Classical Music (Baroque) Sheet Music for Orchestra

'Belshazzar' ist mit seinen ausführlichen Szenenanweisungen und den vielen kurzen Formen wie Accompagnato-Rezitativen und Ariosi das dramatischste unter Georg Friedrichs Händels Oratorien. De facto ha...

'Belshazzar' ist mit seinen ausführlichen Szenenanweisungen und den vielen kurzen Formen wie Accompagnato-Rezitativen und Ariosi das dramatischste unter Georg Friedrichs Händels Oratorien. De facto ha...

Händels Utrechter Te Deum HWV 278 begeisterte schon bei seiner ersten Aufführung die Londoner Zuhörer und tut dies noch heute in den Konzertsälen und Kirchen weltweit. Es erklang zum ersten Mal in ein...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

Händels Utrechter Te Deum HWV 278 begeisterte schon bei seiner ersten Aufführung die Londoner Zuhörer und tut dies noch heute in den Konzertsälen und Kirchen weltweit. Es erklang zum ersten Mal in ein...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

Johann Sebastian Bach's librettist Salomon Franck called the congratulatory music for the court of Saxe-Weissenfels, which is generally known today as the "Hunting Cantata" BWV 208, "Frohlockender Göt...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...