Choral Sheet Music

Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting them...

Off-printed from the complete William Walton Edition, this is one of three versions (the others are for SATB unaccompanied) on a text by Phineas Fletcher - 'Drop, drop slow tears'. The poignant chroma...

For SSAA unaccompanied. This piece was originally published in a version for mixed voices. With lush harmonies, moments of dynamic intensity, and an overriding sense of awe, it would make an ideal cen...

Cecilia McDowall's fresh and appealing style is amply displayed in this cycle, subtitled 'Three Shakespeare Songs'. In total, six Shakespeare texts are used, and McDowall's response encompasses a flee...

For SSAA double choir unaccompanied.

This compelling a cappella setting of Henry Van Dyke's poem has a continual sense of motion, created by the 7/8 metre and scat singing style that is passed around the parts. A powerful and uplifting a...

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment.

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

Setting the modernized words of an Anglo-Saxon metrical charm, this thrilling piece is unusual, dramatic, and beguiling. Featuring a whispered list of potion ingredients for the intro and outro, it al...

Oliver Tarney has re-worked his popular unaccompanied minature The Waiting Sky for upper voices. While it would make a beautiful addition to a concert programme at other times of the year, the setting...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this carol for upper voices. The carol may be sung unaccompanied, though for added sparkle there is an optional part for handb...

Sing, my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 metre of the opening driv...

Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons. With...

This motet in two parts is devotional in character, with each section opening with homophonic writing before elaborating on close imitative polyphonic lines. The motet demonstrates a mature writing st...

for SSAA unaccompanied. Garden of Dreams sets of fragments of text by Sappho, translated by Arthur Sanders Way and A. S. Kline. Sarah Quartel has used cross-rhythms, syncopation, and flowing melodic l...

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring, encouraging singers and listeners to reflect on the challenges of present times and to move forward with coura...

This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. The natural rhythmic energy is amplified by sync...

Heart of Earth sets excerpts of poetry by Laura Purdie Salas that are rich in vivid descriptions of the natural world. Rajasekar was attracted to these texts by the way in which they relate to her hom...

Marie-Claire Saindon's Keeping Time for Joy abounds with the joy in contemporary writer Sarah Windle's text in this uplifting piece. Folk-like scalic melodies, infused with momentum through changing c...

Dedicated to 'sisters everywhere', this three-movement work combines a number of themes through the poetry of Sara Teasdale. The first movement, 'Sister of the Sky', focuses on the morning in early sp...

Olli Kortekangas suite in four movements (text in Finnish) is suitablbe for juvenile choir.

Tre naturscener for descant choir (1976-77, rev. 2016) by Lars Karlsson is set to Gustaf Fröding's vivid poems in Swedish.

Composed in 2016 for the Maîtrise de Radio France, 'Ce n'était pas nous' for upper voices sets short poems by Antoine Thiollier which are at once playful and serious.

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

An original work for 3-part choirs (mixed or treble) in an authentic madrigal style, complete with fa-la-la refrain. Opening section features independent vocal writing; 'B' section is homophnic. Class...