Classical Romantic Music Sheet Music for Orchestra
Uniquely, the BAUERN-POLKA (POLKA FRANÇAISE), Op. 276 by Johann Strauss II (1825-1899) included a singing part for chorus, which was quickly picked up by its first audience. The premiere took place at...
Uniquely, the BAUERN-POLKA (POLKA FRANÇAISE), Op. 276 by Johann Strauss II (1825-1899) included a singing part for chorus, which was quickly picked up by its first audience. The premiere took place at...
- Orchestra
- Director's Score
- Edwin F. Kalmus
-
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Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...
Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...
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- Edwin F. Kalmus
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Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...
Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...
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- Director's Score
- Edwin F. Kalmus
-
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This orchestration is by famous Strauss conductor Max Schönherr.
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- Score and Parts
- Edwin F. Kalmus
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This orchestration is by famous Strauss conductor Max Schönherr.
- Orchestra
- Director's Score
- Edwin F. Kalmus
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DEMOLIERER, POLKA FRANCAISE (DEMOLIERER-POLKA), Op. 269 is a polka by Johann Strauss II (1825-1899), composed in 1862 to mark the demolition of Vienna's medieval city walls following a decree by Franz...
DEMOLIERER, POLKA FRANCAISE (DEMOLIERER-POLKA), Op. 269 is a polka by Johann Strauss II (1825-1899), composed in 1862 to mark the demolition of Vienna's medieval city walls following a decree by Franz...
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- Edwin F. Kalmus
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DEMOLIERER, POLKA FRANCAISE (DEMOLIERER-POLKA), Op. 269 is a polka by Johann Strauss II (1825-1899), composed in 1862 to mark the demolition of Vienna's medieval city walls following a decree by Franz...
DEMOLIERER, POLKA FRANCAISE (DEMOLIERER-POLKA), Op. 269 is a polka by Johann Strauss II (1825-1899), composed in 1862 to mark the demolition of Vienna's medieval city walls following a decree by Franz...
- Orchestra
- Director's Score
- Edwin F. Kalmus
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ENTWEDER ODER, POLKA SCHNELL, Op. 403 is a polka by Johann Strauss II (1825-1899), using themes from his 1881 operetta DER LUSTIGE KRIEG (THE FUNNY WAR). One of several short pieces based on this work...
ENTWEDER ODER, POLKA SCHNELL, Op. 403 is a polka by Johann Strauss II (1825-1899), using themes from his 1881 operetta DER LUSTIGE KRIEG (THE FUNNY WAR). One of several short pieces based on this work...
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- Edwin F. Kalmus
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ENTWEDER ODER, POLKA SCHNELL, Op. 403 is a polka by Johann Strauss II (1825-1899), using themes from his 1881 operetta DER LUSTIGE KRIEG (THE FUNNY WAR). One of several short pieces based on this work...
ENTWEDER ODER, POLKA SCHNELL, Op. 403 is a polka by Johann Strauss II (1825-1899), using themes from his 1881 operetta DER LUSTIGE KRIEG (THE FUNNY WAR). One of several short pieces based on this work...
- Orchestra
- Director's Score
- Edwin F. Kalmus
-
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The melody we know today for "Hark! the Herald Angels Sing" was originally written by Felix Mendelssohn (1809-1847) in 1840 as secular music for his Festgesang or Gutenberg Cantata to honor the creati...
The melody we know today for "Hark! the Herald Angels Sing" was originally written by Felix Mendelssohn (1809-1847) in 1840 as secular music for his Festgesang or Gutenberg Cantata to honor the creati...
- Choir and Orchestra
- Score
- William H. Cummings
- Edwin F. Kalmus
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The melody we know today for "Hark! the Herald Angels Sing" was originally written by Felix Mendelssohn (1809-1847) in 1840 as secular music for his Festgesang or Gutenberg Cantata to honor the creati...
The melody we know today for "Hark! the Herald Angels Sing" was originally written by Felix Mendelssohn (1809-1847) in 1840 as secular music for his Festgesang or Gutenberg Cantata to honor the creati...
- Choir and Orchestra
- Score and Parts
- William H. Cummings
- Edwin F. Kalmus
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The melody we know today for "Hark! the Herald Angels Sing" was originally written by Felix Mendelssohn (1809-1847) in 1840 as secular music for his Festgesang or Gutenberg Cantata to honor the creati...
The melody we know today for "Hark! the Herald Angels Sing" was originally written by Felix Mendelssohn (1809-1847) in 1840 as secular music for his Festgesang or Gutenberg Cantata to honor the creati...
- Choir and Orchestra
- Choral Score
- William H. Cummings
- Edwin F. Kalmus
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The melody we know today for "Hark! the Herald Angels Sing" was originally written by Felix Mendelssohn (1809-1847) in 1840 as secular music for his Festgesang or Gutenberg Cantata to honor the creati...
The melody we know today for "Hark! the Herald Angels Sing" was originally written by Felix Mendelssohn (1809-1847) in 1840 as secular music for his Festgesang or Gutenberg Cantata to honor the creati...
