Classical Instrumental Works for Orchestra
EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not...
EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not...
- Orchestra
- Score
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not...
EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not...
- Orchestra
- Score
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not...
EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not...
- Orchestra
- Score and Parts
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
The ballet El Amor Brujo (The Bewitched Love) was composed by Manuel de Falla (1876-1946) in 1915, with revisions taking place throughout until 1920, resulting in several versions. In the ballet, whic...
The ballet El Amor Brujo (The Bewitched Love) was composed by Manuel de Falla (1876-1946) in 1915, with revisions taking place throughout until 1920, resulting in several versions. In the ballet, whic...
- Orchestra
- Score
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
The ballet El Amor Brujo (The Bewitched Love) was composed by Manuel de Falla (1876-1946) in 1915, with revisions taking place throughout until 1920, resulting in several versions. In the ballet, whic...
The ballet El Amor Brujo (The Bewitched Love) was composed by Manuel de Falla (1876-1946) in 1915, with revisions taking place throughout until 1920, resulting in several versions. In the ballet, whic...
- Orchestra
- Score and Parts
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
Written in 1909 and one of two suites by Gustav Holst (1874-1934) under Op. 28 written originally for military band, the First Suite in E-flat is considered a cornerstone of the band repertoire. This...
Written in 1909 and one of two suites by Gustav Holst (1874-1934) under Op. 28 written originally for military band, the First Suite in E-flat is considered a cornerstone of the band repertoire. This...
- Orchestra
- Score
- Chris Hazell
- Edwin F. Kalmus
-
ships within 2-4 weeks
Written in 1911 and one of two suites under Op. 28 written originally for military band, the Second Suite in F is longer and considered more difficult than its sister suite. This version for orchestra...
Written in 1911 and one of two suites under Op. 28 written originally for military band, the Second Suite in F is longer and considered more difficult than its sister suite. This version for orchestra...
- Orchestra
- Score
- Adam Kent
- Edwin F. Kalmus
-
ships within 2-4 weeks
Musetta's Waltz is a rather risqué song, sung by Musetta in Puccini's opera La Bohème to attract the attention of a former sweetheart. This newly available concert adaptation uses no singer, but place...
Musetta's Waltz is a rather risqué song, sung by Musetta in Puccini's opera La Bohème to attract the attention of a former sweetheart. This newly available concert adaptation uses no singer, but place...
- Orchestra
- Score
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
Musetta's Waltz is a rather risqué song, sung by Musetta in Puccini's opera La Bohème to attract the attention of a former sweetheart. This newly available concert adaptation uses no singer, but place...
Musetta's Waltz is a rather risqué song, sung by Musetta in Puccini's opera La Bohème to attract the attention of a former sweetheart. This newly available concert adaptation uses no singer, but place...
- Orchestra
- Score and Parts
- William Ryden
- Edwin F. Kalmus
-
ships within 2-4 weeks
Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as...
Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as...
- Orchestra
- Score
- Steven Rosenhaus
- Edwin F. Kalmus
-
-
ships within 2-4 weeks
Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as...
Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as...
- Orchestra
- Score and Parts
- Steven Rosenhaus
- Edwin F. Kalmus
-
-
ships within 2-4 weeks
George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...
George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...
- Orchestra
- Score
- Felix Schroeder
- Edwin F. Kalmus
-
ships within 2-4 weeks
George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...
George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...
- Orchestra
- Score and Parts
- Felix Schroeder
- Edwin F. Kalmus
-
ships within 2-4 weeks
Hector Berlioz (1803-1869) wrote his overture King Lear (H 53), just after the abrupt dissolution of his engagement to Camille Moke. He had just arrived in Italy as the winner of the 1830 Prix de Rome...
Hector Berlioz (1803-1869) wrote his overture King Lear (H 53), just after the abrupt dissolution of his engagement to Camille Moke. He had just arrived in Italy as the winner of the 1830 Prix de Rome...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Hector Berlioz' (1803-1869) opéra comique in two acts, Béatrice et Bénédict, was completed in 1862. The French libretto was completed by Berlioz, after a subplot from Shakespeare's Much Ado About Noth...
Hector Berlioz' (1803-1869) opéra comique in two acts, Béatrice et Bénédict, was completed in 1862. The French libretto was completed by Berlioz, after a subplot from Shakespeare's Much Ado About Noth...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Hector Berlioz' (1803-1869) opéra comique in two acts, Béatrice et Bénédict, was completed in 1862. The French libretto was completed by Berlioz, after a subplot from Shakespeare's Much Ado About Noth...
