Classical Music (Classical Era) Sheet Music Downloads
The music of Haydn's younger brother, which - although highly esteemed by his contemporaries - fell into oblivion in the 19th century, is still waiting to be rediscovered. Among his better-known works...
The music of Haydn's younger brother, which - although highly esteemed by his contemporaries - fell into oblivion in the 19th century, is still waiting to be rediscovered. Among his better-known works...
- Mixed Choir (SATB) and Piano
- Piano Reduction Download
- Ignaz Sauer
- Carus-Verlag
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Several elements contribute to the Christmassy character of this mass, which is characterized by its high level of compositional skill: creative devices such as triadic motifs, cradle symbolism as wel...
Several elements contribute to the Christmassy character of this mass, which is characterized by its high level of compositional skill: creative devices such as triadic motifs, cradle symbolism as wel...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction Download
- Carus-Verlag
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Die bekannteste Totenmesse vor Mozarts unvollendetem Requiem stammt aus der Feder des zu seiner Zeit gefeierten Opernkomponisten Niccolò Jommelli. Die Missa pro defunctis entstand 1756 während seiner...
Die bekannteste Totenmesse vor Mozarts unvollendetem Requiem stammt aus der Feder des zu seiner Zeit gefeierten Opernkomponisten Niccolò Jommelli. Die Missa pro defunctis entstand 1756 während seiner...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins and 2 Violas
- Score Download
- Carus-Verlag
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The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins and 2 Violas
- Piano Reduction Download
- Carus-Verlag
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Violin 1 (Download)
- Carus-Verlag
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Violin 2 (Download)
- Carus-Verlag
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immediately available
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Parts: Cello and Double Bass (Download)
- Carus-Verlag
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Oboe 1 (Download)
- Carus-Verlag
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-
immediately available
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Oboe 2 (Download)
- Carus-Verlag
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-
immediately available
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Trumpet 1 (Download)
- Carus-Verlag
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-
immediately available
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Trumpet 2 (Download)
- Carus-Verlag
-
-
immediately available
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Timpani (Download)
- Carus-Verlag
-
-
immediately available
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Organ (Download)
- Carus-Verlag
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immediately available
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Motette - Coro SATB, 2 Vl, Va, Bc
- Mixed Choir (SATB), 2 Violins, Viola and Continuo
- Score Download
- Carus-Verlag
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Orgelsolomesse - Der Beiname dieser Messe verdankt sich der eigenständig-solistischen Präsenz des Orgelinstruments während des 'Benedictus'-Abschnittes. Damit steht KV 259 in einer bis in die 1730er J...
Orgelsolomesse - Der Beiname dieser Messe verdankt sich der eigenständig-solistischen Präsenz des Orgelinstruments während des 'Benedictus'-Abschnittes. Damit steht KV 259 in einer bis in die 1730er J...
- Soloists, Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins and Organ
- Score Download
- Carus-Verlag
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When Wolfgang Amadeus Mozart returned to Salzburg from his trip to Paris in January 1779, the only work of church music he had in his luggage was an unfinished Kyrie in E flat major (K. 296a) together...
When Wolfgang Amadeus Mozart returned to Salzburg from his trip to Paris in January 1779, the only work of church music he had in his luggage was an unfinished Kyrie in E flat major (K. 296a) together...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, 2 Violins and Continuo
- Piano Reduction Download
- Johann Simon Kreuzpointner
- Carus-Verlag
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Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterházy in Eisenstadt. Unlike almost all his other sacred works, it so...
Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterházy in Eisenstadt. Unlike almost all his other sacred works, it so...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes, 2 Violins, Viola and Continuo
- Score Download
- Carus-Verlag
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immediately available
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Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists,...
Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists,...
- Mixed Choir (SATB), 2 Baroque Trumpets, 2 Trombones, Timpani, 2 Violins, Organ and C Instrument (Bass Clef)
- Score (Urtext) Download
- Carus-Verlag
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Michael Haydn composed three of his masses in honor of the holy archangels: the "Michaelis", the "Gabrielis" and the "Raphaelismesse" presented here. With its lack of vocal soloists, it belongs to the...
Michael Haydn composed three of his masses in honor of the holy archangels: the "Michaelis", the "Gabrielis" and the "Raphaelismesse" presented here. With its lack of vocal soloists, it belongs to the...
- Mixed Choir (SATB), 2 Baroque Trumpets, 2 Trombones, Timpani, 2 Violins, Organ and C Instrument (Bass Clef)
- Piano reduction Download (Urtext)
- Carus-Verlag
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But, dear Beethoven, what have you done again? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C...
But, dear Beethoven, what have you done again? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C...
- Soloists (SATB), Mixed Choir (SATB) and Chamber Orchestra
- Score Download
- Klaus Müller
- Carus-Verlag
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Beethoven bezeichnete die Missa solemnis mehrfach als sein größtes Werk. 'Von Herzen kommend', sollte es die Menschen berühren und bewegen. Lange und intensiv hatte Beethoven sich mit der Komposition...
Beethoven bezeichnete die Missa solemnis mehrfach als sein größtes Werk. 'Von Herzen kommend', sollte es die Menschen berühren und bewegen. Lange und intensiv hatte Beethoven sich mit der Komposition...
- Soloists (SATB), Mixed Choir (SATB) and Chamber Orchestra
- Score Download
- Joachim Linckelmann
- Carus-Verlag
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Unter den gut 20 großen Messen von Jan Dismas Zelenka kommt der Missa Sancti Josephi eine Schlüsselstellung zu. In der vermutlich 1732 für ein Heiligenfest (deshalb ohne Credo) komponierten Messe grei...
Unter den gut 20 großen Messen von Jan Dismas Zelenka kommt der Missa Sancti Josephi eine Schlüsselstellung zu. In der vermutlich 1732 für ein Heiligenfest (deshalb ohne Credo) komponierten Messe grei...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score (Urtext) Download
- Carus-Verlag
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Zu Unrecht ist Diabellis Kirchenmusik weitgehend in Vergessenheit geraten, dabei schafft der österreichische Komponist der Biedermeierzeit in der 'Pastoral-Messe in F' den Spagat zwischen künstlerisc...
Zu Unrecht ist Diabellis Kirchenmusik weitgehend in Vergessenheit geraten, dabei schafft der österreichische Komponist der Biedermeierzeit in der 'Pastoral-Messe in F' den Spagat zwischen künstlerisc...
- Soloists (SSATB), Mixed Choir (SATB) and Orchestra
- Score Download
- Carus-Verlag
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Carl Philipp Emanuel Bach scored a real hit with his "Passion Cantata". The work was already so popular during Bach's lifetime that there were public calls for an annual performance. Bach himself is s...
Carl Philipp Emanuel Bach scored a real hit with his "Passion Cantata". The work was already so popular during Bach's lifetime that there were public calls for an annual performance. Bach himself is s...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction Download
- Carus-Verlag
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immediately available
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Die Choralkantate Straf mich nicht in deinem Zorn entstand vermutlich 1771 und greift eine Dichtung von Johann Georg Albinus über den 6. Psalm auf. Die sieben Strophen der Vorlage werden in sieben Sät...
Die Choralkantate Straf mich nicht in deinem Zorn entstand vermutlich 1771 und greift eine Dichtung von Johann Georg Albinus über den 6. Psalm auf. Die sieben Strophen der Vorlage werden in sieben Sät...
- Soloists (STB), 2 Mixed Choirs (SATB) and Orchestra
- Score (Urtext) Download
- Carus-Verlag
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