Christmas Concert Works for Band
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Bass Clarinet (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Alto Saxophone 1 (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Alto Saxophone 2 (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Tenor Saxophone (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Baritone Saxophone (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Trumpet 1 (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Trumpet 2 (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Horn (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Trombone (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Baritone (Bass Clef) (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Baritone (Treble Clef) (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Tuba (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Double Bass (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Percussion 1 (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Percussion 2 (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Mallets (Download)
- Robert Longfield
- Hal Leonard
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Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
Tuneful and rhythmic describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster s...
- Concert Band
- Instrumental Part: Timpani (Download)
- Robert Longfield
- Hal Leonard
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Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
- Concert Band
- Instrumental Part: Piccolo (Download)
- Robert Longfield
- Hal Leonard
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Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
- Concert Band
- Instrumental Part: Flute 1 (Download)
- Robert Longfield
- Hal Leonard
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Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
- Concert Band
- Instrumental Part: Flute 2 (Download)
- Robert Longfield
- Hal Leonard
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Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
- Concert Band
- Instrumental Part: Oboe (Download)
- Robert Longfield
- Hal Leonard
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Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
- Concert Band
- Instrumental Part: Bassoon (Download)
- Robert Longfield
- Hal Leonard
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Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
- Concert Band
- Instrumental Part: Clarinet 1 (Download)
- Robert Longfield
- Hal Leonard
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-
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Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
- Concert Band
- Instrumental Part: Clarinet 2 (Download)
- Robert Longfield
- Hal Leonard
-
-
immediately available
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Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
Composed by Mstislav ('Slava') Rostropovich and the National Symphony Orchestra, this exciting, yet brief overture received it's premiere performance in 1977. Constructed using two contrasting themes...
- Concert Band
- Instrumental Part: Clarinet 3 (Download)
- Robert Longfield
- Hal Leonard
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