Classical Instrumental Works for Orchestra
Immerse yourself in the fascinating sonic universe of the "Symphonia Serena" – a masterful orchestral work brimming with brilliance, rhythmic vitality, and subtle lightness. Published by the renowned...
Immerse yourself in the fascinating sonic universe of the "Symphonia Serena" – a masterful orchestral work brimming with brilliance, rhythmic vitality, and subtle lightness. Published by the renowned...
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Dieses Stück habe ich 1949 komponiert mit dem Bestreben, den Begriff Sinfonik von der Vorstellung klassischer und romantischer Formen zu trennen. Der Hörer darf also hier nicht jene Elemente suchen wo...
Dieses Stück habe ich 1949 komponiert mit dem Bestreben, den Begriff Sinfonik von der Vorstellung klassischer und romantischer Formen zu trennen. Der Hörer darf also hier nicht jene Elemente suchen wo...
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Dieses Stück habe ich 1949 komponiert mit dem Bestreben, den Begriff Sinfonik von der Vorstellung klassischer und romantischer Formen zu trennen. Der Hörer darf also hier nicht jene Elemente suchen wo...
Dieses Stück habe ich 1949 komponiert mit dem Bestreben, den Begriff Sinfonik von der Vorstellung klassischer und romantischer Formen zu trennen. Der Hörer darf also hier nicht jene Elemente suchen wo...
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Like my oratorio Novae de infinito laudes, this work, too, has been influenced by the human world and the scenery of Rome, indeed, perhaps even by the greater hardness of the roman language compared t...
Like my oratorio Novae de infinito laudes, this work, too, has been influenced by the human world and the scenery of Rome, indeed, perhaps even by the greater hardness of the roman language compared t...
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in stock
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Like my oratorio Novae de infinito laudes, this work, too, has been influenced by the human world and the scenery of Rome, indeed, perhaps even by the greater hardness of the roman language compared t...
Like my oratorio Novae de infinito laudes, this work, too, has been influenced by the human world and the scenery of Rome, indeed, perhaps even by the greater hardness of the roman language compared t...
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In der ersten Niederschrift meiner Oper König Hirsch (1953-1956) bestand der Schluss des zweiten Akts aus einem mythischen Gespräch zwischen dem Protagonisten und der Natur. Heinz von Cramer und ich n...
In der ersten Niederschrift meiner Oper König Hirsch (1953-1956) bestand der Schluss des zweiten Akts aus einem mythischen Gespräch zwischen dem Protagonisten und der Natur. Heinz von Cramer und ich n...
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In der ersten Niederschrift meiner Oper König Hirsch (1953-1956) bestand der Schluss des zweiten Akts aus einem mythischen Gespräch zwischen dem Protagonisten und der Natur. Heinz von Cramer und ich n...
In der ersten Niederschrift meiner Oper König Hirsch (1953-1956) bestand der Schluss des zweiten Akts aus einem mythischen Gespräch zwischen dem Protagonisten und der Natur. Heinz von Cramer und ich n...
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1. Stimme in C: Flöte, Oboe I, Violine I
1. Stimme in C: Flöte, Oboe I, Violine I
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- Instrumental Parts: Flute 1, Oboe 1 & Violin 1
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