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Classical Modern Music Sheet Music for String Orchestra

Modern classical music for string orchestra blends traditional techniques with contemporary influences, creating a unique soundscape that captivates audiences. This genre often explores innovative harmonies, intricate rhythms, and emotive melodies, showcasing the versatility of string instruments. Composers in this field draw inspiration from various sources, including minimalism, jazz, and world music, resulting in a rich tapestry of auditory experiences. The use of string orchestras allows for a wide range of dynamics and textures, making it an ideal medium for expressing complex musical ideas. As modern classical music continues to evolve, string orchestras remain at the forefront, pushing the boundaries of composition and performance.
Georg Friedrich Händel
Coronation Anthem No. 1

Zadok the Priest, the first of G. F. Handel's four Coronation Anthems, has been a cherished part of British coronation services from George II in 1727 to the current sovereign, Charles III. It is a ma...

Zadok the Priest, the first of G. F. Handel's four Coronation Anthems, has been a cherished part of British coronation services from George II in 1727 to the current sovereign, Charles III. It is a ma...

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Georg Friedrich Händel
Coronation Anthem No. 1

Zadok the Priest, the first of G. F. Handel's four Coronation Anthems, has been a cherished part of British coronation services from George II in 1727 to the current sovereign, Charles III. It is a ma...

Zadok the Priest, the first of G. F. Handel's four Coronation Anthems, has been a cherished part of British coronation services from George II in 1727 to the current sovereign, Charles III. It is a ma...

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Georg Friedrich Händel
Coronation Anthem No. 1 - Score

Zadok the Priest, the first of G. F. Handel's four Coronation Anthems, has been a cherished part of British coronation services from George II in 1727 to the current sovereign, Charles III. It is a ma...

Zadok the Priest, the first of G. F. Handel's four Coronation Anthems, has been a cherished part of British coronation services from George II in 1727 to the current sovereign, Charles III. It is a ma...

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Georg Friedrich Händel
from "Water Music Suite No. 2"

This joyful arrangement pairs George Frideric Handel's Hornpipe and Bourrée (from Water Music Suite No. 2) in the form of a minuet and trio. In the original key of F major, Deborah Baker Monday has ta...

This joyful arrangement pairs George Frideric Handel's Hornpipe and Bourrée (from Water Music Suite No. 2) in the form of a minuet and trio. In the original key of F major, Deborah Baker Monday has ta...

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81,00 €
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Order no.: ALF50693
Georg Friedrich Händel
from "Water Music Suite No. 2"

This joyful arrangement pairs George Frideric Handel's Hornpipe and Bourrée (from Water Music Suite No. 2) in the form of a minuet and trio. In the original key of F major, Deborah Baker Monday has ta...

This joyful arrangement pairs George Frideric Handel's Hornpipe and Bourrée (from Water Music Suite No. 2) in the form of a minuet and trio. In the original key of F major, Deborah Baker Monday has ta...

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13,95 €
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Order no.: ALF50693S
Antonio Vivaldi
from op. 3, No. 10

This faithful arrangement of Armonico (from Op. 3, No. 10) comes from Antonio Vivaldi's first set of published concertos. Capturing the spirit of the original, Todd Parrish offers this setting of the...

This faithful arrangement of Armonico (from Op. 3, No. 10) comes from Antonio Vivaldi's first set of published concertos. Capturing the spirit of the original, Todd Parrish offers this setting of the...

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  • Todd Parrish
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Antonio Vivaldi
from op. 3, No. 10

This faithful arrangement of Armonico (from Op. 3, No. 10) comes from Antonio Vivaldi's first set of published concertos. Capturing the spirit of the original, Todd Parrish offers this setting of the...

This faithful arrangement of Armonico (from Op. 3, No. 10) comes from Antonio Vivaldi's first set of published concertos. Capturing the spirit of the original, Todd Parrish offers this setting of the...

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  • Todd Parrish
  • Alfred Publishing
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Antonio Vivaldi
from op. 3, No. 10

This faithful arrangement of Armonico (from Op. 3, No. 10) comes from Antonio Vivaldi's first set of published concertos. Capturing the spirit of the original, Todd Parrish offers this setting of the...

