Christmas Songs for Mixed Choir

For SATB Choir A Cappella. Text Dick Davies. Premiered by the Cambridge University Chamber Choir under the direction of Richard Marlow. Also available in the Chester Book of Carols: CH55678

John Tavener's Ex Maria Virgine is a sequence of Christmas carols, their emphasis on the Nativity and the Virgin Mary. Scored for SATB unaccompanied or with Organ, the collection is representative of...

John Tavener's Ex Maria Virgine is a sequence of Christmas carols, their emphasis on the Nativity and the Virgin Mary. Scored for SATB unaccompanied or with Organ, the collection is representative of...

Choral Variations for unaccompanied* SATB with boys' voices Texts:Theme A Boy was Born Anon. 16th century Variation 1 Lullay, Jesu Anon. before 1536 Variation 2 Herod Anon. before 1529 Variation 3 Jes...

Choral Variations for unaccompanied SATB with boys' voices. The extent of Britten's early genius can, to some extent, be measured by thiswork. Written while a student at the Royal College of Music age...

This work was commissioned by the Revd. Dr. Simon Jones for the Choir of Merton College, Oxford. It was performed on 27th November 2010 at Merton College, Oxford, by the Choir of Merton College conduc...

This motet for unaccompanied voices with tenor solo was written for a BBC programme of words and music called A Poet's Christmas broadcast on the Home Service on Christmas Eve, 1944.

O that we were there! is a text taken from the Christmas hymn In Dulci Jubilo. It expresses a longing to be present at the Incarnation of Christ, but it also conveys alonging to be out of the world of...

This snappy, swinging arrangement of Christmas carol Follow that Star includes finger snapping and a performance note that says, 'slightly stompy'. Follow That Star is a perfect choice for secondary s...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Es mag vielleicht unbescheiden klingen, wenn man sagt, dass die schönsten Weihnachtslieder die polnischen seien. Wenngleich auch jede andere Nation dasselbe von ihren eigenen Weihnachtsliedern behaupt...

Manuel Grunden has created an impressive modern interpretation of the English Christmas carol Ding, dong merrily on high, which itself is based on a 16th century French dance tune. Piquant and well-co...

Manuel Grunden has created an impressive modern interpretation of the English Christmas carol Ding, dong merrily on high, which itself is based on a 16th century French dance tune. Piquant and well-co...

Over its long history, the Advent song Veni, veni, Emmanuel has been adapted time and again to create many different versions with their own unique melodies and textual variants. The melody from the G...

Over its long history, the Advent song Veni, veni, Emmanuel has been adapted time and again to create many different versions with their own unique melodies and textual variants. The melody from the G...