Church Music for Mixed Ensemble

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...

72 Solokantaten für eine Singstimme, ein Instrument und Basso continuo.

72 Solokantaten für eine Singstimme, ein Instrument und Basso continuo. Weihnachtsfestkreis

Als Telemann 1725/26 in Hamburg den "Harmonischen Gottesdienst", seinen ersten gedruckten Kantatenjahrgang, herausgab, war er bereits einer der bedeutendsten Kantatenkomponisten seiner Zeit. Die 72 So...

Hohe Stimme, Melodie-Instrument, Basso continuo.

Hohe Stimme, Melodie-Instrument, Basso continuo - Partitur; Stimmensatz; Urtextausgabe

72 Solokantaten für eine Singstimme, ein Instrument und Basso continuo. Weihnachtsfestkreis

Kantanten aus dem Osterfestkreis. Mittlere Stimme, Melodie-Instrument, Basso continuo.

Mittlere Stimme, Melodie-Instrument, Basso continuo - Partitur; Stimmensatz; Urtextausgabe

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...