Classical Music Sheet Music Downloads
What does the early Bruckner sound like? The Magnificat in B flat major sheds an unexpected light on the young composer on the threshold of his great church works. The approximately 5-minute work in t...
What does the early Bruckner sound like? The Magnificat in B flat major sheds an unexpected light on the young composer on the threshold of his great church works. The approximately 5-minute work in t...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
- Piano Reduction Download
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The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins and 2 Violas
- Piano Reduction Download
- Carus-Verlag
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- Soloists (SSAATTBB), Mixed Choir, 2 Violins and Continuo
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The impressive collection Selva morale et spirituale, first published in 1641, is a milestone in Monteverdi's oeuvre and reflects his almost 30 years of activity as a church musician in Venice. As in...
The impressive collection Selva morale et spirituale, first published in 1641, is a milestone in Monteverdi's oeuvre and reflects his almost 30 years of activity as a church musician in Venice. As in...
- Mixed Choir (SSATB), 2 Violins and Continuo
- Piano Reduction Download
- Carus-Verlag
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- Soloists (SSTTB), Mixed Choir (SSTTB), 2 Violins and Continuo
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- Soloists (SSTTB), 2 Violins and Continuo
- Piano reduction Download (Urtext)
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- Soloists (SSAATTBB), Mixed Choir (SSAATTBB), 2 Violins and Continuo
- Piano reduction Download (Urtext)
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- Soloists (STB), Mixed Choir (STB), 2 Violins and Continuo
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- 2 Mixed Choirs (SATB), 2 Violins and Continuo
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A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins, 2 Trombones and Basso continuo
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- Carus-Verlag
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Date of composition of the wedding cantata on which this work is based (BWV 34a) 1726, the parody in the first half of the 1740s
Date of composition of the wedding cantata on which this work is based (BWV 34a) 1726, the parody in the first half of the 1740s
- Soloists (ATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Piano reduction Download (Urtext)
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The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...
The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...
- Low Voice, 2 Oboes, English Horn, 2 Violins, Viola, Continuo and Organ
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Experienced organists in particular will enjoy this Bach cantata: A concerto by Bach, which has been lost in its original form and which he arranged for organ, is concealed in the opening movements of...
Experienced organists in particular will enjoy this Bach cantata: A concerto by Bach, which has been lost in its original form and which he arranged for organ, is concealed in the opening movements of...
- Low Voice, 2 Oboes, English Horn, 2 Violins, Viola, Continuo and Organ
- Piano reduction Download (Urtext)
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It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...
It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...
- High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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The soprano cantata "Falsche Welt, dir trau ich nicht" by Johann Sebastian Bach is intended for the 23rd Sunday after Trinity, which fell on November 24, 1726 in the year of its first performance. It...
The soprano cantata "Falsche Welt, dir trau ich nicht" by Johann Sebastian Bach is intended for the 23rd Sunday after Trinity, which fell on November 24, 1726 in the year of its first performance. It...
- High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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The first version of the Reformation cantata "Eine feste Burg ist unser Gott" BWV 80b, published for the first time in a practical edition by Carus-Verlag, remained unknown to Bach scholars until well...
The first version of the Reformation cantata "Eine feste Burg ist unser Gott" BWV 80b, published for the first time in a practical edition by Carus-Verlag, remained unknown to Bach scholars until well...
- Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
- Piano reduction Download (Urtext)
- Jutta Wicker
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For this choral cantata, Bach took the 1st, 4th and 7th verses of the chorale of the same name by Georg Neumark. The other verses, however, were mixed with free adaptations.
For this choral cantata, Bach took the 1st, 4th and 7th verses of the chorale of the same name by Georg Neumark. The other verses, however, were mixed with free adaptations.
- Soloists, Mixed Choir (SATB) and Piano
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The six-movement cantata is based on the song of the same name by Ahasverus Fritsch, which was first recorded in the Darmstadt songbook in 1698. It is therefore one of the choral cantatas that use a h...
The six-movement cantata is based on the song of the same name by Ahasverus Fritsch, which was first recorded in the Darmstadt songbook in 1698. It is therefore one of the choral cantatas that use a h...
- Soloists, Mixed Choir (SATB), 2 Flutes, 2 Oboes d'Amore, 2 Violins, Viola and Basso continuo
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It seems reasonable to link the creation of the work to a penitential service held in St. Mary's Church in Mühlhausen to commemorate the devastating fire that ravaged large parts of the town on May 29...
It seems reasonable to link the creation of the work to a penitential service held in St. Mary's Church in Mühlhausen to commemorate the devastating fire that ravaged large parts of the town on May 29...
- Soloists, Mixed Choir (SATB), Oboe, Bassoon, Strings and Organ
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The cantata "Erforsche mich Gott und erfahre mein Herz" BWV 136 was composed during Bach's first year in office as Thomaskantor in Leipzig and was premiered on the 8th Sunday after Trinity, July 18, 1...
The cantata "Erforsche mich Gott und erfahre mein Herz" BWV 136 was composed during Bach's first year in office as Thomaskantor in Leipzig and was premiered on the 8th Sunday after Trinity, July 18, 1...
- Soloists (ATB), Mixed Choir (SATB), Horn, Oboe, Oboe d'Amore, 2 Violins, Viola and Basso continuo
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Thanks to its popular choral text, Bach's choral cantata "Lobe den Herren, den mächtigen König der Ehren" BWV 137 has long been one of the St. Thomas cantor's most frequently performed works. Unlike t...
Thanks to its popular choral text, Bach's choral cantata "Lobe den Herren, den mächtigen König der Ehren" BWV 137 has long been one of the St. Thomas cantor's most frequently performed works. Unlike t...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...
Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
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Although "Warum betrübst du dich, mein Herz" BWV 138 is based on the hymn of the same name, it is not one of Bach's chorale cantatas. In this unusual composition from Bach's first year, further choral...
Although "Warum betrübst du dich, mein Herz" BWV 138 is based on the hymn of the same name, it is not one of Bach's chorale cantatas. In this unusual composition from Bach's first year, further choral...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
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Bach's choral cantata with the opening text "Wohl dem, der sich auf seinen Gott recht kindlich verlassen kann" BWV 139 was performed for the first time on November 12, 1724 at the main church service...
Bach's choral cantata with the opening text "Wohl dem, der sich auf seinen Gott recht kindlich verlassen kann" BWV 139 was performed for the first time on November 12, 1724 at the main church service...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
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Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...
Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...
- Soloists (ATB), Mixed Choir (SATB), 2 Violins, Viola and Continuo
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