Classical Romantic Music Sheet Music for Orchestra

A German Requiem is not only one of Brahms' best-known and most frequently performed works, but is also one of the most important sacred compositions ever. At last, a scholarly-critical edition of thi...

Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...

Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...

Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...

Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...

Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...

Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...

Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...

ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...

ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...

ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...

This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled &q...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

BIBLICAL SONGS, Op. 99/B. 185, on texts from the Book of Psalms, were written in March of 1894, during Antonín Dvorák's (1841-1904) stay in the United States. The composer turned to the Bible against...

BIBLICAL SONGS, Op. 99/B. 185, on texts from the Book of Psalms, were written in March of 1894, during Antonín Dvorák's (1841-1904) stay in the United States. The composer turned to the Bible against...

César Franck (1822-1890) wrote his Mass in A Major, Op. 12 in the summer of 1860. It was later revised in 1872, with the then newly composed Panis angelicus replacing the original movement O salutaris...

The birth of a favourite hymn Parry lived toward the end of the age of oratorios. Handel had begun the fashion for large-scale works for chorus, soloists and orchestra, usually on a biblical or religi...

Friedrich Schneider's second oratorio Das Weltgericht was an immediate success at its 1820 premiere in Leipzig. The initial triumph of the work, which the appearance of Mendelssohn's oratorio Paulus o...

Dvorák's is one of the Czech composer's great works of church music and one of the most important Requiem settings in music history. The profound effect is based on a sequence of variations on a death...

Franz Schubert's famous Ave Maria arranged by Mark Armstrong for voice and small orchestra (Fl, Ob, Hn, Hp, Strings).

This authoritative edition presents full-score reproductions of three of Liszt's best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer's unpublished choral setting of...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...