The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Flute 2 (Download)
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Oboe (Download)
- Hal Leonard
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Clarinet 1 (Download)
- Hal Leonard
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Clarinet 2 (Download)
- Hal Leonard
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Bassoon (Download)
- Hal Leonard
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Percussion 1 (Download)
- Hal Leonard
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Percussion 2 (Download)
- Hal Leonard
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Percussion 3 (Download)
- Hal Leonard
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Harp (Download)
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Violin 1 (Download)
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Violin 2 (Download)
- Hal Leonard
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Viola (Download)
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Cello (Download)
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The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...
- Choir and Ensemble
- Instrumental Part: Double Bass (Download)
- Hal Leonard
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- Instrumental Part: Trumpet 2 (Download)
- Mac Huff
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- Instrumental Part: Tenor Saxophone (Download)
- Mac Huff
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- Instrumental Part: Trombone (Download)
- Mac Huff
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- Instrumental Part: Guitar (Download)
- Mac Huff
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- Instrumental Part: Synthesizer (Download)
- Mac Huff
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- Choir and Ensemble
- Instrumental Part: Bass (Download)
- Mac Huff
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- Instrumental Part: Drums (Download)
- Mac Huff
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- Choir and Orchestra
- Instrumental Parts: Flute 1 & Flute 2 (Download)
- Joseph M. Martin
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- Choir and Orchestra
- Instrumental Part: Oboe (Download)
- Joseph M. Martin
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- Choir and Orchestra
- Instrumental Parts: Clarinet 1 & Clarinet 2 (Download)
- Joseph M. Martin
- Hal Leonard
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- Choir and Orchestra
- Instrumental Part: Bassoon (Download)
- Joseph M. Martin
- Hal Leonard
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