Classical Sheet Music for Chamber Orchestra
Immerse yourself in the timeless elegance of Maurice Ravel's masterpiece 'Pavane pour une infante défunte'. In this subtle orchestration for small orchestra (petit orchestre), this deeply moving work...
Immerse yourself in the timeless elegance of Maurice Ravel's masterpiece 'Pavane pour une infante défunte'. In this subtle orchestration for small orchestra (petit orchestre), this deeply moving work...
- Chamber Orchestra
- Instrumental Part: Cello (Urtext)
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Immerse yourself in the delicate melancholy and incomparable magic of Maurice Ravel’s masterpiece: "Pavane pour une infante défunte" (pour petit orchestre) is among the most touching creations of Fren...
Immerse yourself in the delicate melancholy and incomparable magic of Maurice Ravel’s masterpiece: "Pavane pour une infante défunte" (pour petit orchestre) is among the most touching creations of Fren...
- Chamber Orchestra
- Instrumental Part: Cello (Download) (Urtext)
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Maurice Ravel’s "Pavane pour une infante défunte" is undeniably one of the most graceful and poignant masterworks of French Impressionism. In this arrangement for small orchestra ("pour petit orchestr...
Maurice Ravel’s "Pavane pour une infante défunte" is undeniably one of the most graceful and poignant masterworks of French Impressionism. In this arrangement for small orchestra ("pour petit orchestr...
- Chamber Orchestra
- Instrumental Part: Double Bass (Urtext)
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Immerse yourself in the delicate melancholy and timeless enchantment of Maurice Ravel's masterpiece Pavane pour une infante défunte. In this version pour petit orchestre, the piece unfolds an intimate...
Immerse yourself in the delicate melancholy and timeless enchantment of Maurice Ravel's masterpiece Pavane pour une infante défunte. In this version pour petit orchestre, the piece unfolds an intimate...
- Chamber Orchestra
- Single part double bass Download (Urtext)
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- Chamber Orchestra
- Score Download
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Scored for horn and chamber orchestra Campana in Aria was composed in 1998 to mark the 40th birthday of Esa-Pekka Salonen. Salonen conducted the first performance; his musical career began as a horn p...
Scored for horn and chamber orchestra Campana in Aria was composed in 1998 to mark the 40th birthday of Esa-Pekka Salonen. Salonen conducted the first performance; his musical career began as a horn p...
- Horn and Chamber Orchestra
- Study Score
- Boosey & Hawkes
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This work was composed in 2017-18 and first performed on 20 September 2019 at Milton Court, Barbican, London, by Allan Clayton (tenor) with the Britten Sinfonia, conducted by Andrew Gourlay. This 22 m...
This work was composed in 2017-18 and first performed on 20 September 2019 at Milton Court, Barbican, London, by Allan Clayton (tenor) with the Britten Sinfonia, conducted by Andrew Gourlay. This 22 m...
- High Voice and Chamber Orchestra
- Study Score
- Boosey & Hawkes
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Contents: La Bonne Chanson * Sagesse
Contents: La Bonne Chanson * Sagesse
- Medium Voice and Chamber Orchestra
- Score
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- Chamber Orchestra
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The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
- Horn and Chamber Orchestra
- Score
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The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
- Horn and Chamber Orchestra
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This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
- Flute and Chamber Orchestra
- Score
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This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
- Flute and Chamber Orchestra
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2 solistes, choeur d'enfants et orchestre de chambre Exact instrumentation: soprano, baryton, choeur d'enfants, 2.1.1.1 - 2.2.1.1. - celesta, harpe, 2 percussions, cordes (6.5.4.3.2 min. 5.4.2.2.1)
2 solistes, choeur d'enfants et orchestre de chambre Exact instrumentation: soprano, baryton, choeur d'enfants, 2.1.1.1 - 2.2.1.1. - celesta, harpe, 2 percussions, cordes (6.5.4.3.2 min. 5.4.2.2.1)
- Soloists, Children's Choir and Chamber Orchestra
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Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
- Mixed Choir (SATB) and Chamber Orchestra
- Study Score
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Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
Plato: Timaeus 24D–25D "For the sea there was navigable at that time; for at the mouth of the strait—which you Greeks, as you say, call the ‘Pillars of Heracles’—there lay an island larger than Libya...
- Mixed Choir (SATB) and Chamber Orchestra
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Chamber Orchestra Exact instrumentation: 1(picc).1(eh).1(bcl).1(cbs). - 1.1(picc,flg).0.0. - percussion (1) - piano - strings
Chamber Orchestra Exact instrumentation: 1(picc).1(eh).1(bcl).1(cbs). - 1.1(picc,flg).0.0. - percussion (1) - piano - strings
- Chamber Orchestra
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Chamber Orchestra Exact instrumentation: 2.2.2.2-2.2.0.0.-timpani, percussion, vibraphone, celesta, strings
Chamber Orchestra Exact instrumentation: 2.2.2.2-2.2.0.0.-timpani, percussion, vibraphone, celesta, strings
- Chamber Orchestra
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Chamber Orchestra Exact instrumentation: 2.2.2.2.-2.2.0.0. - timpani, percussion, strings
Chamber Orchestra Exact instrumentation: 2.2.2.2.-2.2.0.0. - timpani, percussion, strings
- Chamber Orchestra
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Chamber Orchestra Exact instrumentation: 2.1.2.2.-2.1.0.0 - strings
Chamber Orchestra Exact instrumentation: 2.1.2.2.-2.1.0.0 - strings
- Chamber Orchestra
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Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
- Accordion and Chamber Orchestra
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Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
- Accordion and Chamber Orchestra
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Study score and solo parts.
Study score and solo parts.
- 3 Percussion and Chamber Orchestra
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The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
- Score
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The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
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