This faithful arrangement of Armonico (from Op. 3, No. 10) comes from Antonio Vivaldi's first set of published concertos. Capturing the spirit of the original, Todd Parrish offers this setting of the...

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Antonio Vivaldi
from op. 3, No. 10 - Score

This faithful arrangement of Armonico (from Op. 3, No. 10) comes from Antonio Vivaldi's first set of published concertos. Capturing the spirit of the original, Todd Parrish offers this setting of the...

This faithful arrangement of Armonico (from Op. 3, No. 10) comes from Antonio Vivaldi's first set of published concertos. Capturing the spirit of the original, Todd Parrish offers this setting of the...

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  • Todd Parrish
  • Alfred Publishing
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Felix Mendelssohn Bartholdy
from Symphony No. 5

Andante from Symphony No. 5 by Felix Mendelssohn and arranged by William LaRue Jones is the Symphony's third movement. It is written in an operatic aria style, with the first violins singing the openi...

Andante from Symphony No. 5 by Felix Mendelssohn and arranged by William LaRue Jones is the Symphony's third movement. It is written in an operatic aria style, with the first violins singing the openi...

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  • William LaRue Jones
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Felix Mendelssohn Bartholdy
from Symphony No. 5

Andante from Symphony No. 5 by Felix Mendelssohn and arranged by William LaRue Jones is the Symphony's third movement. It is written in an operatic aria style, with the first violins singing the openi...

Andante from Symphony No. 5 by Felix Mendelssohn and arranged by William LaRue Jones is the Symphony's third movement. It is written in an operatic aria style, with the first violins singing the openi...

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Felix Mendelssohn Bartholdy
from Symphony No. 5

Andante from Symphony No. 5 by Felix Mendelssohn and arranged by William LaRue Jones is the Symphony's third movement. It is written in an operatic aria style, with the first violins singing the openi...

Andante from Symphony No. 5 by Felix Mendelssohn and arranged by William LaRue Jones is the Symphony's third movement. It is written in an operatic aria style, with the first violins singing the openi...

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Ernesto Lecuona Casado
from "Andalucía Suite"

The piano suite Andalucía (also referred to as Suite Española) is by far Ernesto Lecuona's most performed and remembered work, especially the last of its six movements, "Malagueña," scored here for st...

The piano suite Andalucía (also referred to as Suite Española) is by far Ernesto Lecuona's most performed and remembered work, especially the last of its six movements, "Malagueña," scored here for st...

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Order no.: ALF50809
Ernesto Lecuona Casado
from "Andalucía Suite"

The piano suite Andalucía (also referred to as Suite Española) is by far Ernesto Lecuona's most performed and remembered work, especially the last of its six movements, "Malagueña," scored here for st...

The piano suite Andalucía (also referred to as Suite Española) is by far Ernesto Lecuona's most performed and remembered work, especially the last of its six movements, "Malagueña," scored here for st...

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Order no.: ALF50809-DL
Ernesto Lecuona Casado
from "Andalucía Suite"

The piano suite Andalucía (also referred to as Suite Española) is by far Ernesto Lecuona's most performed and remembered work, especially the last of its six movements, "Malagueña," scored here for st...

The piano suite Andalucía (also referred to as Suite Española) is by far Ernesto Lecuona's most performed and remembered work, especially the last of its six movements, "Malagueña," scored here for st...

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Wolfgang Amadeus Mozart
from Symphony No. 1 K. 16

While his father was critical of his son's earliest works, audiences and musicians have grown to love and adore the simplistic beauty of young Mozart's first symphony. The third movement, "Presto" (fr...

While his father was critical of his son's earliest works, audiences and musicians have grown to love and adore the simplistic beauty of young Mozart's first symphony. The third movement, "Presto" (fr...

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  • Anthony Granata
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Wolfgang Amadeus Mozart
from Symphony No. 1 K. 16

While his father was critical of his son's earliest works, audiences and musicians have grown to love and adore the simplistic beauty of young Mozart's first symphony. The third movement, "Presto" (fr...

While his father was critical of his son's earliest works, audiences and musicians have grown to love and adore the simplistic beauty of young Mozart's first symphony. The third movement, "Presto" (fr...

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  • Anthony Granata
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Wolfgang Amadeus Mozart
from "Symphony No. 1, K. 16"

While his father was critical of his son's earliest works, audiences and musicians have grown to love and adore the simplistic beauty of young Mozart's first symphony. The third movement, "Presto" (fr...

While his father was critical of his son's earliest works, audiences and musicians have grown to love and adore the simplistic beauty of young Mozart's first symphony. The third movement, "Presto" (fr...

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Wolfgang Amadeus Mozart
from Symphony No. 1 K. 16

While his father was critical of his son's earliest works, audiences and musicians have grown to love and adore the simplistic beauty of young Mozart's first symphony. The third movement, "Presto" (fr...

While his father was critical of his son's earliest works, audiences and musicians have grown to love and adore the simplistic beauty of young Mozart's first symphony. The third movement, "Presto" (fr...

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Order no.: ALF50815S-DL
Henry Purcell
from "Good Luck at Last"

Minuet and Bourrée are two of nine dances, written for the stage, from Purcell's 1679 stage work, "Good Luck at Last," and have been delightfully arranged for your string orchestra by Deborah Baker Mo...

Minuet and Bourrée are two of nine dances, written for the stage, from Purcell's 1679 stage work, "Good Luck at Last," and have been delightfully arranged for your string orchestra by Deborah Baker Mo...

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Order no.: ALF50834
Henry Purcell
from "Good Luck at Last"

Minuet and Bourrée are two of nine dances, written for the stage, from Purcell's 1679 stage work, "Good Luck at Last," and have been delightfully arranged for your string orchestra by Deborah Baker Mo...

Minuet and Bourrée are two of nine dances, written for the stage, from Purcell's 1679 stage work, "Good Luck at Last," and have been delightfully arranged for your string orchestra by Deborah Baker Mo...

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Henry Purcell
from Good Luck at Last

Minuet and Bourrée are two of nine dances, written for the stage, from Purcell's 1679 stage work, "Good Luck at Last," and have been delightfully arranged for your string orchestra by Deborah Baker Mo...

Minuet and Bourrée are two of nine dances, written for the stage, from Purcell's 1679 stage work, "Good Luck at Last," and have been delightfully arranged for your string orchestra by Deborah Baker Mo...

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Order no.: ALF50834S
Henry Purcell
from "Good Luck at Last"

Minuet and Bourrée are two of nine dances, written for the stage, from Purcell's 1679 stage work, "Good Luck at Last," and have been delightfully arranged for your string orchestra by Deborah Baker Mo...

Minuet and Bourrée are two of nine dances, written for the stage, from Purcell's 1679 stage work, "Good Luck at Last," and have been delightfully arranged for your string orchestra by Deborah Baker Mo...

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Joseph Bologne
Allegro

Symphony Concertante No. 1 by Joseph Bologne, Chevalier de St. George, arranged by Jim Palmer, is a beautiful example of a classical work from an underrepresented composer. Detailed dynamics, bowings,...

Symphony Concertante No. 1 by Joseph Bologne, Chevalier de St. George, arranged by Jim Palmer, is a beautiful example of a classical work from an underrepresented composer. Detailed dynamics, bowings,...

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Order no.: ALF50836S
Robert Schumann
Träumerei

Robert Schumann's Scenes from Childhood is a set of thirteen pieces for piano, written in 1838. The seventh one, Reverie or "Träumerei," means dreaming. Playing soft, slow pieces is never easy, and re...

Robert Schumann's Scenes from Childhood is a set of thirteen pieces for piano, written in 1838. The seventh one, Reverie or "Träumerei," means dreaming. Playing soft, slow pieces is never easy, and re...

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  • Loreta Fin
  • Alfred Publishing
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68,00 €
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Order no.: ALF50992