Choral Sheet Music

In this lively 6/8 setting, Assersohn explores a macaronic 15th-century text ('A Patre Unigenitus/Through a maiden is come'), with its exclamations of 'Eya!' reinforcing festive celebration. Featuring...

The star has come is an illustrative and imaginative setting of a poem by Robert Seatter. In response to the evocative text, Williams uses portamenti techniques to create musical imagery, and explores...

If you love me is a beautiful and unique setting of a well-known Pentecost text. Coloured by nuanced dynamics, Young's rich, extended harmonies create tension throughout the piece, before finally reso...

With a text by Thomas Campion, View me, Lord is a tender prayer characterized by its sensitive text-setting. Each verse features a change in voicing, rhythm, and harmony, while the ever-changing metre...

This expressive, proclamatory setting of verses from George Herbert's 'Easter' features eminently singable vocal lines, antiphonal writing, and imaginative word-painting.

In this bittersweet pastoral setting Bednall's flowing melody lines are paired with the tender words of the contemplative First World War poet, Siegfried Sasson. The 5/4 metre lends a wistful whimsica...

This gentle carol sets a well-known text, 'Balulalow', that paints an image of Mary singing a lullaby to Jesus. Bullard's gentle sways and lilting rhythms reflect the story, while soft dynamics and wa...

Hail, heavenly beam is a powerful and joyful setting of a 9th-century advent prayer. Coloured by rich harmonies and tonal shifts, the piece opens briskly before propelling itself towards a rousing con...

This is an imaginative setting of a sequence of nine poems from 'Viking Poetry of Love and War' by Judith Jesch. The war poems are formal and celebratory, making vivid use of figures of speech known a...

These Amens were written to fill a liturgical and musical gap in services where the prevailing style of the music is romantic. This is the first publication of the Amens in F and A, and the musical st...

This anthem is a tender setting of a prayer by St Richard of Chichester. It features on The King's Singers' albums High Flight (SIGCD262) and Christmas Presence (SIGCD801).

What sweeter music is an atmospheric setting of Robert Herrick's popular Christmas text. The carol opens with hushed, interweaving choral lines, creating a soft veil of sound that expands texturally a...

The signature tune for the award-winning Swedish a cappella group Vocado, this is a poignant love song. This dual-language publication in the Voice Junction series is perfect for vocal groups and choi...

Lulajze, Jezuniu is a dual-language arrangement of a well-known Polish carol, presented with the original Polish text and an English singing translation by the composer.

This paean to the divine creation of the world sets part of the Benedicite text from the US Book of Common Prayer. The four unaccompanied voice parts are used to great effect, with phrases often begin...

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem; you'll find imitative passages, melodic and rhythmic motifs, sections requiring preci...

Setting an original Latin text by the Venerable Bede intertwined with an English translation, this piece is homophonic and by turns ecstatic and calmly contemplative. It is particularly suitable for A...

Described by Elgar as an elegy for unaccompanied chorus, this mournful, reverent setting was composed for a service commemorating Queen Victoria on the anniversary of her death. The text is by Cardina...

The text for this piece is a response to Allen Ginsberg's A Supermarket in California by Latvian poet Kārlis Vērdiņš, translated by Ieva Lešinska. Jackson exploits its dramatic intent, giving space fo...

This joyful setting of an old Irish air, arranged by Sir Charles Villiers Stanford and edited by John Rutter, features a text by Thomas Moore on life's fleeting pleasures. A recording can be found on...

This gutsy folk-inspired Advent carol is original and contemporary without losing the raw fervour of its medieval model. With its rhythm punchy and driven, and its harmony strong and bare, the piece d...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

For unaccompanied SATB.