Classical Romantic Music Sheet Music for Orchestra
Zweifellos ist 'Samson et Dalila' heute die bekannteste der dreizehn Opern von Camille Saint-Saëns, die wie wenige Stücke des französischen 19. Jahrhunderts im Repertoire der internationalen Bühnen pr...
Zweifellos ist 'Samson et Dalila' heute die bekannteste der dreizehn Opern von Camille Saint-Saëns, die wie wenige Stücke des französischen 19. Jahrhunderts im Repertoire der internationalen Bühnen pr...
- Solos, Mixed choir (SATB) and Orchestra
- Score (Urtext)
- Fabien Guilloux Andreas Jacob
- Bärenreiter Verlag
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- Soloists and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Charles Gounod's 'Faust' secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with...
Charles Gounod's 'Faust' secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with...
- Soloists (SSSTBBB), Mixed Choir (SSTTBB) and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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- Solos, Mixed choir (SATB) and Orchestra
- Score Download
- François Saint-Yves
- Bärenreiter Verlag
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- Orchestra
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- B-Note Musikverlag
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- Clarinet and Orchestra
- Score and Parts
- John Glenesk Mortimer
- Editions Marc Reift
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This famous aria can be performed by orchestra with almost any solo instrument or voice.
This famous aria can be performed by orchestra with almost any solo instrument or voice.
- Instrument and Orchestra
- Score
- Goodmusic Publishing
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Eduardo e Cristina, performed at the Teatro San Benedetto in Venice on 24 April 1819, is the twenty-eighth opera composed by Rossini. It was widely circulated in the first half of the 19th century and...
Eduardo e Cristina, performed at the Teatro San Benedetto in Venice on 24 April 1819, is the twenty-eighth opera composed by Rossini. It was widely circulated in the first half of the 19th century and...
- Voice and Orchestra
- Score
- Ricordi
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Ernest Guiraud (1837–1892) war ein Kollege und guter Freund Bizets. Nach Bizets Tod komponierte er die noch heute in Carmen verwendeten Rezitative. Zwischen 1880 und 1882 stellte er aus dieser Oper zw...
Ernest Guiraud (1837–1892) war ein Kollege und guter Freund Bizets. Nach Bizets Tod komponierte er die noch heute in Carmen verwendeten Rezitative. Zwischen 1880 und 1882 stellte er aus dieser Oper zw...
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- Ernest Guiraud Fritz Hoffmann
- Edwin F. Kalmus
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Ernest Guiraud (1837–1892) war ein Kollege und guter Freund Bizets. Nach Bizets Tod komponierte er die noch heute in Carmen verwendeten Rezitative. Zwischen 1880 und 1882 stellte er für Choudens, Bize...
Ernest Guiraud (1837–1892) war ein Kollege und guter Freund Bizets. Nach Bizets Tod komponierte er die noch heute in Carmen verwendeten Rezitative. Zwischen 1880 und 1882 stellte er für Choudens, Bize...
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- Ernest Guiraud Fritz Hoffmann
- Edwin F. Kalmus
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Ernest Guiraud (1837-1892) was a colleague and good friend of Bizet's. After Bizet's death, he composed the recitatives still commonly used in Carmen. Between 1880 and 1882, he compiled two orchestral...
Ernest Guiraud (1837-1892) was a colleague and good friend of Bizet's. After Bizet's death, he composed the recitatives still commonly used in Carmen. Between 1880 and 1882, he compiled two orchestral...
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- Ernest Guiraud Fritz Hoffmann
- Edwin F. Kalmus
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While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and fr...
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and fr...
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- Edwin F. Kalmus
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While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and fr...
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and fr...
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- Edwin F. Kalmus
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Alexander Borodin (1833-1887) composed the four-act opera Prince Igor between 1869-1887, although it remained unfinished at his death. Fellow Russian composers Rimsky-Korsakov and Glazunov completed a...
Alexander Borodin (1833-1887) composed the four-act opera Prince Igor between 1869-1887, although it remained unfinished at his death. Fellow Russian composers Rimsky-Korsakov and Glazunov completed a...
- Orchestra
- Score
- Alexander Glasunow
- Edwin F. Kalmus
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Alexander Borodin (1833-1887) composed the four-act opera Prince Igor between 1869-1887, although it remained unfinished at his death. Fellow Russian composers Rimsky-Korsakov and Glazunov completed a...
Alexander Borodin (1833-1887) composed the four-act opera Prince Igor between 1869-1887, although it remained unfinished at his death. Fellow Russian composers Rimsky-Korsakov and Glazunov completed a...
