Classical Romantic Music Sheet Music for Orchestra
Finished in 1848 and premiered in 1850 in Weimar, Germany, Richard Wagner's (1813-1883) LOHENGRIN tells a story of a tragic medieval German romance in the Knight of the Swan tradition. Elsa, a princes...
Finished in 1848 and premiered in 1850 in Weimar, Germany, Richard Wagner's (1813-1883) LOHENGRIN tells a story of a tragic medieval German romance in the Knight of the Swan tradition. Elsa, a princes...
- Soloists, Choir and Orchestra
- Score
- Edwin F. Kalmus
-
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Romanian composer, violinist, and conductor George Enescu (1881-1955) (Fr. Georges Enesco) wrote the two Roumanian (Romanian) Rhapsodies, Op. 11, in 1901. Much like Liszt's Hungarian Rhapsodies, both...
Romanian composer, violinist, and conductor George Enescu (1881-1955) (Fr. Georges Enesco) wrote the two Roumanian (Romanian) Rhapsodies, Op. 11, in 1901. Much like Liszt's Hungarian Rhapsodies, both...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Sergei Prokofiev (1891-1953) dedicated his CONCERTO for Piano No. 1 in D-flat, Op. 10, to his teacher Nikolai Tcherepnin. Composing it in the years 1911 and 1912, he gave the premiere in Moscow on May...
Sergei Prokofiev (1891-1953) dedicated his CONCERTO for Piano No. 1 in D-flat, Op. 10, to his teacher Nikolai Tcherepnin. Composing it in the years 1911 and 1912, he gave the premiere in Moscow on May...
- Piano and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Sergei Prokofiev (1891-1953) dedicated his CONCERTO for Piano No. 1 in D-flat, Op. 10, to his teacher Nikolai Tcherepnin. Composing it in the years 1911 and 1912, he gave the premiere in Moscow on May...
Sergei Prokofiev (1891-1953) dedicated his CONCERTO for Piano No. 1 in D-flat, Op. 10, to his teacher Nikolai Tcherepnin. Composing it in the years 1911 and 1912, he gave the premiere in Moscow on May...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...
Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...
- Orchestra
- Score
- Felix Mottl
- Edwin F. Kalmus
-
ships within 2-4 weeks
Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...
Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...
- Orchestra
- Score and Parts
- Felix Mottl
- Edwin F. Kalmus
-
ships within 2-4 weeks
Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...
Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...
Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...
Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...
Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...
The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...
- Soloists, Choir and Orchestra
- Score
- Edwin F. Kalmus
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ships within 2-4 weeks
The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...
The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...
- Soloists, Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
- Mixed Choir (SATB), Soloists and Orchestra
- Score
- Moritz Hauptmann
- Edwin F. Kalmus
-
ships within 2-4 weeks
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
- Mixed Choir (SATB), Soloists and Orchestra
- Score and Parts
- Moritz Hauptmann
- Edwin F. Kalmus
-
ships within 2-4 weeks
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
- Mixed Choir (SATB), Soloists and Orchestra
- Organ Score
- Moritz Hauptmann
- Edwin F. Kalmus
-
ships within 2-4 weeks
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...
- Mixed Choir (SATB), Soloists and Orchestra
- Choral Score
- Gustav Schreck John Ebenezer West
- Edwin F. Kalmus
-
ships within 2-4 weeks
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
- Mixed Choir (SATB), Soloists and Orchestra
- Score
- Wilhelm Rust Max Seiffert
- Edwin F. Kalmus
-
ships within 2-4 weeks
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
- Mixed Choir (SATB), Soloists and Orchestra
- Score and Parts
- Wilhelm Rust Max Seiffert
- Edwin F. Kalmus
-
ships within 2-4 weeks
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
- Mixed Choir (SATB), Soloists and Orchestra
- Choral Score
- Gunter Raphael, Bernhard Todt
- Edwin F. Kalmus
-
ships within 2-4 weeks
After the defeat of Napoleon during his 1813 campaign, German patriotism surged in popularity. This trend exhibited a heavy influence on the poetry and music of the time. In 1814, Friedrich Treitschke...
After the defeat of Napoleon during his 1813 campaign, German patriotism surged in popularity. This trend exhibited a heavy influence on the poetry and music of the time. In 1814, Friedrich Treitschke...
- Medium Voice, Mixed Choir and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
After the defeat of Napoleon during his 1813 campaign, German patriotism surged in popularity. This trend exhibited a heavy influence on the poetry and music of the time. In 1814, Friedrich Treitschke...
After the defeat of Napoleon during his 1813 campaign, German patriotism surged in popularity. This trend exhibited a heavy influence on the poetry and music of the time. In 1814, Friedrich Treitschke...
- Medium Voice, Mixed Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...
The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...
- Orchestra, High Voice and Orchestra
- Score
- Theo Gautier
- Edwin F. Kalmus
-
ships within 2-4 weeks
The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...
The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...
- Orchestra, High Voice and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Soloists, Choir and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Soloists, Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks