Church Arias Sheet Music
Italian songs and arias of the 17th and 18th century have for many years been essential repertoire for anyone learning to sing. But this music is principally known in romantic adaptations which the or...
Italian songs and arias of the 17th and 18th century have for many years been essential repertoire for anyone learning to sing. But this music is principally known in romantic adaptations which the or...
- 2 Voices and Piano
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- Edition Peters
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Mittlere bis tiefe Singstimme, Klavier - Sammelband, Begleit-CD. Inklusive einer CD mit Klavierbegleitungen; vollständig mit englischen Singübersetzungen, Wort-für-Wort-Übersetzungen und Aussprachehil...
Mittlere bis tiefe Singstimme, Klavier - Sammelband, Begleit-CD. Inklusive einer CD mit Klavierbegleitungen; vollständig mit englischen Singübersetzungen, Wort-für-Wort-Übersetzungen und Aussprachehil...
- Medium Voice, Low Voice and Piano
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- Roger Nichols
- Edition Peters
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Contents: Mozart: Hai già vinta la causa!...Vedro mentr'io sospiro (Le Nozze di Figaro) / Fin ch'an dal vino (Don Giovanni) / Deh vieni alla finestra (Don Giovanni) / Donne mie, la fate a tanti (Così...
Contents: Mozart: Hai già vinta la causa!...Vedro mentr'io sospiro (Le Nozze di Figaro) / Fin ch'an dal vino (Don Giovanni) / Deh vieni alla finestra (Don Giovanni) / Donne mie, la fate a tanti (Così...
- Medium Voice and Piano
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- G. Schirmer
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The vocal works collected in this volume were composed for very different occasions. Several of them were tailor-made for female singers of Beethoven's acquaintance; with others he was trying his hand...
The vocal works collected in this volume were composed for very different occasions. Several of them were tailor-made for female singers of Beethoven's acquaintance; with others he was trying his hand...
- High Voice and Piano
- Piano Reduction (Urtext)
- G. Henle Verlag
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ARIAS from OPERAS - Selected & edited by SERGIUS KAGEN
ARIAS from OPERAS - Selected & edited by SERGIUS KAGEN
- High Voice and Piano
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- International Music Company (IMC)
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ARIAS from OPERAS
- High Voice and Piano
- Sheet Music
- International Music Company (IMC)
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- High Voice and Piano
- Sheet Music
- International Music Company (IMC)
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- High Voice and Piano
- Sheet Music
- International Music Company (IMC)
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- High Voice and Piano
- Sheet Music
- International Music Company (IMC)
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Bariton / Bass
- Low Voice
- Sheet Music
- Ricordi
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- Piano and Voice
- Sheet Music
- Theodore Presser Company
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Sopran solo und Klavier - Klavierauszug, Sammelband, (mit) Tonträger (CD)
Sopran solo und Klavier - Klavierauszug, Sammelband, (mit) Tonträger (CD)
- High Voice and Piano
- Piano Reduction and CD
- Edition Peters
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- High Voice and Piano
- Sheet Music
- Robert Lienau Musikverlag
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- High Voice and Piano
- Piano Reduction
- Universal Edition
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20 bekannte Opern-Arien für Männerstimme: Celeste Aida (Aida), La Donna È Mobile (Rigoletto), Nessun Dorma (Turandot).
20 bekannte Opern-Arien für Männerstimme: Celeste Aida (Aida), La Donna È Mobile (Rigoletto), Nessun Dorma (Turandot).
- Piano and Voice
- Sheet Music
- Claudio Riffero
- Volonte & Co
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20 bekannte Opern-Arien für Frauenstimme.
20 bekannte Opern-Arien für Frauenstimme.
- Piano and Voice
- Sheet Music
- Claudio Riffero
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- Medium Voice and Piano
- Sheet Music
- G. Schirmer
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The Pastoral Mass op. 24 was first published on 24 . It was performed in Augsburg in December 1851 and has since become an integral part of Christmas church music in Bavaria. In addition to this mass,...
The Pastoral Mass op. 24 was first published on 24 . It was performed in Augsburg in December 1851 and has since become an integral part of Christmas church music in Bavaria. In addition to this mass,...
- Soloists, Mixed Choir and Orchestra
- Piano Reduction
- Accolade Musikverlag
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To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
- Soloists (AAB), Mixed Choir (SSAATTBB) and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" – both...
Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" – both...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Heinz Moehn
- Bärenreiter Verlag
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The "Missa Cellensis", composed in 1782, is better known as the "Mariazell Mass", with reference to the pilgrimage site of Mariazell in Styria, where it was performed. The revision of the complete vol...
The "Missa Cellensis", composed in 1782, is better known as the "Mariazell Mass", with reference to the pilgrimage site of Mariazell in Styria, where it was performed. The revision of the complete vol...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction
- Bärenreiter Verlag
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The Missa in B flat KV 275 was written in 1777. Following the tradition of the "Missa brevis", the movements are short, and in text-rich movements such as the "Credo", different text passages are sung...
The Missa in B flat KV 275 was written in 1777. Following the tradition of the "Missa brevis", the movements are short, and in text-rich movements such as the "Credo", different text passages are sung...
- Soloists (SATB), Mixed Choir (SATB), 3 Trombones, 2 Violins, Double Bass, Bassoon and Organ
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Prince-Archbishop Hieronymus Graf von Colloredo demanded a mixed form for the masses performed in Salzburg: a Missa brevis in length, a Missa solemnis with timpani and trumpets in the instrumentation....
Prince-Archbishop Hieronymus Graf von Colloredo demanded a mixed form for the masses performed in Salzburg: a Missa brevis in length, a Missa solemnis with timpani and trumpets in the instrumentation....
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Prince Archbishop Hieronymus Count von Colloredo demanded a mixed form for the masses performed in Salzburg: a Missa brevis in length and a Missa solemnis with timpani and trumpets. With the Missa in...
Prince Archbishop Hieronymus Count von Colloredo demanded a mixed form for the masses performed in Salzburg: a Missa brevis in length and a Missa solemnis with timpani and trumpets. With the Missa in...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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3 Konzerte. Urtext der Neuen Schütz-Ausgabe Der Partitur liegt die Stimme für ein Continuo-Instrument bei. Alt solo, Basso continuo - Singpartitur; Spielpartitur; Einzelstimme
3 Konzerte. Urtext der Neuen Schütz-Ausgabe Der Partitur liegt die Stimme für ein Continuo-Instrument bei. Alt solo, Basso continuo - Singpartitur; Spielpartitur; Einzelstimme
- Voice and Continuo
- Score and Parts (Urtext)
- Bärenreiter Verlag
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