Classical Music of the Modern Age Sheet Music Downloads
Hans Winterberg, born in Prague in 1901, belonged to the assimilated Jewish bourgeoisie of Prague, which was part of the Austro-Hungarian Empire until 1918. Until 1918, Prague was part of the Austro-H...
Hans Winterberg, born in Prague in 1901, belonged to the assimilated Jewish bourgeoisie of Prague, which was part of the Austro-Hungarian Empire until 1918. Until 1918, Prague was part of the Austro-H...
- Voice, Violin, Cello and Piano
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In addition to the Piano Concerto No. 1 and the Suite for Viola and Piano, this unusually scored Concertino is one of the earliest works that Winterberg composed after moving from Prague to Munich in...
In addition to the Piano Concerto No. 1 and the Suite for Viola and Piano, this unusually scored Concertino is one of the earliest works that Winterberg composed after moving from Prague to Munich in...
- Trumpet, Horn, Trombone, Timpani and Piano
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- Clarinet, Bassoon, Horn, 2 Violins, Viola, Cello and Double Bass
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- Oboe, Bassoon, Trumpet, Trombone, Vibraphone, Piano, Viola and Double Bass
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In the 1980s Raskatov had experimented with a developing aural sign system – call it the „linguistics“ of music – such as the polystylistic manner of Schnittke, and various minimalist techniques. At t...
In the 1980s Raskatov had experimented with a developing aural sign system – call it the „linguistics“ of music – such as the polystylistic manner of Schnittke, and various minimalist techniques. At t...
- High Voice, Percussion and Piano
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- M.P. Belaieff
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- Oboe, Clarinet, Horn, Bassoon and Piano
- Instrumental Part: Piano (Download)
- Boosey & Hawkes
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Lied ohne Worte was commissioned by the Ruhr Piano Festival for Alfred Brendel’s 75th birthday. First performed (as Lied) on 9 August 2006 with Adrian Brendel and Till Fellner, Wuppertal, Historische...
Lied ohne Worte was commissioned by the Ruhr Piano Festival for Alfred Brendel’s 75th birthday. First performed (as Lied) on 9 August 2006 with Adrian Brendel and Till Fellner, Wuppertal, Historische...
- Voice, Cello and Piano
- Piano Score and Part(s) Download
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- Vocals (high), Tuba and Piano
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Although of a predominantly lyrical nature, this work utilizes many aspects of horn technique and thus presents a considerable challenge for the player. The work opens with dark chords seeking upwards...
Although of a predominantly lyrical nature, this work utilizes many aspects of horn technique and thus presents a considerable challenge for the player. The work opens with dark chords seeking upwards...
- Horn, strings, harp and marimba
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With its own character and its own particular atmosphere, each of the four separate movements that compose this work, evokes one of four famous and unique cities in the world: Buenos Aires, Venice, Lo...
With its own character and its own particular atmosphere, each of the four separate movements that compose this work, evokes one of four famous and unique cities in the world: Buenos Aires, Venice, Lo...
- Horn and Strings
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- Horn and Strings
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In the autumn of 1998, I asked Richard to write a flute quintet which would be suitable for a concert featuring the Bach Brandenburg Concerto No. 5 in D Major. Since the Brandenburg would be the last...
In the autumn of 1998, I asked Richard to write a flute quintet which would be suitable for a concert featuring the Bach Brandenburg Concerto No. 5 in D Major. Since the Brandenburg would be the last...
- 4 strings and flute
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The Magician's Shoes are gone! A pair of shoes of a performing magician invite you on a journey of discovery and wisdom as they escape their shiny black box and set off to see what the world has to of...
The Magician's Shoes are gone! A pair of shoes of a performing magician invite you on a journey of discovery and wisdom as they escape their shiny black box and set off to see what the world has to of...
- 5 Woodwinds, Piano and Narrator
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Festival Music was written in 1997 and commissioned by Ikemiya Music in celebration of the 600th year anniversary of the Temple of the Golden Pavilion in Kyoto, Japan.The opening ceremonies took place...
Festival Music was written in 1997 and commissioned by Ikemiya Music in celebration of the 600th year anniversary of the Temple of the Golden Pavilion in Kyoto, Japan.The opening ceremonies took place...
- Trumpet, Horn, Trombone, Piano, 2 Violins, Viola, Cello and Double Bass
- Set of Parts Download
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Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
- String Quartet
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Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
- String Quartet
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Inachus, the river god of Argos, had a beautiful daughter named Io. She served Hera, wife of Zeus, as a priestess. Zeus fell in love with her, making Hera jealous. She turned Io into a white heifer. H...
Inachus, the river god of Argos, had a beautiful daughter named Io. She served Hera, wife of Zeus, as a priestess. Zeus fell in love with her, making Hera jealous. She turned Io into a white heifer. H...
- Drums and 3 percussion
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Real monsters, or imaginary ones. Sometimes the difference is small! Monster of the Abyss. The first protagonist lives deep into the oceanic Abyss: we can hear its profound heartbeat as it sings a maj...
Real monsters, or imaginary ones. Sometimes the difference is small! Monster of the Abyss. The first protagonist lives deep into the oceanic Abyss: we can hear its profound heartbeat as it sings a maj...
- Tuba and Ensemble
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Suissitude (Swissness) What makes an identity? I have created 4 various musical descriptions expressing my concepts of Switzerland, and what seems to me is the essence of each section of the country a...
Suissitude (Swissness) What makes an identity? I have created 4 various musical descriptions expressing my concepts of Switzerland, and what seems to me is the essence of each section of the country a...
- Mixed choir and cornet
- Choral Score Download
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This piece, with its unexpected accompaniment by a string quartet, is one of the composer's last. With the quartet Ophelia (2006), she had acquired full mastery of writing for strings, which she uses...
This piece, with its unexpected accompaniment by a string quartet, is one of the composer's last. With the quartet Ophelia (2006), she had acquired full mastery of writing for strings, which she uses...
- String Quartet
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The Book of Job is my greatest work, the longest too. I have the impression of having achieved, succeeded in many things' said Caroline Charriere shortly before the creation of the work, which she con...
The Book of Job is my greatest work, the longest too. I have the impression of having achieved, succeeded in many things' said Caroline Charriere shortly before the creation of the work, which she con...
- Ensemble
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- Ensemble
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This piece was written in 2004 for the dedication of the new organ of the St. Niklaus Church in Humpolec, Croatia. The collaboration and use of children(s) voice with the sacred text was a conditional...
This piece was written in 2004 for the dedication of the new organ of the St. Niklaus Church in Humpolec, Croatia. The collaboration and use of children(s) voice with the sacred text was a conditional...
- Voice, Flute and Organ
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Regina coeli This piece was written in 2004 for the dedication of the new organ of the St. Niklaus Church in Humpolec, Croatia. The collaboration and use of children(s) voice with the sacred text was...
Regina coeli This piece was written in 2004 for the dedication of the new organ of the St. Niklaus Church in Humpolec, Croatia. The collaboration and use of children(s) voice with the sacred text was...
- Voice, Flute and Organ
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The beginning is taken from one of my previous works (1994) written for women's choir with harp and incorporated into this Libera me, with the addition of two horns. The first performance was given in...
The beginning is taken from one of my previous works (1994) written for women's choir with harp and incorporated into this Libera me, with the addition of two horns. The first performance was given in...
- Women's Choir (SA), 2 Horns and Harp
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