Choral Sheet Music

Ritters Tonsprache mit der eines andere Komponisten vergleichen zu wollen würde in die Irre führen, denn Ritter versteht es, in seiner konsequent eigenen Tonsprache zu arbeiten und seine Themen zu ent...

Written for unaccompanied SATB choir.

A wonderful Italian madrigal edited and arranged for today's high school or adult ensemble. English and Italian texts are provided. I Delight in All Your Beauty is an a cappella delight!

Uses: Easter vigil, Easter Sunrise Scripture: John 10:13; Mark 12:10 This unique composition is an Easter vigil masterpiece. The listener is taken to the garden along with Mary as she begins her searc...

Uses: Easter Scripture: Matthew 28:1-10; 16-20 Alive with an almost classical spirit this a cappella gem is a must-do anthem for your choir or ensemble. This madrigal of praise is ideal for developing...

Greg Gilpin has written a new, energetic arrangement of Ezekiel Saw the Wheel, Little Wheel A-Turnin', for 3-part mixed voices. An excellent choice for young singers with Part III in a limited range t...

David Lantz takes Aaron's blessing from the book of Deuteronomy and gives it a fresh choral treatment to create a delicate benediction. The Lord Bless You and Keep You is a quiescent close to any wors...

Mark Hayes's version of the long-time favorite hymn exemplifies the arranger at his best. The freely sung opening solo, a cappella section, and luscious harmonies make this one special, indeed. I Surr...

Uses: Concert, Contest, Encore The quintessential encore for community or college choirs, this exciting choral has been a best-seller for many years. This unique composition actually uses authentic au...

Roy Belfield Shares His Gift For Arranging Spirituals With The Simple And Lovely O Lord, Have Mercy. For A Cappella Choir And Soprano Soloist, This Heartfelt Prayer Of Petition Is An Excellent Choice...

This Lovely A Cappella Choral Has An Early American Folk Sound And Feel. The Words Express Our Constant Desire To Live With Grace, And Our Constant Failure To Do So.

Gentle Sleep is a work by Nico Muhly for Unaccompanied SATB Choir. Commissioned by Wigmore Hall, it was premiered by Stile Antico on 27th November at Wigmore Hall, London. The text comes from William...

Nico Muhly's Marrow composed for SATB choir unaccompanied with texts from Psalm 63 vv. 1-3, 6-8 Book of Common Prayer (1662). Commissioned by the Netherlands Chamber Choir for the project 150 Psalms t...

Rough Notes was commissioned and premiered by The Tallis Scholars in 2018 and sets text from the diary entries of Captain Robert Scott during the Terra Nova expedition to Antarctic.

Puer Pacis (The Dulwich Peace Carol) was jointly commissioned by Dulwich College and Dulwich College International, with the generous support of the Alvarez Family. First performed by the Choir of Dul...

A setting of a text from the 15th century Selden Carol Book. The work was written for the Choir of Magdalen College, Oxford, and Mark Williams, Informator Choristarum. Duration: 5 mins >

Sidney Responses is a work for chorus a cappella for David Skinner and the Choir of Sidney Sussex College, Cambridge. It was composed in 2023 as part of the composer’s residency at the college.

A short choral setting of Centuries of Meditations, no. 87, edited by Bertram Dobell (1908). Written for the Choirs of Magdalen, Christ Church and New College, Oxford, on the occasion of the Annual Co...

Fallings is a work for chorus a cappella commissioned by the Byrd Ensemble with text from the biblical book of Isaiah.

Nico Muhly’s Prosperitie is a choral setting for eight voices. It sets Psalm 1, v. 3 from the Wycliffe Bible, the earliest known literal translation of the entire Bible into Middle English.

Nico Muhly’s One Star is a short piece for a cappella chorus commissioned by the Bethlehem Cultural Festival with support from Creative Scotland. The first performance was given at the annual Christma...

A three-minute choral work for SATTB choir unaccompanied, commissioned by the New Generation Foundation (f.k.a. Fondazione Mascarade Opera) with special thanks to Charles Klein. First performed on 29...

An encore for unaccompanied SATB.