Classical Romantic Music Sheet Music for Orchestra

Details: 1 flute (petite flûte), 1 flute, 1 flute (alto flute), 1 oboe, 1 oboe d'amore (English horn), 1 clarinet, 1 basset horn, 1 bass clarinet, 4 horns, 2 trumpets, 3 trombones, 1 tuba, percussioni...

Missa Deo gratias - for children choir, mixed choir, two organs, two trumpets, two trombones and percussions - was premiered on Sunday, June 25, 2000, at the Notre-Dame de Paris cathedral, in the pres...

The performance of the Coronation Mass and the Requiem for the inauguration of the Mozart monument in Salzburg in September 1842, was conducted by Sigismund Neukomm (Salzburg, 1778-Paris, 1858), a tod...

The performance of the Coronation Mass and the Requiem for the inauguration of the Mozart monument in Salzburg in September 1842, was conducted by Sigismund Neukomm (Salzburg, 1778-Paris, 1858), a tod...

Details: 3 flutes (1st and 2nd playing the small flute), 1 oboe, 1 oboe d'amore, 1 English horn, 1 clarinet, 1 basset horn, 1 contrabassoon clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 2 trumpets,...

With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...

Adapted by Philippe Desriaux from Metastasio's work, Démophon's libretto isn't a mere translation of the original text, but rather a paraphrase preserving its poetic sense. Many modifications occurred...

When Azémia ou Les Sauvages is created at the Comédie-Italienne in Paris on May 3rd, 1787, the opéra comique is a genre in full development, fostered by the uprising publishing industry, the travellin...

The Second Concerto adopts the key of D minor for the first and third movements, and B flat major for the second. The fairly full orchestra consists of 2 flutes, 2 oboes, 2 bassoons, 2 horns and strin...

Alfred de Musset's L'Andalouse is part of a cycle of French art songs for piano and voice entitled "Poésies non choisies", in which we interweave compositions that we have undertaken for two or four h...

The arrangement of this short aria antica attributed to Pergolesi was commissioned for the concert-tribute to Enrico Caruso held in Paris at the Théâtre des Champs Élysées on 15 June 2009. Intended fo...

John Milton's "Paradise lost" begins with the vision of Satan and his fainted angels in the burning lake of Hell after their vertiginous fall into the great Abyss. It is only after a few chapters that...

John Milton's "Paradise lost" begins with the vision of Satan and his fainted angels in the burning lake of Hell after their vertiginous fall into the great Abyss. It is only after a few chapters that...

With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...

In 1792, the political upheavals in Paris came along with an aesthetic revolution. Artists demonstrated a deliberate, at times opportunistic, attempt to turn their backs on the melodic refinements and...

Confronting the night is probably the first time a child feels destabilised. The familiar outlines of the bedroom fade away into the darkness, the comforting face of the mother disappears behind the d...

Details: 4 flutes (two of which play the small and bass flutes), 2 oboes, 1 English horn, 4 clarinets (the third plays the bass clarinet and the fourth the contrabass clarinet), 2 bassoons, 1 contraba...

John Milton's "Paradise lost" begins with the vision of Satan and his fainted angels in the burning lake of Hell after their vertiginous fall into the great Abyss. It is only after a few chapters that...

Subtitled as a "dramatic monologue", Ariadne Theseo (Ariadne's letter to Theseus) for mezzo-soprano and orchestra, should be seen as echoing Claudio Monteverdi's famous Lamento d'Arianna. It is writte...

With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...

With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...

In 1792, the political upheavals in Paris came along with an aesthetic revolution. Artists demonstrated a deliberate, at times opportunistic, attempt to turn their backs on the melodic refinements and...

During the French Revolution, the Consulate and the Empire, Méhul may have been the only major French composer to fully understand and assimilate the latest perfections of the music in his times. Taug...

When Azémia ou Les Sauvages is created at the Comédie-Italienne in Paris on May 3rd, 1787, the opéra comique is a genre in full development, fostered by the uprising publishing industry, the travellin...

The first thing that stands out in the overture is the instrumentation, which includes two harps and a celeste. We hear these instruments, in an andante in 3/8, for 22 of the first 24 bars. Their timb...