Classical Romantic Music Sheet Music for Orchestra
SIGURD JORSALFAR, OP. 22, was composed by Edvard Grieg (1843-1907) for a play by Bjørnstjerne Bjørnson in honor of King Sigurd I. First performed in Christiania on April 10, 1872, the incidental music...
SIGURD JORSALFAR, OP. 22, was composed by Edvard Grieg (1843-1907) for a play by Bjørnstjerne Bjørnson in honor of King Sigurd I. First performed in Christiania on April 10, 1872, the incidental music...
- Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks
SIGURD JORSALFAR, OP. 22, was composed by Edvard Grieg (1843-1907) for a play by Bjørnstjerne Bjørnson in honor of King Sigurd I. First performed in Christiania on April 10, 1872, the incidental music...
SIGURD JORSALFAR, OP. 22, was composed by Edvard Grieg (1843-1907) for a play by Bjørnstjerne Bjørnson in honor of King Sigurd I. First performed in Christiania on April 10, 1872, the incidental music...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Nowegian composer Johan Halvorsen (1864-1935) composed his ENTRY MARCH OF THE BOYARS in 1893, and it remains his most popular work. Following an offer of a post at the Bucharest Conservatory (which he...
Nowegian composer Johan Halvorsen (1864-1935) composed his ENTRY MARCH OF THE BOYARS in 1893, and it remains his most popular work. Following an offer of a post at the Bucharest Conservatory (which he...
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- Director's Score
- Edwin F. Kalmus
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Nowegian composer Johan Halvorsen (1864-1935) composed his ENTRY MARCH OF THE BOYARS in 1893, and it remains his most popular work. Following an offer of a post at the Bucharest Conservatory (which he...
Nowegian composer Johan Halvorsen (1864-1935) composed his ENTRY MARCH OF THE BOYARS in 1893, and it remains his most popular work. Following an offer of a post at the Bucharest Conservatory (which he...
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- Score and Parts
- Edwin F. Kalmus
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ships within 2-4 weeks
HÄNSEL UND GRETEL, a Märchenspiel (Fairy-tale opera) in three acts, was written by Engelbert Humperdinck (1854-1921) in 1890-1892, with a libretto by his sister Adelheid Wette. Humperdinck began to wo...
HÄNSEL UND GRETEL, a Märchenspiel (Fairy-tale opera) in three acts, was written by Engelbert Humperdinck (1854-1921) in 1890-1892, with a libretto by his sister Adelheid Wette. Humperdinck began to wo...
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- Director's Score
- Edwin F. Kalmus
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ships within 2-4 weeks
HÄNSEL UND GRETEL, a Märchenspiel (Fairy-tale opera) in three acts, was written by Engelbert Humperdinck (1854-1921) in 1890-1892, with a libretto by his sister Adelheid Wette. Humperdinck began to wo...
HÄNSEL UND GRETEL, a Märchenspiel (Fairy-tale opera) in three acts, was written by Engelbert Humperdinck (1854-1921) in 1890-1892, with a libretto by his sister Adelheid Wette. Humperdinck began to wo...
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- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Anatoly Lyadov (1855-1914) composed KIKIMORA, Op. 63 in 1909. Based on the familiar figure from Slavic mythology, the following description from Russian Folk-Tales of I.P. Sakharov (translated by Carl...
Anatoly Lyadov (1855-1914) composed KIKIMORA, Op. 63 in 1909. Based on the familiar figure from Slavic mythology, the following description from Russian Folk-Tales of I.P. Sakharov (translated by Carl...
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- I. P. Sakharov
- Edwin F. Kalmus
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Anatoly Lyadov (1855-1914) composed KIKIMORA, Op. 63 in 1909. Based on the familiar figure from Slavic mythology, the following description from Russian Folk-Tales of I.P. Sakharov (translated by Carl...
Anatoly Lyadov (1855-1914) composed KIKIMORA, Op. 63 in 1909. Based on the familiar figure from Slavic mythology, the following description from Russian Folk-Tales of I.P. Sakharov (translated by Carl...
- Orchestra
- Score and Parts
- I. P. Sakharov
- Edwin F. Kalmus
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ships within 2-4 weeks
THE ENCHANTED LAKE, Op. 62 is a tone poem by Anatoly Lyadov (1855-1914). Subtitled "fairy tale scene", it is probably his most celebrated work due to its delicate scoring and evocative tranquility. Sc...
THE ENCHANTED LAKE, Op. 62 is a tone poem by Anatoly Lyadov (1855-1914). Subtitled "fairy tale scene", it is probably his most celebrated work due to its delicate scoring and evocative tranquility. Sc...
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- Director's Score
- Edwin F. Kalmus
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Hungarian virtuoso pianist and composer Franz Liszt (1811-1886) began to develop the concept of the symphonic poem (symphonische dichtung; poème symphonique) following his 1847 retirement from concert...
