The opera "Macbeth" was first performed in Florence in 1847. A second revised version was premiered in the Paris Theatre Lyrique in 1865. The chorus "Patria oppressa" is sung at the very beginning of...
The opera "Macbeth" was first performed in Florence in 1847. A second revised version was premiered in the Paris Theatre Lyrique in 1865. The chorus "Patria oppressa" is sung at the very beginning of...
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Johann Strauss jr. composed a great amount of polka's, mazurka's and marsches to perform with his own orchestra that played on 'dance soirees' in Vienna. When the industrial age dawned in the middle o...
Johann Strauss jr. composed a great amount of polka's, mazurka's and marsches to perform with his own orchestra that played on 'dance soirees' in Vienna. When the industrial age dawned in the middle o...
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Johann Strauss jr. composed a great amount of polka's, mazurka's and marsches to perform with his own orchestra that played on 'dance soirees' in Vienna. When the industrial age dawned in the middle o...
Johann Strauss jr. composed a great amount of polka's, mazurka's and marsches to perform with his own orchestra that played on 'dance soirees' in Vienna. When the industrial age dawned in the middle o...
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Giuseppe Verdi's opera Un Ballo in Maschera contains two famous soprano roles, strong male solo roles, fine choruses and sharp dramatic situations. And yet it is not quite as popular as some other Ver...
Giuseppe Verdi's opera Un Ballo in Maschera contains two famous soprano roles, strong male solo roles, fine choruses and sharp dramatic situations. And yet it is not quite as popular as some other Ver...
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Giuseppe Verdi's opera Un Ballo in Maschera contains two famous soprano roles, strong male solo roles, fine choruses and sharp dramatic situations. And yet it is not quite as popular as some other Ver...
Giuseppe Verdi's opera Un Ballo in Maschera contains two famous soprano roles, strong male solo roles, fine choruses and sharp dramatic situations. And yet it is not quite as popular as some other Ver...
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'Tristsch Tratsch' was a satirical magazine in Vienna in. In 1858 it printed a profile of Johann Strauss: it was feared, said the report, that Strauss' concert seasons in Russia and the development of...
'Tristsch Tratsch' was a satirical magazine in Vienna in. In 1858 it printed a profile of Johann Strauss: it was feared, said the report, that Strauss' concert seasons in Russia and the development of...
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'Tristsch Tratsch' was a satirical magazine in Vienna in. In 1858 it printed a profile of Johann Strauss: it was feared, said the report, that Strauss' concert seasons in Russia and the development of...
'Tristsch Tratsch' was a satirical magazine in Vienna in. In 1858 it printed a profile of Johann Strauss: it was feared, said the report, that Strauss' concert seasons in Russia and the development of...
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Johann Strauss jr. composed a great amount of polka's, mazurka's and marsches to perform with his own orchestra that played on 'dance soirees' in Vienna. His polka opus 332 'Eljen a Magyar!' (Hungaria...
Johann Strauss jr. composed a great amount of polka's, mazurka's and marsches to perform with his own orchestra that played on 'dance soirees' in Vienna. His polka opus 332 'Eljen a Magyar!' (Hungaria...
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Johann Strauss jr. composed a great amount of polka's, mazurka's and marsches to perform with his own orchestra that played on "dance soirees" in Vienna. His polka opus 332 "Éljen a Magyár!" (Hungaria...
Johann Strauss jr. composed a great amount of polka's, mazurka's and marsches to perform with his own orchestra that played on "dance soirees" in Vienna. His polka opus 332 "Éljen a Magyár!" (Hungaria...
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Verdi composed 'Un Ballo in Maschera' for the San Carlo Theatre in Naples where it was to have been staged during the 1858 carnival season. The libretto told the true story of the liberal King Gustavu...
Verdi composed 'Un Ballo in Maschera' for the San Carlo Theatre in Naples where it was to have been staged during the 1858 carnival season. The libretto told the true story of the liberal King Gustavu...
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- Douglas McLain
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Capriccio Espagnol, Op. 34, is the common Western title for an orchestral work based on Spanish folk melodies and written by Nikolai Rimsky-Korsakov in 1887. Rimsky-Korsakov originally intended to wri...
Capriccio Espagnol, Op. 34, is the common Western title for an orchestral work based on Spanish folk melodies and written by Nikolai Rimsky-Korsakov in 1887. Rimsky-Korsakov originally intended to wri...
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Capriccio Espagnol, Op. 34, is the common Western title for an orchestral work based on Spanish folk melodies and written by Nikolai Rimsky-Korsakov in 1887. Rimsky-Korsakov originally intended to wri...
Capriccio Espagnol, Op. 34, is the common Western title for an orchestral work based on Spanish folk melodies and written by Nikolai Rimsky-Korsakov in 1887. Rimsky-Korsakov originally intended to wri...
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The 'suite de Trois Morceaux' is one of the few compositions of Benjamin Godard (1849-1895) that is still immense popular. It's a short work for flute and piano or orchestra in three movements - Alleg...
The 'suite de Trois Morceaux' is one of the few compositions of Benjamin Godard (1849-1895) that is still immense popular. It's a short work for flute and piano or orchestra in three movements - Alleg...
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The "Suite de Trois Morceaux" is one of the few compositions of Benjamin Godard (1849-1895) that is still immense popular. It's a short work for flute and piano or orchestra in three movements -- Alle...
The "Suite de Trois Morceaux" is one of the few compositions of Benjamin Godard (1849-1895) that is still immense popular. It's a short work for flute and piano or orchestra in three movements -- Alle...
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With his L'elisir d'amore (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of the...
With his L'elisir d'amore (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of the...
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With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...
With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...
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Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...
Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...
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Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...
Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...
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Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with 'Deep Purple', as well a...
Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with 'Deep Purple', as well a...
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Rosen aus dem Süden (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin inspired by a novel by Heinrich Bohrmann-R...
Rosen aus dem Süden (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin inspired by a novel by Heinrich Bohrmann-R...
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'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...
'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...
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Don Alvaro's aria 'La vita e inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He s...
Don Alvaro's aria 'La vita e inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He s...
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Don Alvaro's aria La vita è inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He si...
Don Alvaro's aria La vita è inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He si...
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Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
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Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...
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