- Choir and Orchestra
- Piano Score
- William H. Cummings
- Edwin F. Kalmus
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Fresh from the loss of his oldest daughter Maria Mahler, and knowing he had a serious heart condition, Gustav Mahler (1860-1911) crafted Das Lied von der Erde (The Song of the Earth) in the years 1908...
Fresh from the loss of his oldest daughter Maria Mahler, and knowing he had a serious heart condition, Gustav Mahler (1860-1911) crafted Das Lied von der Erde (The Song of the Earth) in the years 1908...
- Soloists and Orchestra
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- Edwin F. Kalmus
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Fresh from the loss of his oldest daughter Maria Mahler, and knowing he had a serious heart condition, Gustav Mahler (1860-1911) crafted Das Lied von der Erde (The Song of the Earth) in the years 1908...
Fresh from the loss of his oldest daughter Maria Mahler, and knowing he had a serious heart condition, Gustav Mahler (1860-1911) crafted Das Lied von der Erde (The Song of the Earth) in the years 1908...
- Soloists and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expre...
Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expre...
- Horn and Orchestra
- Director's Score
- Edwin F. Kalmus
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Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expre...
Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expre...
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- Edwin F. Kalmus
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While his Symphony No. 9 is better known, Antonín Dvorák's (1841-1904) Symphony No. 7 is argued by many to be his best symphonic work. Inspired in part by his friend Johannes Brahms' new Symphony No....
While his Symphony No. 9 is better known, Antonín Dvorák's (1841-1904) Symphony No. 7 is argued by many to be his best symphonic work. Inspired in part by his friend Johannes Brahms' new Symphony No....
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- Otakar Sourek
- Edwin F. Kalmus
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While his Symphony No. 9 is better known, Antonín Dvorák's (1841-1904) Symphony No. 7 is argued by many to be his best symphonic work. Inspired in part by his friend Johannes Brahms' new Symphony No....
While his Symphony No. 9 is better known, Antonín Dvorák's (1841-1904) Symphony No. 7 is argued by many to be his best symphonic work. Inspired in part by his friend Johannes Brahms' new Symphony No....
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- Otakar Sourek
- Edwin F. Kalmus
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The first of a few works that Camille Saint-Saens (1835-1921) wrote for wind band, ORIENT AND OCCIDENT, subtitled "grand march," better resembles a tone poem. Inspired by the world travels he undertoo...
The first of a few works that Camille Saint-Saens (1835-1921) wrote for wind band, ORIENT AND OCCIDENT, subtitled "grand march," better resembles a tone poem. Inspired by the world travels he undertoo...
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- Edwin F. Kalmus
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The first of a few works that Camille Saint-Saens (1835-1921) wrote for wind band, ORIENT AND OCCIDENT, subtitled "grand march," better resembles a tone poem. Inspired by the world travels he undertoo...
The first of a few works that Camille Saint-Saens (1835-1921) wrote for wind band, ORIENT AND OCCIDENT, subtitled "grand march," better resembles a tone poem. Inspired by the world travels he undertoo...
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- Score and Parts
- Edwin F. Kalmus
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Carl Emil Paul Lincke (1866-1946) served as a composer and theater conductor. Thought of as the "father" of the Berlin operetta, he was best known for his operetta Frau Luna, though his Berliner Luft...
Carl Emil Paul Lincke (1866-1946) served as a composer and theater conductor. Thought of as the "father" of the Berlin operetta, he was best known for his operetta Frau Luna, though his Berliner Luft...
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- Edwin F. Kalmus
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Carl Emil Paul Lincke (1866-1946) served as a composer and theater conductor. Thought of as the "father" of the Berlin operetta, he was best known for his operetta Frau Luna, though his Berliner Luft...
Carl Emil Paul Lincke (1866-1946) served as a composer and theater conductor. Thought of as the "father" of the Berlin operetta, he was best known for his operetta Frau Luna, though his Berliner Luft...
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- Edwin F. Kalmus
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Carmen-Quadrille nach Motiven der gleichnamigen Oper von G. Bizet (Carmen quadrille based on motifs from the opera of the same name by G. Bizet), Op. 134, was written by Eduard "Edi" Strauss (1835-191...
Carmen-Quadrille nach Motiven der gleichnamigen Oper von G. Bizet (Carmen quadrille based on motifs from the opera of the same name by G. Bizet), Op. 134, was written by Eduard "Edi" Strauss (1835-191...
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- Edwin F. Kalmus
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DREI MILITARMARSCHEN (THREE MARCHES MILITAIRES), Op. 51, D. 733, were originally written for piano four-hands by Franz Schubert (1797 - 1828) during his stay at Count Johann Karl Esterházy's summer ho...
DREI MILITARMARSCHEN (THREE MARCHES MILITAIRES), Op. 51, D. 733, were originally written for piano four-hands by Franz Schubert (1797 - 1828) during his stay at Count Johann Karl Esterházy's summer ho...
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- Theodore Moses Tobani
- Edwin F. Kalmus
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