Classical Sheet Music for Mixed Choir

Like Ruth Crawford-Seeger's (1901-1953) THREE CHANTS FOR FEMALE CHORUS, also written in 1930, CHANT, 1930 (for SATB mixed chorus and soprano solo, a cappella) uses a construction of syllables created...

This setting of poems by Robert Herrick for SATB choir is dedicated to the composer's wife and two daughters. Poems: I. How Violets Came Blue; II. How Marigolds Came Yellow; III. How Roses Came Red.

This liveley arrangement for unaccompanied SATB chorus of Stephen Foster's CAMPTOWN RACES has been completed by Walter Watson.

Anne Boyd 's A Vision: Jesus Reassures His Mother for 6 unaccompanied voices (SSATBB). Composed in 1999, published in 2001. Duration: 14 minutes. Commissioned by the Song Company and performed by them...

Anne Boyd's A Lullaby Of The Nativity for unaccompanied SATB Choir. Vocal score.

Alex Freeman's Under the arching heavens: A Requiem (2018) was commissioned by Nils Schweckendiek and the Helsinki Chamber Choir to commemorate the 100th anniversary of the 1918 Finnish civil war. Str...

Alex Freeman's A Wilderness of Sea (SSSSAAAATTTTBBBB) draws from four of Shakespeare's most famous works. It emphasizes a common thread among those works that addresses two of the most universal aspec...

Matthew Whittall's large-scale choral song cycle Songs of Travel (2020-2021) is set to poems by Robert Louis Stevenson (1850-1894), compiled and adapted by the composer. The opening song, Home no more...

Johanna Almark - singer, orchestra and choral conductor, composer, arranger and violinist - is one of Finland's most versatile musicians. "The rain it raineth every day" is a swinging 21st century mad...

Zibuokle Martinaityté's Ululation (2023) for mixed choir developes entirely from the ululating gesture. The composer tells: The idea of ululations as an audible, ritualistic expression of mourning bec...

These vibrant preces and responses are a refreshing addition to the repertoire for choral evensong. The composer approached the text as prayers, sometimes highlighting exultation, sometimes vulnerabil...

This piece is inspired by a personal interpretation of the relationship with our divine origin. This work is characterized by the use of modal scales, secundal harmony, hemiolas, and 5/8 and 7/8 time...

Hear Us is an introspective piece that uses poem XXIII from John Donne's Litany. One of the most beloved English poets of the late 16th and early 17th centuries, Donne's poem is both repentant and tho...

At the Round Earth's Imagined Corners: An Anthem for All Saints is a brisk piece for a cappella choir that sets John Donne's Holy Sonnet Number Seven for unaccompanied choir as an anthem for All Saint...