Hungarian virtuoso pianist and composer Franz Liszt (1811-1886) began to develop the concept of the symphonic poem (symphonische dichtung; poème symphonique) following his 1847 retirement from concert...
- Orchestra
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- Otto Taubmann
- Edwin F. Kalmus
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Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his stud...
Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his stud...
- Piano and Orchestra
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- Edwin F. Kalmus
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ships within 2-4 weeks
Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his stud...
Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his stud...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
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ships within 2-4 weeks
The idea for TOTENTANZ, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....
The idea for TOTENTANZ, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....
- Piano and Orchestra
- Director's Score
- Edwin F. Kalmus
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ships within 2-4 weeks
The idea for TOTENTANZ, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....
The idea for TOTENTANZ, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864....
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Franz Liszt (1811-1886) wrote 19 Hungarian Rhapsodies for piano as a way to incorporate the music of his youth into his compositions, and Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2 (1847) is b...
Franz Liszt (1811-1886) wrote 19 Hungarian Rhapsodies for piano as a way to incorporate the music of his youth into his compositions, and Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2 (1847) is b...
- Orchestra
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- Karl Muller-Berghaus
- Edwin F. Kalmus
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Franz Liszt (1811-1886) wrote 19 Hungarian Rhapsodies for piano as a way to incorporate the music of his youth into his compositions, and Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2 (1847) is b...
Franz Liszt (1811-1886) wrote 19 Hungarian Rhapsodies for piano as a way to incorporate the music of his youth into his compositions, and Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2 (1847) is b...
- Orchestra
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- Karl Müller-Berghaus
- Edwin F. Kalmus
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Gustav Mahler (1860-1911) composed his FIFTH SYMPHONY between 1901 and 1902, a time during which he found great success in his conducting career, and met and married Alma Schindler, who by the summer...
Gustav Mahler (1860-1911) composed his FIFTH SYMPHONY between 1901 and 1902, a time during which he found great success in his conducting career, and met and married Alma Schindler, who by the summer...
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- Edwin F. Kalmus
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Gustav Mahler (1860-1911) composed his FIFTH SYMPHONY between 1901 and 1902, a time during which he found great success in his conducting career, and met and married Alma Schindler, who by the summer...
Gustav Mahler (1860-1911) composed his FIFTH SYMPHONY between 1901 and 1902, a time during which he found great success in his conducting career, and met and married Alma Schindler, who by the summer...
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This is the beautiful slow movement from Mascagni's CAVALLERIA RUSTICANA in the original edition and orchestration, including two harps and organ. Instrumentation: 1+Picc.2.2.0: 0.0.0.0: Hp(2): Org: S...
This is the beautiful slow movement from Mascagni's CAVALLERIA RUSTICANA in the original edition and orchestration, including two harps and organ. Instrumentation: 1+Picc.2.2.0: 0.0.0.0: Hp(2): Org: S...
- Orchestra
- Score
- Edwin F. Kalmus
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ships within 2-4 weeks
Felix Mendelssohn (1809-1847) wrote Capriccio Brillant, Op. 22 during his second vist to England. This charming example of Mendelssohn's writing for piano has two movements: an Andante with a gentle,...
Felix Mendelssohn (1809-1847) wrote Capriccio Brillant, Op. 22 during his second vist to England. This charming example of Mendelssohn's writing for piano has two movements: an Andante with a gentle,...
- Piano and Orchestra
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- Edwin F. Kalmus
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Felix Mendelssohn (1809-1847) wrote Capriccio Brillant, Op. 22 during his second vist to England. This charming example of Mendelssohn's writing for piano has two movements: an Andante with a gentle,...
Felix Mendelssohn (1809-1847) wrote Capriccio Brillant, Op. 22 during his second vist to England. This charming example of Mendelssohn's writing for piano has two movements: an Andante with a gentle,...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
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ships within 2-4 weeks
SYMPHONY NO. 3 IN A MINOR, OP. 56 "SCOTTISH" was inspired by a walking tour in Scotland that Felix Mendelssohn (1809-1847) took in 1829 with his friend Karl Klingemann. The first idea of writing the s...
SYMPHONY NO. 3 IN A MINOR, OP. 56 "SCOTTISH" was inspired by a walking tour in Scotland that Felix Mendelssohn (1809-1847) took in 1829 with his friend Karl Klingemann. The first idea of writing the s...
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- Edwin F. Kalmus
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Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
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- Edwin F. Kalmus
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Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age...
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- Score and Parts
- Edwin F. Kalmus
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In 1840, the King of Prussia invited Felix Mendelssohn (1809-1847) to accept a lofty musical appointment in the French Academie Royale. A few years later, Wilhelm IV commissioned the composer to write...
In 1840, the King of Prussia invited Felix Mendelssohn (1809-1847) to accept a lofty musical appointment in the French Academie Royale. A few years later, Wilhelm IV commissioned the composer to write...
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- Edwin F. Kalmus
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ships within 2-4 weeks