Classical Modern Music Sheet Music for String Orchestra
Triple Concerto für zwei Flöten, Fagott und Streicher wurde vom Pärnu Music Festival in Estland in Auftrag gegeben und dort im Abschlusskonzert des Dirigiermeisterkurses der "Järvi Academy" (Geleitet...
Triple Concerto für zwei Flöten, Fagott und Streicher wurde vom Pärnu Music Festival in Estland in Auftrag gegeben und dort im Abschlusskonzert des Dirigiermeisterkurses der "Järvi Academy" (Geleitet...
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What is happening around us is monstrous and inhuman, writes the composer. "When the war began, I felt numb, I was speechless. Only the sounds remained. I put them together to express my pain and sorr...
What is happening around us is monstrous and inhuman, writes the composer. "When the war began, I felt numb, I was speechless. Only the sounds remained. I put them together to express my pain and sorr...
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Fünf Jahre nach der ersten habe ich mich angeschickt, eine zweite Sonate für die von mir geliebte Gitarre zu schreiben. Und nicht nur um den Gesamttitel des Zyklus' (der hiermit geschlossen ist) beibe...
Fünf Jahre nach der ersten habe ich mich angeschickt, eine zweite Sonate für die von mir geliebte Gitarre zu schreiben. Und nicht nur um den Gesamttitel des Zyklus' (der hiermit geschlossen ist) beibe...
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Orchestration: Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass): This suite is made up of four pieces from the sixteenth century: 1. Royal March 2. Carefree 3. Reflecting 4. Battle Stations...
Orchestration: Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass): This suite is made up of four pieces from the sixteenth century: 1. Royal March 2. Carefree 3. Reflecting 4. Battle Stations...
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Orchestration: Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass): These three tunes of a Morris-Dance style, 'Now is the Month of Maying', 'Maypole Dance' and 'Shepherds Hey', are arranged fo...
Orchestration: Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass): These three tunes of a Morris-Dance style, 'Now is the Month of Maying', 'Maypole Dance' and 'Shepherds Hey', are arranged fo...
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Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): The melody (in the first violin to begin with) should sing expressively; practise and shape this on its own. T...
Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): The melody (in the first violin to begin with) should sing expressively; practise and shape this on its own. T...
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Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): ON THE MOVE . . . probably out of doors, on foot, with an objective and with joy in the going. Make sure that...
Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): ON THE MOVE . . . probably out of doors, on foot, with an objective and with joy in the going. Make sure that...
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Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): ONWARD AND UPWARD Not said, we hope, with a cheesy grin in mild adversity on a wet Monday morning (inviting a...
Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): ONWARD AND UPWARD Not said, we hope, with a cheesy grin in mild adversity on a wet Monday morning (inviting a...
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Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): Although the Passacaglia was originally a dance, composers have for centuries taken the style and form of this...
Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): Although the Passacaglia was originally a dance, composers have for centuries taken the style and form of this...
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Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): Not for ever in green pastures Do we ask our way to be; But the steep and rugged pathway May we tread rejoicin...
Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): Not for ever in green pastures Do we ask our way to be; But the steep and rugged pathway May we tread rejoicin...
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Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): This should be aggressive, but not brutal. Try to phrase musically and to catch a moment of something more sym...
Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): This should be aggressive, but not brutal. Try to phrase musically and to catch a moment of something more sym...
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Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): INTRADA: Some kind of rather grand entry-procession is the idea here. Two minim beats to a bar should be felt...
Orchestration: Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello): INTRADA: Some kind of rather grand entry-procession is the idea here. Two minim beats to a bar should be felt...
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Orchestration: Violin 1, Violin 2, Viola (or Violin 3) Cello 1, Cello 2, Double Bass [optional] This piece, along with its two companion pieces ('Waltz for Gentle Giants' and 'Winter Jig'), is scored...
Orchestration: Violin 1, Violin 2, Viola (or Violin 3) Cello 1, Cello 2, Double Bass [optional] This piece, along with its two companion pieces ('Waltz for Gentle Giants' and 'Winter Jig'), is scored...
