Choral Sheet Music

Based on Psalm 139, this beautiful and expressive tender hymn begins with unison upper voices and builds into four-part harmony.

Carey's arrangement is rich and impassioned, with a call-and-response soprano solo and some intense dynamic shifts.

For SAB and piano. The choir presents a statement of the tune sung in unison, followed by a canonic treatment of the melody. The piece ends simply with an unaccompanied section followed by a final sta...

For SATB, soprano and tenor soloists, unaccompanied. This is a setting of text by the Irish poet and singer Colum Sands in a contemporary folk style. Its secular text will appeal to a wide range of au...

For SATB unaccompanied. This lush setting of a text by John Donne is particularly appropriate during Lent but is also suitable for general use.

This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It is an accessible work whose opening bars suggest the gentle undulation of a stream. The exquisite tune receives v...

This is an exuberant setting of Psalm 95. A memorable rhythmic pattern is established by the organ toccata as it alternates between 4/4 and 7/8 for the outer sections of the anthem. The inner section...

For SATB with divisions and organ. This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It includes an a cappella verse for textural contrast; a soprano descant brings t...

For SATB with divisions unaccompanied. This beutiful canticle sets a text by the distinguished American hymn-writer Thomas Troeger. Suitable for Easter and throughout the year.

For SATB with divisions unaccompanied. This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It enlivens Troeger's already joyful text with an exciting 7/8 rhythm and a t...

For SATB unaccompanied. This short, contemplative anthem serves as an ideal introit for church services or as a short mediation piece at Communion during Lent. This contemporary setting presents the t...

The Musica Dei donum series makes accessible to performers a variety of interesting and generally lesser-known Renaissance vocal works. The titles in the series are presented in practical format, with...

The Musica Dei donum series makes accessible to performers a variety of interesting and generally lesser-known Renaissance vocal works. The titles in the series are presented in practical format, with...

For SATB and organ with optional strings. This setting invites the congregation to join in with several of the verses. Verse 1 is sung in unison, verse 2 is men only, verse 3 is a capella, and verse 4...

For SATB with divisions, unaccompanied Choirs will enjoy singing the lush, expanded harmonies in this short, breathtaking anthem. The fourteenth-century text is used widely during communion, but is al...

For SATB unaccompanied. No. 1 of Three Spirituals. This lively spiritual setting is perfect for all choirs looking to energize any church service or concert. A chromatic modulation jump starts each ne...

For SATB unaccompanied. In this haunting and plaintive setting of the classic spiritual, Warren creatively evokes a stark tone of loneliness and despair with descending chromatic inner voices in the o...

For SSAATTBB unaccompanied. This rhythmic and spirited setting of the familiar hymn is perfect for large choirs either as a commemoration piece or in a concert setting.

For SATB unaccompanied. Right from the first bar, this upbeat, refreshing arrangement of the African American spiritual will catch the attention of the performer and audience. Culminating in six-part...

Oxford Music from Canada is a new series of choral pieces by significant Canadian composers that reflect the themes and texts of Canada. for SATB unaccompanied Chatman captures the true spirit of a lo...

For SATB unaccompanied. The music opens with 'oos', and, after a pause, the choir enters, singing in Latin, sempre legato. Bassi writes lush choral lines with suspension after suspension, which result...

A setting of a poem by Ursula Wood, later to become Ursula Vaughan Williams. The dedication reads, 'To the memory of Charles Villiers Stanford, and his Blue Bird'.

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke'...