Drei Meditationen für hohe Singstimme und Orgel nach Texten von Jakob Böhme.
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Als Textgrundlage seiner sieben Lieder für Tenor und Klavier dienten Wilhelm Killmayer Gedichte aus dem späten Schaffen Hölderlins - ein anspruchsvoller Zyklus mit diffizilem Gesangspart und variieren...
Als Textgrundlage seiner sieben Lieder für Tenor und Klavier dienten Wilhelm Killmayer Gedichte aus dem späten Schaffen Hölderlins - ein anspruchsvoller Zyklus mit diffizilem Gesangspart und variieren...
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Als Textgrundlage seiner sieben Lieder für Tenor und Klavier dienten Wilhelm Killmayer Gedichte aus dem späten Schaffen Hölderlins - ein anspruchsvoller Zyklus mit diffizilem Gesangspart und variieren...
Als Textgrundlage seiner sieben Lieder für Tenor und Klavier dienten Wilhelm Killmayer Gedichte aus dem späten Schaffen Hölderlins - ein anspruchsvoller Zyklus mit diffizilem Gesangspart und variieren...
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Aribert Reimann chose a monologue from Goethe's play Stella as the basis for the text of this work for soprano and piano. Unusual tonal and rhythmic structures in the vocal part are joined by extended...
Aribert Reimann chose a monologue from Goethe's play Stella as the basis for the text of this work for soprano and piano. Unusual tonal and rhythmic structures in the vocal part are joined by extended...
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Aribert Reimann chose a monologue from Goethe's play Stella as the basis for the text of this work for soprano and piano. Unusual tonal and rhythmic structures in the vocal part are joined by extended...
Aribert Reimann chose a monologue from Goethe's play Stella as the basis for the text of this work for soprano and piano. Unusual tonal and rhythmic structures in the vocal part are joined by extended...
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In Vorbereitung
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