Classical Sheet Music for Cello

Liszt komponierte und veröffentlichte die "Romance oubliée" 1881 für Klavier solo, für Violine oder Viola oder Violoncello und Klavier. Die dort verwendeten Tonarten waren G-Dur und E-Dur. In der Ausg...

Aus der Praxis für die Praxis: Vereinfachte Klavierbegleitungen zu Standardwerken verschiedener Instrumente ermöglichen auch Klavierspielenden ohne Studium die Möglichkeit, ihre SchülerInnen, Kinder,...

Aus der Praxis für die Praxis: Vereinfachte Klavierbegleitungen zu Standardwerken verschiedener Instrumente ermöglichen auch Klavierspielenden ohne Studium die Möglichkeit, ihre SchülerInnen, Kinder,...

Immerse yourself in the rich and moving world of "Song For Ainola." This expressive piece for cello captures the peaceful, evocative atmosphere of the famous Nordic artist's home, allowing the instrum...

Immerse yourself in the magnificent sound of the classical cello repertoire with the Concerto No. 1 in G major for Violoncello and Orchestra. Composed for the music-loving King of Prussia, this master...

Georg Philipp Telemann's Sonata in D major TWV 41:D 6 is a radiant gem of the Baroque cello repertoire. Originally published in Telemann's celebrated musical periodical "Der getreue Musikmeister", thi...

Immerse yourself in the rich baroque soundscape with the renowned Sonata in D major, TWV 41:D 6. Originating from the historic collection "Der getreue Musikmeister", this masterpiece stands as an abso...

Immerse yourself in the warm, expressive sound of Baroque music with the “Sonata for Violoncello and Basso Continuo in G major”. This enchanting work allows cellists to showcase melodic elegance and s...

This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré's middle creative period and was first published simultaneously in France and England in 1898, reflect...

After the great success of his Élégie (HN 563), Fauré's publisher Hamelle urged him to write another, similarly effective piece for cello and piano. Papillon was probably already composed in 1884, tho...

This single-movement sonata for cello and piano, Evgeny Kissin's Opus 2, evokes a sombre, melancholic ballad. The approximately ten-minute work from 2016 places high demands on both instrumentalists i...

At the beginning of the 1870s, Saint-Saëns showed a particular fondness for the violoncello. He completed his first cello sonata in December 1872, immediately after finishing his first cello concerto...

Without a doubt, Dvořák's melodious cello concerto numbers among the most popular of its kind. It is hard to imagine that the Musical Times harboured little hope that it would remain in the repertoire...

After the first cello sonata of 1872 (HN 1057) quickly became popular, the publisher kept urging the composition of a second sonata for this instrumentation. But it was not until March 1905, in the mi...

Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for cello and piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitu...

In contrast to the first cello sonata (HN1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the sta...

Just a few months after completing his Cello Sonata op. 6, Strauss composed another work for this instrument: a Romance for cello and orchestra, which remained unpublished during his lifetime. Accordi...

Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss' early œuvre. The influences of Mendelssohn,...

Of Beethoven's five cello sonatas, the Grande Sonate op. 69, published in 1809, is not only the centrepiece, but also musically the most significant. The artful coupling of the two instruments is on d...

Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewer of the original edition noted in 1818 that they 'doubtless number a...

Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewer of the original edition noted in 1818 that they 'doubtless number a...

Like Elgar's Salut d'amour, the two 'chansons' are amongst his most popular melodies. The dreamy Chanson de nuit and its cheerful counterpart Chanson de matin are often performed together. Composer an...

The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello's name are to the present day firmly established in the cello repertoire. Although Marcello's authorship is not un...