Choral Sheet Music

Dating from 2017, this jubilant piece work for unaccompanied mixed voice is the third in the set of the three Latin motets. Setting the Hymn for an Ascensiontide, the irregular rhythms match the jubil...

William Blake's text scored for unaccompanied SSAATTB a cappella and commissioned by the BBC for Chantage, BBC Radio 3 Choir of the Year 2006.

A wedding anthem for mixed voices, SSATB, setting the text of Richard's brother Thomas.

Holy is the true light', for a cappella divisi mixed voices, was written for the choir Tenebrae and their conductor, Nigel Short.

Scored for unaccompanied SSATB and SATB choirs, this works was commissioned by Westminster School, London.

A vibrant setting of text from Psalms 46 and 102 scored for unaccompanied four-part mixed voices, and first performed by Norwich Cathedral Choir.

Commissioned by Peter Adamson, this work for cello and SATB choir setting the well-loved text by William Blake was first performed 8th April 2022 by St Salvator’s Chapel Choir, directed Claire Innes-H...

A setting of Psalm 150 (King James Version) for SATB and finger cymbals Commissioned in memory of the late Norman Marr, for many years Senior Vice Chairman of The Friends of St Machar’s Cathedral Firs...

Setting the text of Richard's brother, Thomas, Music, scored for unaccompanied SSATBB choir, was commissioned by Judith Godsland for Commotio's 20th Anniversary Concert in September 2019.

A setting of E. E. Cummings for unaccompanied mixed voices, first performed by the PopUp Choir, conducted by the composer at Gloria Dei Lutheran Church, St Paul, Minnesota, on 12 October 2019.

Commissioned by The Revd Dr Jonathan Holmes and Queens' College, Cambridge for Suzi Digby OBE. First performed on 21 November 2021 in Queens' College Chapel, conducted by Ralph Allwood.

First performed on 12 August 2022 at St. Jerome Catholic Church, Hyattsville, MD by Lux Choir, conducted by Robby Napoli. Text, after Psalm 21 O Lord, make thy servant Elizabeth our Queen to rejoice i...

A macaronic carol in both Latin and English evoking the sleeping infant Jesus in the manger. Scored for unaccompanied SATB choir.

Written for Louisa Pini. Commissioned by the Pini family. With thanks to Dominic Pini.

Commissioned by Saint Deiniol's Cathedral in Bangor to mark the Enthronement of the Most Revd Andrew T. G. John as Archbishop of Wales. First performed on 30th April 2022 at the Cathedral and Metropol...

First performed on 28 July 2020 as part of a virtual evensong by the Choral Scholars of Truro Cathedral.

A Gaelic Blessing was written for Louth Choral Society and uses a text written by William Sharp (under his pseudonym Fiona Macleod) and adapted by John Rutter for his 1978 piece, also called A Gaelic...

An arrangement of Mealor's choral work of the same title for Apollo5. Scored for SATTB. A setting of a Greek Prayer from 250 AD.

Setting an original text by Grahame Davies this three and a half minute choral work was composed for Apollo5, the Ozark Festival Singers and High Point University Chamber Singers, North Carolina.

A four-minute a cappella choral piece for Epiphany commissioned by Dr Colin Podmore to mark his year as Master of the Worshipful Company of Parish Clerks (2024–25). First performed at the Company’s Ep...

Paul Mealor's 'In primim non nocere' is a 5 minute work for SATB divisi dedicated to Lord and Lady Chadlington, first performed by ORA singers in June 2024. The text is by Grahame Davies, based on the...

Extracted from The Wonders We Seek Without Us, commissioned by the Master, Fellows and Scholars of Pembroke College, Oxford on the occasion of the College’s quadricentennial in 2024.Dedicated to the m...

For the seventeenth Sunday after Trinity, ‘Lord, we pray thee that thy grace’ was composed in 2021 for the Grand Rapids Choir of Men & Boys, and its Associate Director, Matthew Owens.

For unaccompanied chorus. Duration: 2 minutes.

Version for ATTB Choir A Cappella. Piano reduction provided for rehearsal purposes.