Classical Instrumental Works for Orchestra
This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...
This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...
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- Instrumental Part: Viola (Urtext)
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This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...
This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...
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- Instrumental Part: Cello and Double Bass (Urtext)
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Complete Scientific Edition with Critical Report, Division I, Volume 2, cloth.
Complete Scientific Edition with Critical Report, Division I, Volume 2, cloth.
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- Score and Critical Comment
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Complete Scientific Edition with Critical Report, Division I, Volume 3, cloth.
Complete Scientific Edition with Critical Report, Division I, Volume 3, cloth.
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- Score and Critical Comment
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Scientific Complete Edition with Critical Report, Series I, Volume 5b, cloth.
Scientific Complete Edition with Critical Report, Series I, Volume 5b, cloth.
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- Score and Critical Comment
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Scientific Complete Edition with Critical Report, Series XXVI, Volume 2, cloth.
Scientific Complete Edition with Critical Report, Series XXVI, Volume 2, cloth.
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- Score and Critical Comment
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Complete Scientific Edition with Critical Report, Series I, Volume 4, Linen
Complete Scientific Edition with Critical Report, Series I, Volume 4, Linen
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- Score and Critical Comment
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Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: '... a second one will sound different'. Nevertheless, a good 20 years ela...
Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: '... a second one will sound different'. Nevertheless, a good 20 years ela...
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- Score and Critical Comment
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With the 'Concerto for Orchestra,' Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece fro...
With the 'Concerto for Orchestra,' Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece fro...
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- Study Score (Urtext)
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We know very little about Mozart’s Divertimento in D major K. 334, which is still popular today: an autograph has not been preserved, and in the two editions published after Mozart’s death there are i...
We know very little about Mozart’s Divertimento in D major K. 334, which is still popular today: an autograph has not been preserved, and in the two editions published after Mozart’s death there are i...
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- Study Score (Urtext)
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Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: '... a second one will sound different'. Nevertheless, a good 20 years ela...
Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: '... a second one will sound different'. Nevertheless, a good 20 years ela...
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- Study Score (Urtext)
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The work is based on the saga of the tragic fate of the ancient Roman hero Coriolan. Beethoven referred to the tragedy of the same name by the Austrian poet Heinrich Joseph von Collin, which was very...
The work is based on the saga of the tragic fate of the ancient Roman hero Coriolan. Beethoven referred to the tragedy of the same name by the Austrian poet Heinrich Joseph von Collin, which was very...
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- Study Score
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When Beethoven received a commission from Vienna's Burgtheater to compose stage music for Goethe's tragedy Egmont in 1809, he viewed it as a great honour. The impetus would have been all the stronger...
When Beethoven received a commission from Vienna's Burgtheater to compose stage music for Goethe's tragedy Egmont in 1809, he viewed it as a great honour. The impetus would have been all the stronger...
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- Study Score (Urtext)
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This slipcase contains all of Joseph Haydn's famous symphonies from his mature creative period: the six 'Paris' Symphonies (Hob. I:82-87), the twelve 'London' (Hob. I:93-104) as well as five symphonie...
This slipcase contains all of Joseph Haydn's famous symphonies from his mature creative period: the six 'Paris' Symphonies (Hob. I:82-87), the twelve 'London' (Hob. I:93-104) as well as five symphonie...
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- Study Score (Urtext)
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Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
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Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
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Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
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Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
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Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
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Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge 'Société Olympique' in Paris, which ran a large orchestra and organised regular concerts. These six works...
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Haydn probably composed his Symphony no. 88 in G major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the F-major Symphony no. 89, for...
Haydn probably composed his Symphony no. 88 in G major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the F-major Symphony no. 89, for...
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- Study Score (Urtext)
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According to his dating of the autograph, Haydn composed the Symphony no. 89 in F major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work,...
According to his dating of the autograph, Haydn composed the Symphony no. 89 in F major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work,...
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Haydn's three Symphonies nos. 90-92 might rightly be dubbed his 'Paris Symphonies Part II', as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already compose...
Haydn's three Symphonies nos. 90-92 might rightly be dubbed his 'Paris Symphonies Part II', as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already compose...
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Haydn's three Symphonies nos. 90-92 might rightly be dubbed his 'Paris Symphonies Part II', as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already compose...
Haydn's three Symphonies nos. 90-92 might rightly be dubbed his 'Paris Symphonies Part II', as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already compose...
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The twelve 'London Symphonies' comprise the sublime final statement of Haydn's symphonic œuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their prem...
The twelve 'London Symphonies' comprise the sublime final statement of Haydn's symphonic œuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their prem...
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