Classical Sheet Music for Mixed Choir

This fleet-footed setting of a medieval French folksong is packed with energy and self-assurance. Sure to please!

Written in the style of 19th century Shaker music, this new composition by Wayland Rogers uses claps and foot stomps along with energetic music to capture the sense of movement that is essential to th...

While we as humans are rooted here to the ground, why do we always look up when searching for answers? This music explores this ancient theme with long phrases, repeated words and the seemingly unendi...

Rubato phrasings and delicate word painting are the gentle elements that move this beautiful new setting of the iconic Pickthall poem. Shifting tonal centers, divisi in all voice parts and the a cappe...

Written in a Foundation for Small Voices song-writing workshop hosted by the Cincinnati Children's Choir, the student's message is loud and clear - 'Whatever your journey, whatever your beliefs, whate...

This beautiful text by Canadian poet Bliss Carman speaks to themes of peace, thankfulness and humility. The texture is mostly homophonic with brief sections of divisi to illuminate colors and images i...

The final track on Jacob Collier's four-part, genre-bending, award-winning and world-conquering Djesse album series, this seven minute choral opus was recorded in partnership with Jason Max Ferdinand...

The final track on Jacob Collier's four-part, genre-bending, award-winning and world-conquering Djesse album series, this seven minute choral opus was recorded in partnership with Jason Max Ferdinand...

Puisque tout passe - [Since all is passing] is one of six songs for mixed choir from 1939. It is one of the most natural and spontaneous pieces among Hindemith's a cappella choral works. This work is...

Peteris Vasks komponierte dieses Werk auf denText des gleichnamigen Gedichtes des 1936 in Riga geborenen Autors Knuts Skujenieks als liebevolle Hommage an die Landschaft seines Heimatlandes Litauen: W...

Peteris Vasks komponierte dieses Werk auf denText des gleichnamigen Gedichtes des 1936 in Riga geborenen Autors Knuts Skujenieks als liebevolle Hommage an sein Vaterland Litauen. Durch die Aussprachhi...

Daybreak by Christi Jones, with contributions from her teenage son Carson Jones, is a powerful a cappella piece for developing mixed choir featuring body percussion. The music begins in a haunting min...

This SATB work, originally commissioned for women's choir,  is an energetic reimagining of timeless text and tune from the 12th century poet, composer, and philosopher Hildegard of Bingen. The marriag...

Narverud's done it again with Cantate, a powerful, well-crafted concert opener. His SATB a cappella, heart-pounding, canonic work contains driving rhythms and cluster chords. A  must sing!

The joyful, cascading introduction begins from a unison note, setting the tone for Narverud's canonic-like setting of the famous Teasdale poem Life has loveliness to sell.   Like a heartbeat, the rhyt...

Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary.

In 1994, for the 500th anniversary of the University of Aberdeen, Judith Weir wrote two settings of 17th century English verse and choir, entitles Two Human Hymns. In 1997, Weir arranged the first of...

The enormous range of publications for mixed choir is published in the Choir Library in volumes for secular and sacred repertoire, respectively. The secular repertoire is divided into two volumes of u...