Guillaume Bouzignac zugeschrieben
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Denis Rouger gewidmet
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- Claus-Dieter Ludwig
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Experience a profoundly moving and sonorous choral work with "Veni, Creator Spiritus" (subtitle: "Et chacun dans sa langue chantait les merveilles de Dieu"), published by the renowned Carus-Verlag. Co...
Experience a profoundly moving and sonorous choral work with "Veni, Creator Spiritus" (subtitle: "Et chacun dans sa langue chantait les merveilles de Dieu"), published by the renowned Carus-Verlag. Co...
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Immerse yourself in the enchanting soundscape of Wolfgang Amadeus Mozart’s operatic masterpiece *Idomeneo*: With "Placido è il mar, andiamo" (Still is the sea, let us embark), the musical genius creat...
Immerse yourself in the enchanting soundscape of Wolfgang Amadeus Mozart’s operatic masterpiece *Idomeneo*: With "Placido è il mar, andiamo" (Still is the sea, let us embark), the musical genius creat...
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- Mixed Choir (SATB)
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- Mixed Choir (SATB)
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- Mixed Choir (SATB)
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- Mixed Choir (SSATTB)
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- Mixed Choir (SATB)
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- Mixed Choir (SATB)
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- Mixed Choir (STB)
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- Mixed Choir (SSBB)
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- Mixed Choir (SATB)
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1. Miserere 2. Du, dem nie im Leben 3. Amplius
1. Miserere 2. Du, dem nie im Leben 3. Amplius
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- Sabine Bock
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- Mixed Choir (SATB) and Piano
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- Giacomo Mezzalira
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Melodie und Satz: William Cornish (Cornysh)(ca. 1465/68-1523) in Henry VII's Songbook
Melodie und Satz: William Cornish (Cornysh)(ca. 1465/68-1523) in Henry VII's Songbook
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- Mirjam James
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in: Henry XIII's Songbook
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This Lenten antiphon was probably composed during Bruckner's studies in Kronstorf around 1843-1844.
This Lenten antiphon was probably composed during Bruckner's studies in Kronstorf around 1843-1844.
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After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir-twice.“ In this very sound-...
After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir-twice.“ In this very sound-...
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This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...
This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...
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