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Orchestration: Violin 1, Violin 2, Viola (or Violin 3) Cello 1, Cello 2, Double Bass [optional] This piece, along with its two companion pieces ('Alone in the Hills' and 'Winter Jig'), is scored for s...
Orchestration: Violin 1, Violin 2, Viola (or Violin 3) Cello 1, Cello 2, Double Bass [optional] This piece, along with its two companion pieces ('Alone in the Hills' and 'Winter Jig'), is scored for s...
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Orchestration Violin 1, Violin 2, Viola (or Violin 3) Cello 1, Cello 2, Double Bass It seems uncertain whether this beautiful song first sprang from Scotland or Ulster. The words are about love and go...
Orchestration Violin 1, Violin 2, Viola (or Violin 3) Cello 1, Cello 2, Double Bass It seems uncertain whether this beautiful song first sprang from Scotland or Ulster. The words are about love and go...
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Orchestration Violin 1, Violin 2, Viola (or Violin 3) Cello 1, Cello 2, Double Bass [optional] This piece, along with its two companion pieces ('Alone in the Hills' and 'Waltz for Gentle Giants'), is...
Orchestration Violin 1, Violin 2, Viola (or Violin 3) Cello 1, Cello 2, Double Bass [optional] This piece, along with its two companion pieces ('Alone in the Hills' and 'Waltz for Gentle Giants'), is...
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Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass) William Walton was asked to write the music to accompany the 1944 Olivier film of Shakespeare's Henry V. These two pieces, which are sco...
Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass) William Walton was asked to write the music to accompany the 1944 Olivier film of Shakespeare's Henry V. These two pieces, which are sco...
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Orchestration Strings (Violin 1, Violin 2, Viola, Cello, Bass) William Walton was asked to write the music to accompany the 1944 Olivier film of Shakespeare's Henry V. These two pieces, which are scor...
Orchestration Strings (Violin 1, Violin 2, Viola, Cello, Bass) William Walton was asked to write the music to accompany the 1944 Olivier film of Shakespeare's Henry V. These two pieces, which are scor...
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Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass) This suite was composed during 1912-1913 for the string orchestra at St.Paul's Girls' School in London, where Holst was teaching music,...
Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass) This suite was composed during 1912-1913 for the string orchestra at St.Paul's Girls' School in London, where Holst was teaching music,...
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Orchestration: Violin 1, Violin 2, Viola, Cello, Bass This piece, based on a hymn tune (Song 13) written by Orlando Gibbons (1583-1625), was originally written for piano solo. Vaughan Williams was an...
Orchestration: Violin 1, Violin 2, Viola, Cello, Bass This piece, based on a hymn tune (Song 13) written by Orlando Gibbons (1583-1625), was originally written for piano solo. Vaughan Williams was an...
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Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass) This work was commissioned by the Dolmetsch Organisation with funds provided by the Arts Council of Great Britain and was first performe...
Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass) This work was commissioned by the Dolmetsch Organisation with funds provided by the Arts Council of Great Britain and was first performe...
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Orchestration: Solo Violin 1, Solo Violin 2, Strings (Violin 1, Violin 2, Viola, Cello, Bass) This concerto is in three linked sections: an opening Moderato presents the main thematic material, follow...
Orchestration: Solo Violin 1, Solo Violin 2, Strings (Violin 1, Violin 2, Viola, Cello, Bass) This concerto is in three linked sections: an opening Moderato presents the main thematic material, follow...
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Orchestration: Solo Flute, Strings (Violin 1, Violin 2, Viola, Cello, Bass) This flute concerto is in three movements: a mechanical allegro based on simple arpeggios, an atmospheric slow movement, and...
Orchestration: Solo Flute, Strings (Violin 1, Violin 2, Viola, Cello, Bass) This flute concerto is in three movements: a mechanical allegro based on simple arpeggios, an atmospheric slow movement, and...
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