Choral Sheet Music

In 2002, I was commissioned by the Turtle Creek Chorale to compose a three-movement star-themed piece for their upcoming 'celestial' concert. I immediately knew that I wanted strings and celeste to se...

In 2002, I was commissioned by the Turtle Creek Chorale to compose a three-movement star-themed piece for their upcoming 'celestial' concert. I immediately knew that I wanted strings and celeste to se...

I really enjoy the lilt of the original tune, and was drawn to arrange it when I was struggling to find up-tempo music for the season of Advent that my women's choir would enjoy singing. Work to make...

Based on a poem by Sidney Lanier (1842-1881,) this journey into the future parallels Noah's journey on the Ark. The music opens with lines which flow like waves. The oboe has an octave motif which sig...

Moonlight Sound Design was commissioned and premiered by the youth choir Kamer conducted by Märis Sirmais in Riga, Latvia in 2012. In USA, it was performed by the Wartburg Choir conducted by Lee Nelso...

Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text opens with a sort of call and response between the voices. The music then transitions to a contrasting key and...

Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text is set completely for unaccompanied voices. The text, 'Peace flows into me…, ' is introduced on a single note,...

Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text begins in unison. This verse structure is followed by a refrain and a canon between the two voices on the text...

This setting of the Mother Goose nursery rhyme is a lullaby disguised as a ballad. The scoring is for mixed chorus and jazz trio, but it could be performed with just a piano (probably best with three...

For SATB and piano, this original setting of Maya Angelou's poem, 'Prayer' is in a soulful 6/8. (The accompaniment occasionally quotes 'Lift Every Voice and Sing, ' which gives you an idea of the temp...

This lyrical setting of a poem by Sara Teasdale was commissioned as a gift for a consortium of seven high school choirs in Illinois. It begins with a reflective and contemplative tone that shifts dram...

How would you finish the sentence, 'Today I will_______. '? That was the question Dr. Joe Miller and Anne Sears of Westminster Choir College asked of singers and audience members at the Westminster Ch...

This unique setting pairs the iconic Latin text with an new, original English text, which is a response to the question, -Why do we rejoice and shout our praises to God? The music captures the energy,...

This piece may be performed as part of a collection of four Whitman settings under the master title This Is Thy Hour. A majestic opening heralds the hour that unfolds to a rhythmic ostinato that acts...

This piece may be performed as part of a collection of four Whitman settings under the master title, This Is Thy Hour. Understated elegance is the hallmark of this movement: the music reflects the sim...

The desire for people of different backgrounds, experiences, and ideologies to come together for the common good was the inspiration behind this folk-like piece. Composed for mixed chorus, piano, viol...

Written for the Luther College Collegiate Chorale for concert with the theme, -Prayers for Peace. Although the work is newly composed, the melodic material seems reminiscent of music that one would he...

Clara Schumann's solo song expressing thankfulness for 'True Love' has been expertly and effectively adapted here for SATB voices by composer/scholar James McCullough.

Based on an Inuit proverb, this reflective piece was originally composed for the Centennial High School Concert Choir from Circle Pines, Minnesota, in memory of the composer's mother, Coralynn, who pa...