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- Alexander Glasunow
- Edwin F. Kalmus
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In 1890, Engelbert Humperdinck (1854-1921) wrote an assortment of songs for a play written by Adelheid Wette, his sister, as a gift to her children. Spurred by his friend Richard Strauss, he took some...
In 1890, Engelbert Humperdinck (1854-1921) wrote an assortment of songs for a play written by Adelheid Wette, his sister, as a gift to her children. Spurred by his friend Richard Strauss, he took some...
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- Edwin F. Kalmus
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In 1890, Engelbert Humperdinck (1854-1921) wrote an assortment of songs for a play written by Adelheid Wette, his sister, as a gift to her children. Spurred by his friend Richard Strauss, he took some...
In 1890, Engelbert Humperdinck (1854-1921) wrote an assortment of songs for a play written by Adelheid Wette, his sister, as a gift to her children. Spurred by his friend Richard Strauss, he took some...
- 3 Soloists and Orchestra
- Score and Parts
- Edwin F. Kalmus
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This is the beautiful slow movement from Mascagni's CAVALLERIA RUSTICANA in the original edition and orchestration, including two harps and organ. Instrumentation: 1+Picc.2.2.0: 0.0.0.0: Hp(2): Org: S...
This is the beautiful slow movement from Mascagni's CAVALLERIA RUSTICANA in the original edition and orchestration, including two harps and organ. Instrumentation: 1+Picc.2.2.0: 0.0.0.0: Hp(2): Org: S...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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The Snow Maiden is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostr...
The Snow Maiden is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostr...
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- Edwin F. Kalmus
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Peter Ilyich Tchaikovsky (1840-1893) composed PIQUE DAME (THE QUEEN OF SPADES), Op. 68, for a commission by the Imperial Theatre. The libretto, adapted from an 1834 novella by Alexander Pushkin, was w...
Peter Ilyich Tchaikovsky (1840-1893) composed PIQUE DAME (THE QUEEN OF SPADES), Op. 68, for a commission by the Imperial Theatre. The libretto, adapted from an 1834 novella by Alexander Pushkin, was w...
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Peter Ilyich Tchaikovsky (1840-1893) composed PIQUE DAME (THE QUEEN OF SPADES), Op. 68, for a commission by the Imperial Theatre. The libretto, adapted from an 1834 novella by Alexander Pushkin, was w...
Peter Ilyich Tchaikovsky (1840-1893) composed PIQUE DAME (THE QUEEN OF SPADES), Op. 68, for a commission by the Imperial Theatre. The libretto, adapted from an 1834 novella by Alexander Pushkin, was w...
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- Edwin F. Kalmus
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Richard Wagner (1813-1883) drew from several Norse and Germanic legends as plot material for the second opera in his Ring cycle. DIE WALKÜRE, completed in March 1856, premiered at the Bayreuth Festspi...
Richard Wagner (1813-1883) drew from several Norse and Germanic legends as plot material for the second opera in his Ring cycle. DIE WALKÜRE, completed in March 1856, premiered at the Bayreuth Festspi...
- Orchestra
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- Wouter Hutschenruyter
- Edwin F. Kalmus
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Richard Wagner (1813-1883) griff für die Handlung der zweiten Oper seines Ring-Zyklus auf mehrere nordische und germanische Sagen zurück. DIE WALKÜRE, fertiggestellt im März 1856, wurde am 14. August...
Richard Wagner (1813-1883) griff für die Handlung der zweiten Oper seines Ring-Zyklus auf mehrere nordische und germanische Sagen zurück. DIE WALKÜRE, fertiggestellt im März 1856, wurde am 14. August...
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- Wouter Hutschenruyter
- Edwin F. Kalmus
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LA TRAVIATA (The Fallen Woman) is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled VIOLETTA, after the main character. Libre...
LA TRAVIATA (The Fallen Woman) is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled VIOLETTA, after the main character. Libre...
- 12 Soloists, Choir and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Un Ballo in Maschera (A Masked Ball) is an 1859 three act opera by Giuseppe Verdi (1813-1901) with a libretto by Antonio Somma. Initially based on Eugène Scribe's libretto for Daniel Auber's 1833 five...
Un Ballo in Maschera (A Masked Ball) is an 1859 three act opera by Giuseppe Verdi (1813-1901) with a libretto by Antonio Somma. Initially based on Eugène Scribe's libretto for Daniel Auber's 1833 five...
- 10 Soloists, Choir and Orchestra
- Score
- Edwin F. Kalmus
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