Classical Instrumental Works for Orchestra

The performance material available up till now for Dvorák's sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the...

The previously available performance material for Dvorák's sunny, cheerful Symphony No. 8 is notorious for its errors. The editor Jonathan Del Mar has taken on this comprehensive task of correction. H...

The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

The symphony "From the New World", a jewel of symphonic literature, is finally available in a reliable, scholarly-critical edition. Once again, editor Jonathan Del Mar brings clarity to the complex we...

Flöte, Oboe, Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Violine (2), Viola, Violoncello, Kontrabass

“The Frescoes of Piero della Francesca” and “The Parables” represent the culmination of the late Neo-Impressionist orchestral output of Bohuslav Martinu, marked by a fantastic, kaleidoscopic style. Ma...

Haydns 'Abschiedssinfonie' ist eines der meistgespielten Werke der sinfonischen Literatur. Der populäre Titel stammt nicht vom Komponisten: Er bezieht sich auf den Finalsatz, an dessen Ende (Adagio) d...

Zusammen mit den Londoner und Pariser Sinfonien gehören Haydns Sturm-und-Drang-Sinfonien zu den meistgespielten Werken des Komponisten. Unter ihnen befinden sich nicht nur Meisterwerke wie die 'Abschi...

Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München

This edition clarifies a performance aspect of Haydn's Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument p...

Along with Symphonies Nos. 79 and 81, Haydn's D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy, his ta...

Along with Symphonies Nos. 79 and 81, Haydn's D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy, his ta...

Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wish...

Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the 'Engli...

Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the 'Engli...

Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...

Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...

Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...

Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...

Joseph Haydn wrote Symphony No. 22 in E-flat major in 1764 as part of his tenure as Vice-Kapellmeister at the Esterházy court. The work is unique because of its instrumentation with two cors anglais:...

Joseph Haydn wrote Symphony No. 22 in E-flat major in 1764 as part of his tenure as Vice-Kapellmeister at the Esterházy court. The work is unique because of its instrumentation with two cors anglais:...

Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...

Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...