Classical Modern Music Sheet Music for Mixed Choir

The Nonsense Songs from Mother Goose, Op. 19 for mixed voices and piano consists of seven songs: In Islingen There Was a Man, The Proposal, Rub a Dub, Miniature Biographies, Simple Simon, Peter Piper,...

The Nonsense Songs from Mother Goose, Op. 19 for mixed voices and piano consists of seven songs: In Islingen There Was a Man, The Proposal, Rub a Dub, Miniature Biographies, Simple Simon, Peter Piper,...

Ribe sets the music again to a text by his friend, the poet M. Merce Marcal. The poem, which belongs to a posthumous book, shows in the eeriest way the intuition of her premature death. The music tack...

Louis deLise was arranger and conductor for Robert Hazard (writer of 'Girls Just Wanna Have Fun') and Grammy winners Patti LaBelle and the rock band, Halestorm, in concert performances and recordings....

Louis deLise was arranger and conductor for Robert Hazard (writer of 'Girls Just Wanna Have Fun') and Grammy winners Patti LaBelle and the rock band, Halestorm, in concert performances and recordings....

Chambers Ha Spirit Of Mercy Truth And Love Satb & Organ Choral

Waltzes for piano duet with optional voices, arranged for SATB. English words by W. G. Rothery.

John Dryden wrote two odes in honour of the patroness of music and musicians - A Song For St. Cecilia's Day, in 1687, and, in 1697, Alexander's Feast, both of which were subsequently set to music by H...

Scored for tenor or soprano solo, chorus and orchestra, based on poems by Laurence Binyon. Vocal score with piano accompaniment. Orchestral material available on hire.

Alexander's Feast was composed by Handel in 1736. The words, in celebration of St Cecilia, patron saint of music, were written by Dryden and first set to music by Jeremiah Clarke. This ode was written...

Handel's spectacular Oratorio was composed in 1744 from a libretto by Charles Jennens that describes the fall of Babylon. Although less successful in its day than the popular Italian opera, this work...

Verdi's Requiem, in a new edition by Michael Pilkington. Scored for soprano, mezzo-soprano, tenor and bass soli, SATB chorus and orchestra. Vocal score with piano accompaniment. Introduction in Englis...

This new edition by Bruce Wood of the University of Wales, is intended to directly compliment the full score included in Purcell Society Volume 24. The piece is an ode to the birthday of Queen Mary, 1...

Edited with a new English translation by Michael Pilkington. The English translation in this edition is entirely new, and attempts to provide a translation of van Swieten's text that fits Haydn's musi...

Beautiful choral arrangements of favourite classics, selected and edited by Ralph Allwood. Includes works from Schubert, Grieg, Delius, Puccini and Barber.

Edward Elgar's The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano, Tenor and Bass with Chorus and Orchestra. It is based on the epic poem, The Dream of Gerontius by John Henry Newman writ...

17 Choruses for mixed voices from Handel's sacred works. Selected with introductory notes by Brian Kay. Rarely brought together, these diverse choruses demonstrate the enduring vitality of Handel's wr...

Ye Tuneful Muses, Raise Your Heads is a work by Henry Purcell for SSCtTB Soli, SSATB Chorus, Treble Recorders, Continuo and Strings.

Henry Purcell 's 'Sound The Trumpet! Beat The Drum!' is a work for CtCtTTBB Soli, SATB Chorus, Continuo and Strings. This piece is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs...

A part-song arranged for SATB by John Pointer with accompaniments for two violins and pianoforte. The words are written by C. Alice Elgar. (Violin parts published separately).

Dyson George Three Songs Of Courage Satb Pf

Vocal Score for the opera Arianna In Creta by G. F. Handel. Libretto prepared anonymously from Teseo in Creta by Pietro Pariati. Please note that this piano score does not contain a realisation of th...

Handel 's Hercules, edited by Peter Jones is available here as a Vocal Score. With a libretto by Thomas Broughton, this version was composed in 1744 with its first performance the following year at th...

The original version of this setting of the well-known traditional English folk song was completed in 1974, and was commissioned by Rachel McMillan College of Education (where Gregson was a lecturer a...