Hector Berlioz' (1803-1869) opéra comique in two acts, Béatrice et Bénédict, was completed in 1862. The French libretto was completed by Berlioz, after a subplot from Shakespeare's Much Ado About Noth...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
While Hector Berlioz (1803-1869) is usually closely associated with programmatic music, his LE CORSAIRE OVERTURE, Op. 21/H. 101 has no narrative behind the music, despite the title tempting an associa...
While Hector Berlioz (1803-1869) is usually closely associated with programmatic music, his LE CORSAIRE OVERTURE, Op. 21/H. 101 has no narrative behind the music, despite the title tempting an associa...
- Orchestra
- Director's Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
While Hector Berlioz (1803-1869) is usually closely associated with programmatic music, his LE CORSAIRE OVERTURE, Op. 21/H. 101 has no narrative behind the music, despite the title tempting an associa...
While Hector Berlioz (1803-1869) is usually closely associated with programmatic music, his LE CORSAIRE OVERTURE, Op. 21/H. 101 has no narrative behind the music, despite the title tempting an associa...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Ernest Guiraud (1837-1892) was a colleague and good friend of Bizet's. After Bizet's death, he composed the recitatives still commonly used in Carmen. Between 1880 and 1882, he compiled two orchestral...
Ernest Guiraud (1837-1892) was a colleague and good friend of Bizet's. After Bizet's death, he composed the recitatives still commonly used in Carmen. Between 1880 and 1882, he compiled two orchestral...
- Orchestra
- Score and Parts
- Ernest Guiraud
- Edwin F. Kalmus
-
ships within 2-4 weeks
One of two orchestral serenades composed by Johannes Brahms (1833-1897) that served as early efforts to write orchestral music, this SERENADE No. 1 in D is the composer's first published orchestral wo...
One of two orchestral serenades composed by Johannes Brahms (1833-1897) that served as early efforts to write orchestral music, this SERENADE No. 1 in D is the composer's first published orchestral wo...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
One of two orchestral serenades composed by Johannes Brahms (1833-1897) that served as early efforts to write orchestral music, this SERENADE No. 1 in D is the composer's first published orchestral wo...
One of two orchestral serenades composed by Johannes Brahms (1833-1897) that served as early efforts to write orchestral music, this SERENADE No. 1 in D is the composer's first published orchestral wo...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
The complicated history of Anton Bruckner's (1824-1896) SYMPHONY No. 4 in E-flat (WAB 104) 'ROMANTIC' began with the completion of the 1st version in 1874. What followed was a second version in 1878 w...
The complicated history of Anton Bruckner's (1824-1896) SYMPHONY No. 4 in E-flat (WAB 104) 'ROMANTIC' began with the completion of the 1st version in 1874. What followed was a second version in 1878 w...
- Orchestra
- Score
- Robert Haas
- Edwin F. Kalmus
-
ships within 2-4 weeks
The complicated history of Anton Bruckner's (1824-1896) SYMPHONY No. 4 in E-flat (WAB 104) 'ROMANTIC' began with the completion of the 1st version in 1874. What followed was a second version in 1878 w...
The complicated history of Anton Bruckner's (1824-1896) SYMPHONY No. 4 in E-flat (WAB 104) 'ROMANTIC' began with the completion of the 1st version in 1874. What followed was a second version in 1878 w...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
The most popular work by Hugo Alfvén (1872-1960), MIDSOMMARVAKA (MIDSUMMER VIGIL) is also known by its subtitle SWEDISH RHAPSODY NO. 1. Composed in 1903, the work is alleged to have emerged as a respo...
The most popular work by Hugo Alfvén (1872-1960), MIDSOMMARVAKA (MIDSUMMER VIGIL) is also known by its subtitle SWEDISH RHAPSODY NO. 1. Composed in 1903, the work is alleged to have emerged as a respo...
- Orchestra
- Director's Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
The most popular work by Hugo Alfvén (1872-1960), MIDSOMMARVAKA (MIDSUMMER VIGIL) is also known by its subtitle SWEDISH RHAPSODY NO. 1. Composed in 1903, the work is alleged to have emerged as a respo...
The most popular work by Hugo Alfvén (1872-1960), MIDSOMMARVAKA (MIDSUMMER VIGIL) is also known by its subtitle SWEDISH RHAPSODY NO. 1. Composed in 1903, the work is alleged to have emerged as a respo...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks