Classical Music (Baroque) Sheet Music for Mixed Choir (SSATB)

Madrigale spirituale - Coro SATTB, Cb, Org - Tonart e-phrygisch

Madrigale spirituale - Coro SATTB, Cb, Org - Tonart e-phrygisch

The harrowing Old Testament story of the army commander Jephthah, bound by a sacred vow to kill his daughter, inspired the Roman composer Giacomo Carissimi to create this intense and moving setting. W...

The harrowing Old Testament story of the army commander Jephthah, bound by a sacred vow to kill his daughter, inspired the Roman composer Giacomo Carissimi to create this intense and moving setting. W...

The harrowing Old Testament story of the army commander Jephthah, bound by a sacred vow to kill his daughter, inspired the Roman composer Giacomo Carissimi to create this intense and moving setting. W...

'Belshazzar' ist mit seinen ausführlichen Szenenanweisungen und den vielen kurzen Formen wie Accompagnato-Rezitativen und Ariosi das dramatischste unter Georg Friedrichs Händels Oratorien. De facto ha...

'Belshazzar' ist mit seinen ausführlichen Szenenanweisungen und den vielen kurzen Formen wie Accompagnato-Rezitativen und Ariosi das dramatischste unter Georg Friedrichs Händels Oratorien. De facto ha...

'Belshazzar' ist mit seinen ausführlichen Szenenanweisungen und den vielen kurzen Formen wie Accompagnato-Rezitativen und Ariosi das dramatischste unter Georg Friedrichs Händels Oratorien. De facto ha...

Diese Motette erklang erstmals anlässlich einer Trauerfeier in Leipzig. Das Werk ist spiegelsymmetrisch aufgebaut, mit der Fuge 'Ihr aber seid nicht fleischlich, sondern geistlich' in der Mitte und da...

Für viele Chorsänger*innen ist Jesu, meine Freude nicht eine, sondern die Motette Bachs. Und tatsächlich ist es unter den Ausnahmewerken, als die man Bachs Motetten insgesamt bezeichnen muss, wiederum...

Für viele Chorsänger*innen ist Jesu, meine Freude nicht eine, sondern die Motette Bachs. Und tatsächlich ist es unter den Ausnahmewerken, als die man Bachs Motetten insgesamt bezeichnen muss, wiederum...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...