Choral Sheet Music

Double choir motet alternating between male and female voices, homophonic, simple and deeply moving. Especially suited for reverberant performance spaces and large choirs or vocal ensembles.

Bertold Hummel's a-cappella choral music was mainly written for being used in services.The missa 'Cantabo Domino' was composed in 1958 for the liturgical festival of a Catholic student community in Fr...

Three demanding motets, based on classical sacred texts.Two Ave Maria motets and the Ave verum corpus can be performed both in liturgies and concerts.

Influenced by Felix Mendelssohn Bartholdy, the Irish composer Sir Charles Villiers Stanford (1852-1924) developed an English Romantic musical language of his own.This is noticeable especially in his t...

New to the Schott Choral Music series, an easy to intermediate standard piece for mixed choir (SATB) a cappella.

A contemporary choral work for concerts and church services. Due to the work's double-choir structure, the choirs can be positioned separately during the performance. Award-winning piece of the Intern...

Following the Kyrie, now another part of Missa Musica Sacra by Douglas Pew, award winner at the International Composition Competition Musica Sacra Nova. Playing with friction now and then, this compos...

Greg Gilpin's innovative patriotic arrangement of selected sections from The Battle Hymn of the Republic and When the Saints Go Marching In afford many opportunities to teach rhythmic elements. Ensemb...

Sanctus features opportunities for unison singing and the development of independent part singing. With conservative ranges, Sanctus encourages focus on pure vowels and work on text accentuation. This...

Davison has done it again in his Baroque-style, rhythmically charged arrangement with limited ranges for mixed choirs of developing voices. This song has a "high part" and a "low part" making it possi...

This pensive setting of the Latin text meaning "Light eternal shine on them" affords SAB choirs musical development of dynamic colors, range, and musicianship. With conservative ranges, whether perfor...

This song is based on a Latin translation of Psalm 3:4, which translates as "I have cried out to the Lord with my voice, and he has heard me from his holy mountain." The first half of the song is inte...

Using the mixolydian scale rather than a conventional major scale, Remel Derrick's rhythmically charged SAB setting of the Gloria text is written for the developing mixed choir. With the option to sin...

A joy-filled perennial from the inspired pen of the late Natalie Sleeth is given a new lease on life in this expertly crafted version by Carl Strommen. Originally for women's voices, Gaudeamus Hodie a...

Three-part Mixed (Optional Baritone) Voices with Keyboard and Optional Flute A best-seller as a Two-part Treble work, Vicki Courtney has re-voiced Jubilate Deo! for Three-part Mixed Voices with option...

Confitebor Tibi (Psalm 111) is the second movement in a collection entitled '14 Psalmi breves' (14 Short Psalms), by Johann Aiblinger. Written for SATB choir and piano, or optional strings, Banner's e...

This setting of three scriptural psalms for SATB Voices and Baritone solo with Piano was commissioned and first premiered in 1984. Fragments of celebratory and jubilant text are taken from Psalms 8, 6...

For SATB Chorus and Trombone. Commissioned to celebrate the 800th Anniversary of the Unversity of Cambridge, and first performed on St Cecilia's Day 2009 by The Choir of Gonville & Caius College, with...